Showing results for "Virginia Woolf" in Literary Fiction

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

Moments of Being was written by Virginia Woolf at various periods of her life and with various personal intentions, which explore Woolf's relationship with her past.

Mrs. Dalloway, perhaps Virginia Woolf’s greatest novel, vividly follows English socialite Clarissa Dalloway as she prepares for a party in post-World War I London. Four-time Oscar nominee Annette Bening ( American Beauty, The Kids Are All Right) brings Woolf’s stream-of-consciousness style of storytelling to life, exploring the hidden springs of thought and action in one day of a woman’s life in a brilliant performance.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Virginia Woolf’s most famous "stream of consciousness" novel, Mrs. Dalloway, records the events of one June day in 1923 - the day on which Clarissa Dalloway is hosting a party in her London home. Mrs. Dalloway continues to fascinate and challenge, hinting at homosexuality, mental illness, racial prejudice, infidelity, and unrequited love. It presents a perfect picture of London between the wars, in an England where the class system is still firmly entrenched while carrying throughout an undercurrent of rage at the resulting inequalities.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

Virginia Woolf's 1925 novel takes place over the course of a single June day in the lives of some very different Londoners: wealthy society hostess Clarissa Dalloway, who is preparing for a party; her old friend Peter Walsh, recently returned from India, whose proposal of marriage Clarissa rejected years ago; Septimus Warren Smith, a WWI veteran suffering from shell shock; and his Italian-born wife, Rezia, who is trying to care for him as best she can. Woolf's beautiful prose captures the minds and souls of these vivid characters.

On the glistening surface of Virginia Woolf’s groundbreaking novel is the Ramsay family, a seemingly stable group of characters, but a group that is ultimately subject to the same alterations and losses that come with the passing of time. Set at the Ramsays’ summerhouse over two September days, ten years apart, Woolf’s influential landmark of twentieth-century literature explores the hopes, frustrations, and small moments of grace and change that permeate everyday life.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

Mrs. Dalloway by Virginia Woolf, details a day in the life of Clarissa Dalloway in post-World War I England. Clarissa visits London in the morning, getting ready to host a party that evening. The nice day reminds her of her youth and makes her wonder about her choice of husband; she married the reliable Richard Dalloway instead of the enigmatic and demanding Peter Walsh, and she "had not the option" to be with Sally Seton for whom she felt strongly.

To the Lighthouse tells of one summer spent by the Ramsay family and their friends in their holiday home in Scotland. Offshore stands the lighthouse, remote, inaccessbile, an eternal presence in a changing wolrd. A projected visit to the lighthouse forms the heart of this extraordinary novel which, through the minds of the various characters, explores the nature of time, memory, transience and eternity.

The Ramsey family, with house guests, visit the Isle of Skye at least twice. The plot is not at all the point though, as this is a book about how people think and feel and relate. There’s insight into the world of childhood thought and emotion, and a variety of views of adult care and perceptions. I hope this doesn’t make it sound ‘difficult’, it doesn’t need to be–just let the sentences flow and make your own sense of the words. It’s perhaps as close as a novel can come to the highly individual experience of looking at a painting.

First published in 1915, The Voyage Out marked the literary debut of one of the great pioneers of the modern novel. Virginia Woolf's extraordinary narrative follows a group of lively, eccentric British tourists embarking on a sea voyage from London to South America. Among them is Rachel Vinrace, a shy, motherless young woman who has been taken along under the wing of her Aunt Helen, so that she may learn "how to live".

The story starts on a train, when the narrator looks up from her newspaper ​and sees the woman seated in front of her. The sadness in the woman's face ​shapes up the narrator's own life and it's meaning.

Kew Gardens is a story of four pairs of people and shows the oddness in the decisions that shape human lives.