Showing results for "dh lawrence" in Literary Fiction

Sons and Lovers, Lawrence's third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a middle-class woman and a miner) in the tough world of coal mining brought a refreshing realism to literature. It remains a challenging text and is studied widely. It is particularly effective on audiobook in the hands of Nottinghamshire reader Paul Slack.

Constance Chatterley seeks to escape from the confines of a loveless marriage and the upper class surroundings that suffocate her. When she meets the gamekeeper of Chatterley mansion, Oliver Mellors, she is mesmerised and infatuated by his no-nonsense demeanour and passionate touch. The two soon forge a profound bond as a result of their sexual compatibility and sociopolitical views.

Sons and Lovers, D. H. Lawrence's first major novel, was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly knit mining community and by a family where feelings are never hidden for long. When the marriage between Walter Morel and his sensitive, high-minded wife begins to break down, the bitterness of their frustration seeps into their children's lives.

Paul Morel, caught between the suffocating love of his mother and the tumultuous relationships with the women in his life, struggles to define himself. As he grows, he is torn between devotion to his mother and his own desire for independence and passion. A raw, emotional exploration of human desires, repression, and the painful journey of becoming one's own person, Sons and Lovers reveals the complexities of the ties that bind us—and the cost of breaking free.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters, Gudrun and Ursula Brangwen. Intelligent, incisive, and observant, the two very different sisters pursue thrilling, torrid affairs with their lovers, Rupert and Gerald, while searching for more mature emotional relationships. Against a haunting World War I backdrop of coal mines, factories, and a beleaguered working class, Gudrun and Ursula's temperamental differences spark an ongoing debate regarding their society and their inner lives.

When Constance Reid's new husband, Sir Clifford Chatterley, returns from war paralyzed and in a wheelchair, she sees her future wither. As their marriage grows loveless, she mourns the desires fated to go unfulfilled. But a stirring fascination with Oliver Mellors, the estate's coarse, taciturn gamekeeper, blooms into feelings she feared had died. Soon the lovers find themselves entangled in scandal, and their taboo affair becomes as pernicious as it is passionate.

Lawrence’s style is bold, intimate and inventive and he always has the capacity to shock. His great strength comes from the realism of the characters he portrays and the play on tension – first seen in the exchanges between Gertrude and Morel and continuing with Paul, his Mother and his two women – which never lets up. Then marvel at the depth and quality of the writing as the story moves relentlessly towards its conclusion.

A powerful and engrossing tale of extremes and extremists, D. H. Lawrence's Women in Love follows the passionate relationships of two sisters, Gudrun and Ursula Brangwen, with their respective lovers, the ominous Gerald Crich and the charismatic but fragile Rupert Birkin.

Under-appreciated until now, The Lost Girl is perhaps D.H. Lawrence's most beautiful, thoroughly contemporary, love story. This captivating novel charts the journey of a woman caught between two worlds and two lives, one mired in dreary, industrial England and a life of convention, the other set in the vibrant Italian landscape holding the promise of sensual liberation.

Two women isolated on a lonely Cornish farm face an evil greater than all others: A fox has begun carrying off hens and roosters, and nothing they do seems to stop him. And then one day, a mysterious young man appears at the door. Now the women have to fend off not one, but two foxes.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time. What was it like to love, live, and rebel in Britain during the 19th and 20th centuries? These beloved British novels offer three dramatically different but universally recognisable experiences. Read by three luminaries of the stage and screen: Dame Judi Dench, Sir Ian McKellen, and Sir John Gielgud.

The story of the physical relationship between the aristocratic protagonist Constance Chatterley and gamekeeper Oliver Mellors - which occurs right under the nose of her wheelchair-bound husband, Clifford. In exploring the class system of the early 20th century, the novel also touches upon the declining coal mining industry, its effect on the workers, and the politics which surrounded it. Yet possibly the most important theme is the individual’s need for physical as well as intellectual satisfaction.

In The Rainbow, D. H. Lawrence challenged the customary limitations of language and convention to carry into the structures of his prose the fascination with boundaries and space that characterize the entire novel. A visionary novel, considered to be one of Lawrence's finest, it explores the complex sexual and psychological relationships between men and women in an increasingly industrialized world.

Sons and Lovers was the first of Lawrence's major works, and is still considered to be one of his best. The 1913 novel, partly autobiographical and set in the coalmining village of Bestwood, is notable for being the first English novel to be genuinely working-class in origin and focus.

Lawrence explores love, sex, passion, and marriage through the eyes of two sisters. Gudrun and Ursula Brangwen are the two intelligent, incisive, and observant sisters whose temperamental differences spark an ongoing debate regarding their society and their inner lives. The two very different sisters pursue thrilling, torrid affairs, but their search for more mature emotional relationships reveals some startling information about themselves as well as their lovers, Rupert Birkin and Gerald Crich.

Twilight in Italy describes Lawrence’s time as an educated working-class Englishman living among the Italian working men and women in the region around Lake Garda, from the Austrian Alps to the North, to Switzerland and finally Como and Milan. He captures the psyche of Italian peasants without ever romanticising or patronising them.

Set in the relentlessly grey-skied, grey-walled world of a Midlands coal mining village just after the First World War, this tells the story of the love that developed between Lady Chatterley and Oliver Mellors, her husband's gamekeeper. The full text was not published in the United Kingdom until 1960, more than 30 years after it had been written, because of its explicit content and use of prohibited words. And yet, one cannot help wondering whether without its excoriating and often still accurate depiction of the British upper classes, the book might have been less harshly received.

Lady Chatterley's Lover was the subject of one of the most infamous trials of the 20th century when Penguin was prosecuted under the Obscene Publications Act. However, with expert witnesses for the defence, including E.M. Forster, Penguin was acquitted and permitted to publish in 1960. The book became a best seller largely on account of explicit scenes of a sexual nature and use of four letter words.

Sons and Lovers, Lawrence’s third published novel, was written by the author at the height of his literary powers. The story of class differences (the relationship between a woman of middle-class family and a miner) in the tough world of coal mining, it brought a refreshing realism to literature. It remains a challenging text (and is studied widely). It is particularly effective as an audiobook in the hands of reader Paul Slack, who comes from Nottinghamshire.