Showing results for "Virginia Woolf" in Genre Fiction

Fantasy, love and an exuberant celebration of English life and literature, Orlando is a uniquely entertaining story. Originally conceived by Virginia Woolf as a playful tribute to the family of her friend and lover, Vita Sackville-West, Orlando's central character, a fictional embodiment of Sackville-West, changes sex from a man to a woman and lives throughout the centuries, whilst meeting historical figures of English literature.

It is a June day in London in 1923, and the lovely Clarissa Dalloway is having a party. Whom will she see? Her friend Peter, back from India, who has never really stopped loving her? What about Sally, with whom Clarissa had her life’s happiest moment? Meanwhile, the shell-shocked Septimus Smith is struggling with his life on the same London day.

To the Lighthouse is a landmark work of English fiction. Virginia Woolf explores perception and meaning in some of the most beautiful prose ever written, minutely detailing the characters thoughts and impressions. This unabridged version is read by Juliet Stevenson.

Set in post-First World War Britain, Woolf’s masterpiece follows Clarissa Dalloway, a vivacious yet self-reflective upper-class woman, through a single day in her life. Preparing for a party that very evening, Clarissa keeps busy by moving through the streets of London, her thoughts drifting between past and present, revealing lost loves, secret regrets and the quiet ache of grief. Interwoven with Clarissa’s narrative is that of Septimus Warren Smith, a war veteran who suffers terribly from his traumatic past. As their two lives tangentially cross...

The principal theme of this ambitious book is time, threading together three generations of the Pargiter family. The story begins on a day in 1880 in the household of Colonel Abel Pargiter, his dying wife, and their seven children, and it ends in the 1930s with a brilliantly depicted party at which the Pargiters, young and old, pass in review. Important events - births, deaths, marriages, wars - occur in the wings; it is the commonplace moments that are captured here in a sequence of perfectly drawn scenes.

Meet Orlando: a young nobleman in Elizabethan England, poet, lover, adventurer—and, after a transformational sleep, a woman. Spanning over 300 years of British history, Orlando bends the rules of time, gender, and narrative as its protagonist navigates shifting societies, identities, and expectations, all while seeking something elusive: the truth of the self. Playful, profound, and radically ahead of its time, Virginia Woolf's groundbreaking novel is part love letter, part satire, and part meditation on the fluid nature of existence.

At its heart is Rachel Vinrace, a young woman embarking on a sea voyage that becomes a profound exploration of identity, love, and the fragile boundaries between freedom and convention. Through innovative prose and keen psychological insight, Woolf captures both the beauty and unease of the human experience. By turns satirical, poignant and quietly devastating, The Voyage Out is an extraordinary meditation on youth, society and purpose.

Six children - Bernard, Susan, Rhoda, Neville, Jinny and Louis - meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The book follows them as they develop from childhood to maturity and follow different passions and ambitions; their voices are interspersed with interludes from the timeless and unifying chorus of nature.

Virginia Woolf’s most famous "stream of consciousness" novel, Mrs. Dalloway, records the events of one June day in 1923 - the day on which Clarissa Dalloway is hosting a party in her London home. Mrs. Dalloway continues to fascinate and challenge, hinting at homosexuality, mental illness, racial prejudice, infidelity, and unrequited love. It presents a perfect picture of London between the wars, in an England where the class system is still firmly entrenched while carrying throughout an undercurrent of rage at the resulting inequalities.

Published in 1928, Orlando is a fictional biography that spans several centuries and follows the protagonist, Orlando, an Elizabethan nobleman who undergoes a mysterious gender transformation. The novel explores themes of gender identity, fluidity and the constraints imposed by societal norms. It challenges traditional notions of gender roles and raises questions about the nature of identity and the passage of time.

To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny, and bitterness. Its use of stream of consciousness, reminiscence, and shifting perspectives gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

On the glistening surface of Virginia Woolf’s groundbreaking novel is the Ramsay family, a seemingly stable group of characters, but a group that is ultimately subject to the same alterations and losses that come with the passing of time. Set at the Ramsays’ summerhouse over two September days, ten years apart, Woolf’s influential landmark of twentieth-century literature explores the hopes, frustrations, and small moments of grace and change that permeate everyday life.

Between the Acts is Virginia Woolf’s final novel, set in a quiet English village just before World War II. The story unfolds over the course of one day, as villagers prepare for and perform an outdoor pageant that reflects the history of England. Beneath the surface of this seemingly simple event, tensions rise—between family members, within relationships, and in the looming shadow of war.

En La marca en la pared, Virginia Woolf lleva al lector a un viaje introspectivo, observando una mancha en la pared. La narradora, mientras intenta identificar la marca, se sumerge en una serie de reflexiones y pensamientos que abarcan desde la naturaleza de la vida hasta cuestiones filosóficas. La historia es una obra maestra del monólogo interior, representando una exploración íntima de la mente humana, que culmina en una revelación inesperada sobre la marca.

A beguiling trio of fantastical and farcical anti-fairy tales about a giantess who builds a magical “cottage of one’s own,” battles a silver-scaled sea monster, and defies governesses and gravity alike.

En «Una novela no escrita», la protagonista —alter ego de Virginia Woolf— especula sobre la vida interior y el alma de una persona mientras la observa desde el asiento de un tren.

Mrs. Dalloway by Virginia Woolf, details a day in the life of Clarissa Dalloway in post-World War I England. Clarissa visits London in the morning, getting ready to host a party that evening. The nice day reminds her of her youth and makes her wonder about her choice of husband; she married the reliable Richard Dalloway instead of the enigmatic and demanding Peter Walsh, and she "had not the option" to be with Sally Seton for whom she felt strongly.

Mrs. Dalloway is a novel by Virginia Woolf, published in 1925, that details a day in the life of Clarissa Dalloway, a fictional upper-class woman in post-First World War England. It is one of Woolf's best-known novels. The book describes Clarissa's preparations for a party she will host in the evening, and the ensuing party. With an interior perspective, the story travels forwards and backwards in time, to construct an image of Clarissa's life and of the inter-war social structure. The novel addresses the nature of time in personal experience through multiple interwoven stories.

A single day becomes the entirety of a life in Virginia Woolf’s enduring exploration of a woman’s soul and purpose. As society hostess Clarissa Dalloway prepares for a party, she also reflects hour by hour on her past, her secret burdens, her safe marriage, and other compromises that have brought her to this moment in time. But elsewhere in London, a stranger, a damaged World War I veteran, makes irreversible choices of his own - choices that will intrude on Mrs. Dalloway’s reverie before the night is over.

Between the Acts is often an overlooked work in her oeuvre because she did express her intention to revise it before publication, though in the event this never happened. So it comes as a surprise to find that, while it probably would have benefited from revision, it is something of an unpolished gem, at times sparkling and actually very engaging. The writing is subtle, varied in tone and purpose; at times serious and complex and at others lighthearted and even downright funny. And unpredictable.