Showing results for "Percival Everett" in Literature & Fiction

From the Booker-prize shortlisted author of Erasure, adapted into the Oscar-winning film American Fiction 'This is the work of an American master at the peak of his powers' – Financial Times Enthralling and ferociously funny, James by Percival Everett is a profound meditation on identity...

Percival Everett's The Trees is a must-listen that opens with a series of brutal murders in the rural town of Money, Mississippi. When a pair of detectives from the Mississippi Bureau of Investigation arrive, they meet expected resistance from the local sheriff, his deputy, the coroner, and a string of racist White townsfolk. The murders present a puzzle, for at each crime scene there is a second dead body: that of a man who resembles Emmett Till.

Erasure is Percival Everett's hilarious satire about race and publishing, now an Oscar-nominated film, American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross. 'Hilarious . . . Everett is a first-rate word-wrangler.' – Nicholas Lezard, The Guardian...

‘American literature’s philosopher king – and its sharpest satirist’ – The New Yorker In Watershed, Percival Everett, author of the Pulitzer Prize-winning novel James, turns his focus once again to the injustices of recent American history, exploring the relationship between Native...

'Truly extraordinary books are rare, and this is one of them' – Roddy Doyle 'His [Dominic Hofman] performance is terrific: variously wry, poignant and thoughtful as he imbues Jim with the humanity and agency denied to him by Twain' – The Guardian, Audiobook of the Week James is a profound...

I Am Not Sidney Poitier is a comic tour de force from the Pulitzer Prize-nominated author of The Trees, Dr No and Erasure (adapted into an Oscar-nominated film). The sudden death of Not Sidney Poitier’s mother orphans him at age eleven. He is left with a name no one understands, an uncanny...

'[Percival Everett's] books always feel like an encounter with substantive, playful thinking . . . sad, affecting and marvelous' New York Times A finalist for the Pulitzer Prize in Fiction, Telephone is an astonishing story of love, loss and grief from Percival Everett, author of The Trees, Dr...

Percival Everett's long-awaited new collection of stories, his first since 2004's Damned If I Do, finds him traversing the West with characteristic restlessness. A deaf Native American girl wanders off into the desert and is found untouched in a den of rattlesnakes. A young boy copes with the death of his sister by angling for an unnaturally large trout in the creek where she drowned. An old woman rides her horse into a mountain snowstorm and sees a long-dead beloved dog.

James es un libro fascinante. Una reescritura de Las aventuras de Huckleberry Finn de Mark Twain desde el punto de vista de Jim, el esclavo. Con el humor típico de Percival Everett y una inteligencia sobrecogedora, el lector vive una gran aventura, la de la libertad. James es el nombre de la dignidad. El esclavo ha visitado de forma clandestina la biblioteca de su amo y ha aprendido a leer y escribir. Cuando se entera de que lo han vendido y lo van a separar de su mujer y su hija decide escaparse.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.

‘Everett has mastered the movement between unspeakable terror and knock out comedy’ – The New York Times David Larson can never go home. His parents are dead. His sister and her hippie husband, staunchly anti-war, won't even have the newly returned Vietnam veteran in the house. So Larson...

Erasure is Percival Everett's hilarious satire about race and publishing, now an Oscar-nominated film, American Fiction, directed by Cord Jefferson and starring Jeffrey Wright and Tracee Ellis Ross. 'Hilarious . . . Everett is a first-rate word-wrangler.' – Nicholas Lezard, The Guardian...

Un afamado pintor de mediana edad nos cuenta cómo se ha librado del peso de un secreto que no le permitía vivir. Un secreto lleva a otro y a otro hasta que la comunicación con los más cercanos resulta imposible. El protagonista cuenta su viaje juvenil a El Salvador atravesado por la muerte y la violencia, un affair amoroso en París y su fracturada vida familiar en los Estados Unidos. Una historia actual contada con una sencillez de lenguaje llamativa y que alcanza una gran profundidad.

In Assumption, the follow-up to the wickedly funny I Am Not Sidney Poitier, Percival Everett is in top form as he once again upends our expectations about characters, plot, race, and meaning. Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman’s murderer...

‘American literature’s philosopher king – and its sharpest satirist’ – The New Yorker Craig Suder, third baseman for the Seattle Mariners, is in a slump. His batting average is shocking, his marriage somehow worse, and he secretly fears he’s inherited his mother’s insanity. Ordered...

‘American literature’s philosopher king – and its sharpest satirist’ The New Yorker On a windswept landscape somewhere north of Denver, Robert Hawks, a feisty and dangerously curious hydrologist, finds himself enmeshed in a fight over Native American treaty rights. What begins for Robert...

In Assumption, Percival Everett is on top form as he once again upends our expectations about characters, plot, race, and meaning. Ogden Walker, deputy sheriff of a small New Mexico town, is on the trail of an old woman’s murderer. But at the crime scene, his are the only footprints leading up...

Jim spielt den Dummen. Es wäre zu gefährlich, wenn die Weißen wüssten, wie intelligent und gebildet er ist. Als man ihn nach New Orleans verkaufen will, flieht er mit Huck gen Norden in die Freiheit. Auf dem Mississippi jagt ein Abenteuer das nächste: Stürme, Überschwemmungen, Begegnungen mit Betrügern und Blackface-Sängern. Immer wieder muss Jim mit seiner Schwarzen Identität jonglieren, um sich und seinen jugendlichen Freund zu retten. Percival Everetts »James« ist einer der maßgeblichen Romane unserer Zeit, eine unerhörte Provokation, die an den Grundfesten des amerikanischen Mythos rüttelt.

‘Everett has mastered the movement between unspeakable terror and knock out comedy’ – The New York Times David Larson can never go home. His parents are dead. His sister and her hippie husband, staunchly anti-war, won't even have the newly returned Vietnam veteran in the house. So Larson...

‘American literature’s philosopher king – and its sharpest satirist’ – The New Yorker Craig Suder, third baseman for the Seattle Mariners, is in a slump. His batting average is shocking, his marriage somehow worse, and he secretly fears he’s inherited his mother’s insanity. Ordered...