Showing results for "Jerome K Jerome" in Science Fiction & Fantasy

Four spine-tingling short stories from masters of the genre, read by Michael Maloney, Eleanor Bron and Andrew Sachs: 'The Phantom Coach' by Amelia B. Edwards; 'The Judge’s House' by Bram Stoker; 'The Tapestried Chamber' by Sir Walter Scott; 'The Man of Science' by Jerome K. Jerome.

Twenty-four of the greatest science fiction stories of all time in this fourth sci-fi short story collection, including works by Jerry Dunham, Emmett Dowell, James Causey, Gordon Randall Garrett, James A. Cox, Phyllis Sterling Smith, Richard A. Sternbach, Robert Sheckley, E. G. Von Wald, Keith Laumer, Jerome Bixby, Frederik Pohl, Roger Dee, Arnold Marmore, James H. Schmitz, Lester del Rey, Cordwainer Smith, Ray Bradbury, and Philip K. Dick.

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as Mark Twain, Robert Louis Stevenson, Jerome K. Jerome and Edgar Allan Poe. These tales are designed to unsettle you, just a little, as they lead you on a walk to places you’d perhaps rather not visit on your own. Our stories are "A Ghost Story" by Mark Twain, "Ollah" by Robert Louis Stevenson, "The Doctor’s Story" by Jerome K. Jerome, and "Murders In The Rue Morgue" by Edgar Allan Poe.

This collection of short stories contains several gothic tales to bear macabre and chilling witness to writers as diverse as Charles Dickens, HP Lovecraft, Edgar Allan Poe and Jerome K Jerome. These tales are designed to unsettle you, just a little, as you sit back, and take in their words as they lead you on a walk to places you’d perhaps rather not visit on your own.

Che succede se un gruppo di cinque o sei inglesi si ritrovano attorno ad un fuoco, la sera della Vigilia di Natale come consuetudine, sorseggiando gin e whisky, per raccontarsi storie (assolutamente veritiere) di fantasmi? Succede che i fantasmi compaiono davvero, e all'ennesimo giro di gin, non ci sono più dubbi. Jerome K. Jerome stesso, con una sfrenata ironia britannica, prende le vesti del raccontatore in prima persona, riferendo di spiriti che più che farci morire dalla paura ci fanno morire dalle risate.