Showing results for "Richard Phillips" in Suspense

Jack Gregory, the CIA’s top assassin, went rogue after a mission gone wrong. When a confrontation leaves him bleeding out on death’s doorstep, he is faced with an offer from a dark figure named Anchanchu. If Jack is willing to act as a human host for Anchanchu, the entity will revive him and give him another shot at life. Jack takes the deal...but he must now face the consequences of having the same dark creature in his head as some of history’s greatest villains. Struggling with desires and memories that are not his own, Jack is not the man he once was.

8th April 2009 was just an ordinary day for Richard Phillips, captain of the Maersk Alabama as it headed towards the port of Mombasa. Ordinary that is until, armed Somali pirates attacked and boarded the freighter. Captain Phillips offered himself as a hostage in exchange for the safety of his crew, and so began a tense five-day stand-off, which ended in a daring high-seas rescue by U.S. Navy SEALs.

Am 8. April 2009 wird der Albtraum eines jeden Kapitäns wahr: Um 7.30 Uhr Ortszeit wird das Containerschiff Maersk Alabama 300 Seemeilen vor der Küste Somalias von Piraten angegriffen. Um seine Crew zu retten, weist Richard Phillips die Männer an, sich in einer Kabine zu verstecken, und begibt sich freiwillig in die Gewalt der Piraten. Fünf Tage lang wird er als Geisel in einem Rettungsboot gedemütigt, gequält und gefoltert: vier Männer gegen einen, ein Kampf um Leben und Tod.

After a police officer's family is taken hostage, he faces a deadly choice: One of his family members will live, and the other will die. He must make the decision, and time is running out. Homicide Investigators Vincent Falcone and Farrah Richards take the case, and a team is assembled. Every effort is made to catch the psychopath before the next murder. The killer makes mistakes; it's almost as if getting caught doesn’t matter. But can they reach him in time?

Malice Domestic distinguishes the personal and private aspects of crime from the public and impersonal. Our murderers don't kill for the fun of it (serial killers) or for a misguided ideal (assassins and terrorists) or for pay (hired hit men). They only do in people they know and love (or hate).