Showing results for "the women" in Women

At the turn of the 20th century, in the village of Nagyrév, Hungary, midwife Zsuzsanna Fazekas was more than a caretaker—she was a confidante. She helped poor women give birth; she assisted them with abortions; and she listened. Their stories were the same: husbands who drank, who beat them, who made their lives unbearable. In response, Auntie Zsuzsi asked one question: "Why bother with them?" Her solution was arsenic.

Normal Women is a radical retelling of our nation’s story – not of the rise and fall of kings and the occasional queen – but of social and cultural change, powered by the determination, persistence and effectiveness of women – from 1066 to modern times. Did women really do nothing to shape England’s culture and traditions in nine centuries of turmoil, plague, famine, religious reform and the rise of empire and industry?

Throughout history, women have played integral roles in family, society, religion, government, war - in short, in all aspects of human civilization. Their contributions have often shaped history and shifted the axis of power for later generations of women. And yet, unearthing their stories from the historical record has often been a challenge. In Powerful Women of the Medieval World, Professor Dorsey Armstrong will introduce you to 10 amazing women who played vital roles in the Middle Ages.

Since the beginning of the #MeToo movement, tens of thousands of people in South Korea have taken to the street, and many more brave individuals took a stand, to end a decades-long abortion ban and bring down powerful men accused of sexual misconduct—including a popular presidential contender. Author Hawon Jung shows the world that these women are no delicate flowers—they are trailblazing flames. Flowers of Fire takes the listener into the trenches of this fight for equality.

In June 1941, when Hitler launched Operation Barbarossa, Lyudmila Pavlichenko left her university studies and ignored the offer of a position as a nurse to become one of Soviet Russia's 2,000 female snipers. Less than a year later, she had 309 recorded kills, including 29 enemy sniper kills. She was withdrawn from active duty after being injured. She was also regarded as a key heroic figure for the war effort.

Weaving in and out of these myriad lives, sharing her own memories of otherworldly experiences, Jennifer Higgie discusses the solace of ritual, the gender exclusions of art history, the contemporary relevance of myth, the boom in alternative ways of understanding the world and the impact of spiritualism on feminism and contemporary art. A radical reappraisal of a marginalised group of artists, The Other Side is an intoxicating blend of memoir, biography and art history.

Welcome to the Women of War Omnibus. We are honored to have you join us on this remarkable journey through the lives of extraordinary women who shaped history through their courage, resilience, and indomitable spirit. Across these volumes, you will discover the inspiring stories of heroines like Boudica, Joan of Arc, Irena Sendler, Queen Amanirenas, Virginia Hall, Anne Frank, Florence Nightingale, Nakano Takeko, Lyudmila Pavlichenko, and Lagertha—each a beacon of strength in the face of unimaginable challenges.

In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world’s greatest legends. Following in their footsteps, digging into the history behind Homer’s epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women – queens, mothers, warriors, slaves – were, how they lived, and how history has (or has not – until now) remembered them.

The Combahee River Collective, a path-breaking group of radical black feminists, was one of the most important organizations to develop out of the antiracist and women's liberation movements of the 1960s and 70s. In this collection of essays and interviews edited by activist-scholar Keeanga-Yamahtta Taylor, founding members of the organization and contemporary activists reflect on the legacy of its contributions to black feminism and its impact on today's struggles.

In 1673, fifteen-year-old Maria d’Este travelled from Italy to marry James, Duke of York, the future King of England and a man twenty-five years her senior. Thrust from a pious life on the path to become a nun, at the debauched court of Charles II she set about recreating the world she’d left behind – a world where women were highly educated, exercised power and celebrated art and artists with concentrated patronage.

Polly, Annie, Elizabeth, Catherine and Mary-Jane are famous for the same thing, though they never met. They came from Fleet Street, Knightsbridge, Wolverhampton, Sweden and Wales. They wrote ballads, ran coffeehouses and lived on country estates; they breathed ink dust from printing presses and escaped people traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women.

The story of the family who rose from the Frankfurt ghetto to become synonymous with wealth and power has been much mythologised. Yet half the Rothschilds, the women, remain virtually unknown. Natalie Livingstone follows the extraordinary lives of the English branch of the Rothschild women from the dawn of the 19th century to the early years of the 21st.

For centuries, men have been writing histories of antiquity filled with warlords, emperors and kings. But when it comes to incorporating women aside from Cleopatra and Boudica, writers have been more comfortable describing mythical heroines than real ones. While Penelope and Helen of Troy live on in the imagination, their real-life counterparts have been relegated to the margins. In The Missing Thread, Daisy Dunn inverts this tradition and puts the women of history at the centre of the narrative.

Women's accomplishments across history are showcased as aberrations or surprising facts. Little thought is often given to the reasons why most of our lauded scientists, reporters, sports stars, politicians, and businesspeople all seem to be men. Uncredited proves that not only have there been hundreds of ground-breaking women in all professions, but that their accomplishments have been overlooked, denigrated, or downright repressed by their male colleagues or historians.

What did it feel like to be a woman living in Paris during the years 1939 to 1949? These were years of fear, power, aggression, courage, deprivation and secrets until, finally, there was renewal and retribution. Even at the darkest moments, dogs and cats might be abandoned howling on the street, the swastika flew from the Eiffel Tower and danger lurked on every corner, but glamour was ever present.

Until the 20th century, art history was, in the main, written by white, western men who tended to write about other white, western men. The idea that women in the West have always made art was rarely cited as a possibility. Yet, they have - and, of course, continue to do so - often against tremendous odds, from laws to religion and the pressures of family and public disapproval. Feminism has shaken up the story of art and, for the first time, cast light on the often-brilliant work by women artists who were often ignored, patronised or marginalised.

In his eagerly anticipated follow-up to the enormously successful Seven Men, New York Times best-selling author Eric Metaxas gives us seven captivating portraits of some of history's greatest women, all of whom changed the course of history by following God's call upon their lives - as women.

On March 25, 1942, nearly a thousand young, unmarried Jewish women boarded a train in Poprad, Slovakia. Filled with a sense of adventure and national pride, they left their parents' homes wearing their best clothes and confidently waving good-bye. Believing they were going to work in a factory for a few months, they were eager to report for government service. Instead, the young women - many of them teenagers - were sent to Auschwitz.

Nazi Wives explores these women in detail for the first time, skilfully interweaving their stories through years of struggle, power, decline and destruction into the post-war twilight of denial and delusion. Goering, Goebbels, Himmler, Heydrich, Bormann, Hess - names synonymous with power and influence in the Third Reich. Perhaps less familiar are Carin, Emmy, Magda, Margaret, Lina, Gerda and Ilse.... These are the women behind the infamous men.

Every queen had ladies-in-waiting. Her confidantes and chaperones, they are the forgotten agents of the Tudor court. Ever present and yet hidden behind the scenes, these women held the secrets and the hearts of some of the Tudor period's most powerful men and women. Experts at survival, negotiating the competing demands of their families and their queen, the ladies-in-waiting of Henry VIII's wives were far more than decorative 'extras': they were serious political players who changed the course of history, and four of them became queen themselves.