Showing results for "Virginia Woolf" in Drama & Plays

Jacob’s Room is Virginia Woolf’s own modernist manifesto. Jacob Flanders is a mere point of contact between a crowd of people, appearing and disappearing in a tableau in which all is flux, without certainty and without a controlling viewpoint. But it seems that the author could not maintain this rigorous impersonality, and the radical technique breaks down, so that we finally see Jacob as a person, just as his world is blown apart.

Written for Virginia Woolf's friend, the charismatic writer Vita Sackville-West, Orlando is a playful mock 'biography' of a chameleonic historical figure, immortal and ageless, who changes sex and identity on a whim. First masculine, then feminine, Orlando begins life as a young 16th-century nobleman, then gallops through three centuries to end up as a woman writer in Virginia Woolf's own time. A wry commentary on gender roles and modes of history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness.

Known as one of Virginia Woolf's greatest works, Mrs. Dalloway is a bright, picturesque look at the simple life of an upper-class woman in London. Clarissa Dalloway is busy planning a party when her old suitor, Peter Walsh, shows up at her hour. On the outside, Mrs. Dalloway is seen to be society's perfect image of a housewife-dutiful, loyal, and sensible. But as soon as her past lover makes his appearance, Mrs. Dalloway can't help but remember their passionate affairs. She is faced with her choices, all of which strike a fear of growing old within her. These characters and their stories, rich...

We meet Jacob as a small boy; follow him through Cambridge, sharing his thoughts on philosophy and literature; and enjoy his travels and romances in Greece. Then we learn how others see him. The remarkable imagery in Virginia Woolf's classic makes some sections of this book seem almost poetical.

This feminist essay argues for both a literal and figural space for women writers within a literary tradition dominated by patriarchy. First published on 24 October 1929, the extended essay was based on a series of lectures delivered by Virginia Woolf at Cambridge University in October 1928. While it employs a fictional narrator and narrative to explore women both as writers of and characters in fiction, the manuscript for the delivery of the series of lectures, titled “Women and Fiction”, and hence the essay, are non-fiction. - Summary by Cori Samuel This recording was originally ...

The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders, and is presented entirely by the impressions other characters have of Jacob [except for those times when we do indeed get Jacob's perspective]. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed as a void in place of the central character, if indeed the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac ...