Showing results for "Virginia Woolf" in Genre Fiction

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

What if the everyday world hides whispers of mystery, fleeting moments of wonder, and shadows you almost don’t notice? Step into the hauntingly beautiful and lyrical world of A Haunted House and Other Short Stories—a mesmerizing collection of tales that reveal the hidden currents of life, memory, and imagination. Each story offers a glimpse into Woolf’s keen observations of human emotion: from the ghostly reflections in "A Haunted House" to the fleeting impressions and fragmented lives in "Monday or Tuesday", where the ordinary becomes quietly extraordinary.

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

Set in post-First World War Britain, Woolf’s masterpiece follows Clarissa Dalloway, a vivacious yet self-reflective upper-class woman, through a single day in her life. Preparing for a party that very evening, Clarissa keeps busy by moving through the streets of London, her thoughts drifting between past and present, revealing lost loves, secret regrets and the quiet ache of grief. Interwoven with Clarissa’s narrative is that of Septimus Warren Smith, a war veteran who suffers terribly from his traumatic past. As their two lives tangentially cross...

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

Between the Acts is Virginia Woolf’s final novel, set in a quiet English village just before World War II. The story unfolds over the course of one day, as villagers prepare for and perform an outdoor pageant that reflects the history of England. Beneath the surface of this seemingly simple event, tensions rise—between family members, within relationships, and in the looming shadow of war.

Virginia Woolf’s most famous "stream of consciousness" novel, Mrs. Dalloway, records the events of one June day in 1923 - the day on which Clarissa Dalloway is hosting a party in her London home. Mrs. Dalloway continues to fascinate and challenge, hinting at homosexuality, mental illness, racial prejudice, infidelity, and unrequited love. It presents a perfect picture of London between the wars, in an England where the class system is still firmly entrenched while carrying throughout an undercurrent of rage at the resulting inequalities.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.

Virginia Woolf's 1925 novel takes place over the course of a single June day in the lives of some very different Londoners: wealthy society hostess Clarissa Dalloway, who is preparing for a party; her old friend Peter Walsh, recently returned from India, whose proposal of marriage Clarissa rejected years ago; Septimus Warren Smith, a WWI veteran suffering from shell shock; and his Italian-born wife, Rezia, who is trying to care for him as best she can. Woolf's beautiful prose captures the minds and souls of these vivid characters.

At its heart is Rachel Vinrace, a young woman embarking on a sea voyage that becomes a profound exploration of identity, love, and the fragile boundaries between freedom and convention. Through innovative prose and keen psychological insight, Woolf captures both the beauty and unease of the human experience. By turns satirical, poignant and quietly devastating, The Voyage Out is an extraordinary meditation on youth, society and purpose.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

"Kew Gardens" is a short story by the English author Virginia Woolf. It was first published privately in 1919, then more widely in 1921 in the collection Monday or Tuesday, and subsequently in the posthumous collection A Haunted House (1944). Originally accompanying illustrations by Vanessa Bell, its visual organisation has been described as analogous to a post-impressionist painting.