Taylor and Mike break the spoiler seal and go all in on Stranger Things Season 5. They unpack how the final season sticks (or stumbles), what actually lands emotionally, and whether the series earns its ending after nearly a decade of hype, monsters, and synths. Full spoilers, zero mercy.

Mike and Taylor tackle their 2025 movie scorecard, sorting every title into their sacred categories: See It, Stream It, Airplane It, or Skip It. It’s a rapid-fire rundown of the best, the worst, and the films they forgot they even watched. Expect chaos, closure, and at least one existential crisis about how many hours of cinema they sacrificed this year.

Mike dives headfirst into Mission: Impossible – The Final Reckoning, questioning how many times one man can sprint before physically evaporating. Taylor unpacks K-Pop Demon Hunters on Netflix, a movie that somehow juggles choreography, friendship, and exorcism with unhinged confidence. Together, they tear through this year’s Golden Globe nominations, calling out the shocks, the snubs, and the “why is this even here?” picks.

Mike wades into the emotional baggage of Downton Abbey: The Grand Finale. Taylor takes on Playdate, a film that turns a casual hangout into a full-blown nightmare.

This week Mike reviews Wicked: For Good and rants for a while about movies, musicals, movie musicals, stage musicals and the mess that was Wicked: For Good. Taylor reviews Frankenstein, the latest film from Guillermo del Toro, and she compares it to other Frankenstein films.

This week, it’s a deep dive into 80s oddities and icons. Taylor reviews Fade to Black, a cult thriller where a lonely cinephile’s obsession with movies takes a deadly turn. Mike takes on Little Shop of Horrors, the horror-comedy musical blooming with catchy songs and a man-eating plant, along with Spaceballs, Mel Brooks’ interstellar parody that skewers sci-fi with slapstick flair.