New Orleans is known for its unique cuisine that blends and highlights the many cultural roots of the city and its residents. The history of food distribution in New Orleans is just as unique within the American landscape, relying heavily on public food systems, both street vendors and municipally-run public markets. Joining me in this episode is Dr. Ashley Rose Young, a curator and public historian who serves as the American History Curator in the Rare Book and Special Collections Division at the Library of Congress and is a Smithsonian Research Associate. Her book, Nourishing Networks: The Public Culture of Food in New Orleans has just been published.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “On my way to New Orleans,” composed by Albert Von Tilzer with lyrics by Ballard MacDonald; this performance was sung by George O’Connor on February 10, 1915, in New York, and is in the public domain and available via the Library of Congress National Jukebox. The episode image is: “French Market, New Orleans, La.,” Detroit Publishing Company, 1910; there are no known restrictions on publication, and the image is accessible via the Library of Congress.

Additional sources:

• “New Orleans History 101: A beginner’s guide to understanding the Crescent City,” by Historic New Orleans Collection Visitor Services Staff, January 21, 2022.
• “Timeline: New Orleans,” PBS American Experience.
• “New Orleans Then and Now: The French Market,” by Ellen Terrell, Library of Congress Blog, July 12, 2018.
• “The Native Roots of the French Market,”by Kalie Rhodes, New Orleans Historical: A project by The Midlo Center for New Orleans Studies at the University of New Orleans, February 11, 2021.
• “200 Years of Commerce, Community & Culture,” French Market District.
• “New Orleans Street Vendors: A long history of African American entrepreneurship,” by Zella Palmer, 64 Parishes, December 1, 2019.

Zoe Anderson Norris, known to her friends in the Ragged Edge Klub as the Queen of Bohemia, was born in Kentucky in 1860, moved to Wichita, Kansas, with her first husband, and then to New York City, where she forged a career for herself as a journalist and novelist, eventually launching her own magazine, The East Side. In The East Side and in her journalism, she often focused on the lives of immigrants and the poor. Joining me in this episode is Eve M. Kahn, author of Queen of Bohemia Predicts Own Death: Gilded-Age Journalist Zoe Anderson Norris.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Come to the land of Bohemia,” composed by George Evans, with lyrics by Ren Shields; this performance by Hatvey Hindermyer was recorded on April 30, 1908, in New York, and is in the public domain and available via the Library of Congress National Jukebox. The episode image is of Zoe Anderson Norris from 1909, CC BY 4.0, via Wikimedia Commons.

Additional Sources:

• “To Fight for the Poor With My Pen: Zoe Anderson Norris, Queen of Bohemia,” Grolier Club Online Exhibitions.
• “Zoe Anderson Norris,” by W.J. Lampton, New York Times, February 27, 1914.
• “Zoe A. Norris,” Kentucky in American Letters, 1784-1912,” by John Wilson Townsend, Cedar Rapids, IA: Torch Press, 1913.

Dr. Marguerite Phillips Dorsey Cartwright, born May 17, 1910, in Cambridge, Massachusetts, was a journalist, sociologist, educator, and actress, who served as a correspondent for the United Nations, attended and wrote about both the Bandung Conference and the All-African People's Conference, and was appointed to the Provisional Council of the University of Nigeria, where she became one of five trustees. Joining me in this episode to discuss both Marguerite Cartwright and Black women’s leadership in the fight for human rights is Dr. Keisha N. Blain, Professor of History and Africana Studies at Brown University and author of Without Fear: Black Women and the Making of Human Rights.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is “Down South blues,” written by Fletcher Henderson, Alberta Hunter, and Ethel Waters, and performed by The Virginians, in New York City, on September 25, 1923; the audio is available via the Library of Congress National Jukebox and is in the public domain. The episode image is “Portrait of Marguerite Cartwright wearing a dashiki, undated,” by John Schiff; the photograph is courtesy Leo Baeck Institute and is used under fair use guidelines.

Additional Sources:

• “Marguerite Cartwright and African-American Internationalism [video],” Society of Southwest Archivists, August 13, 2021.
• “M. P. CARTWRIGHT,” The New York Times, May 9, 1986, Section D, Page 22.
• “Introducing Marguerite Cartwright,” Amistad Research Center.
• “Cartwright, Marguerite, 1910-1986,” Biographical Note, Marguerite Cartwright papers, Amistad Research Center.
• “Bandung Conference (Asian-African Conference), 1955,” Office of the Historian, United States Department of State.
• “AAPC Background,” Institute of African Studies, University of Ghana.

The feminist anti-rape movement began in the late 1960s at the height of women’s liberation. As rape crisis centers relied on federal grants aimed at prosecution of those committing sexual violence, feminists worried about the conservatizing influence of those funds, and Black women in particular were not well-served by the developing model. Black women activists found their own methods to combat rape and to care for survivors. Joining me in this episode is Dr. Caitlin Reed Wiesner, Assistant Professor of History at Mercy University in Dobbs Ferry, New York, and author of Between the Street and the State: Black Women's Anti-Rape Activism Amid the War on Crime.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Emotional Piano Music,” by Mikhail Smusev, used under the Pixabay Content License. The episode image is “Black Women Matter,” taken on September 30, 2017, at the March for Racial Justice by Miki Jourdan; the image is available on Flickr and is available for use, CC BY-NC-ND 2.0.

Additional Sources:

• “Feminism: The Second Wave,” National Women’s History Museum, June 18, 2020.
• “How Ronald Reagan Tried to Shrink Government Spending,” by Christopher Klein, History.com, Published: November 21, 2024, and Last Updated: May 28, 2025.
• “A brief history of the Victims of Crime Act,” by Blair Ames, U.S. Department of Justice Office of Justice Programs, October 11. 2024.
• “The 2022 Violence Against Women Act (VAWA) Reauthorization,” Congress.gov.
• “What are Rape Crisis Centers and how have they changed over the years?” National Sexual Violence Resource Center, September 15, 2021.
• Rape, Abuse & Incest National Network (RAINN).

The First Amendment to the US Constitution says that Congress cannot make law abridging the freedom of speech, but by as early at 1798, Congress was restricting immigration to the country on the basis of the ideological beliefs of the people who wanted to immigrate. While the reasons for restrictions have changed over time, as has the mechanism by which they’re enforced, the basic principle continues to today. Joining me in this episode is Dr. Julia Rose Kraut, legal historian and author of Threat of Dissent: A History of Ideological Exclusion and Deportation in the United States.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The episode music is “The Mask of Anarchy 1 (Strings)” by Victory Day from Pixabay in accordance with the Pixabay Content License. The episode image is "The Anarchist riot in Chicago: a dynamite bomb exploding among the police," by Thure de Thulstrup and published in the May 15th, 1886, Harper's Weekly 30 (1534): 312-313; image is in the Public Domain and is available via Wikimedia Commons.

Additional Sources:

• “Nationality Act of 1790,” Immigration History, The Immigration and Ethnic History Society.
• “Alien and Sedition Acts (1798),” The U.S. National Archives and Records Administration.
• “The Alien Enemies Act: The One Alien and Sedition Act Still on the Books,” by Scott Bomboy, National Constitution Center, March 17, 2025.
• “The Sedition Act of 1798,” History Art, and Archives, United States House of Representatives.
• “Haymarket Affair: Topics in Chronicling America,” Library of Congress.
• “May 4, 1886: Haymarket Tragedy,” Zinn Education Project.
• “Emma Goldman (1869-1940),” PBS American Experience.

Both Abigail Adams and Benjamin Franklin took trips in England to trace their family histories, and they weren’t alone among 18th century Americans, many of whom took a keen interest in genealogy and family connections. Joining me in this episode is Dr. Karin Wulf, Director and Librarian of the John Carter Brown Library, and Professor of History at Brown University and author of Lineage: Genealogy and the Power of Connection in Early America.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is “Nothing like that in our family,” composed by Seymour Furth with lyrics by William A. Heelan and performed by Billy Murray on April 24, 1906; the audio is in the public domain and is available via the Library of Congress National Jukebox. The episode image is “Sampler,” by Sophia Dyer, 1819; the image is in the public domain and is available via the Metropolitan Museum of Art.

Additional Sources:

• “Crossings- Abigail Was Here (Devonshire),” KathleenBitetti.com.
• “Benjamin Franklin to Deborah Franklin, 6 September 1758,” Founders Online, National Archives, https://founders.archives.gov/documents/Franklin/01-08-02-0034. [Original source: The Papers of Benjamin Franklin, vol. 8, April 1, 1758, through December 31, 1759, ed. Leonard W. Labaree. New Haven and London: Yale University Press, 1965, pp. 133–146.]
• “Genealogical Chart of the Franklin Family, [July 1758],” Founders Online, National Archives, https://founders.archives.gov/documents/Franklin/01-08-02-0029. [Original source: The Papers of Benjamin Franklin, vol. 8, April 1, 1758, through December 31, 1759, ed. Leonard W. Labaree. New Haven and London: Yale University Press, 1965, p. 120.]
• “Eliot’s Bible,” by Neely Tucker, Library of Congress Blog, August 6, 2024.
• “Isaiah Thomas Folio Bible, 1791,” Houston Christian University Dunham Bible Museum.
• “How Genealogy Became Almost as Popular as Porn,” by Gregory Rodriguez, Time Magazine, May 30, 2014.
• “Why Are Americans Obsessed with Genealogy?” by Libby Copeland, Psychology Today, October 13, 2020.
• “Our Story,” Ancestry.com.

Before American independence and the Bill of Rights promising religious freedom, the American colonies were English territory governed by English religious law that mandated worship according to the Book of Common Prayer. Even Maryland, which had been founded as a place for Catholics to worship freely, was majority Protestant and intolerant of public Catholicism by the time of the Revolution. Nonetheless, Catholics, including wealthy English landowners, Irish servants, and enslaved Africans, continued to live and worship throughout the American colonies, finding ways to keep their beliefs and customs alive. Joining me in this episode is Dr. Susan Juster, W. M. Keck Foundation Director of Research at the Huntington Library and author of A Common Grave: Being Catholic in English America.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Ave Maria,” composed by Charles Gounod and sung by Florence Hayward; the recording was made on January 30, 1905, in Philadelphia and is in the public domain and can be accessed via the Library of Congress National Jukebox. The episode image is “The Founding of Maryland, 1634,” painted by Emmanuel Leutze in 1860; the painting is in the public domain and is available via Wikimedia Commons.

Additional Sources:

• “Jefferson's Letter to the Danbury Baptists,” Library of Congress.
• “10 facts about U.S. Catholics,” byJustin Nortey, Patricia Tevington, and Gregory A. Smith, Pew Research Center, March 4, 2025.
• “Maryland's History,” Maryland Secretary of State.
• “The Catholic church in colonial days : the thirteen colonies, the Ottawa and Illinois country, Louisiana, Florida, Texas, New Mexico and Arizona, 1521-1763,” by John Gilmary Shea, 1886.
• “American Catholic History Resources,” The Catholic University of America.
• “Catholicism in the Early South,” by Maura Jane Farrelly, Journal of Southern Religion 14 (2012).
• “Descendants of Jesuit Slaveholding and Jesuits of the United States Announce Historic Partnership,” Jesuit Conference of Canada and the U.S.

In August of 1893, Madeleine Pollard sued Congressman William C.P. Breckinridge of Kentucky for breach of promise, claiming that he had promised to marry her but then had married another woman. By the time of the trial, Pollard and the much-older Breckinridge had been involved in an affair for nearly a decade. Breckinridge’s legal team attempted to paint Pollard as an “adventuress,” going so far as to hire an undercover detective – Jane Tucker – to get dirt on Pollard, but it was Breckinridge’s reputation that suffered as a result of the revelations in the trial, especially with the women of Kentucky. Joining me in this episode is Dr. Elizabeth DeWolfe, Professor of History at the University of New England in Maine and author of Alias Agnes: The Notorious Tale of a Gilded Age Spy.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Wait until you see my Madeline,” composed by Albert Von Tilzer with lyrics by Lew Brown and performed by Billy Jones; the audio was recorded in Camden, New Jersey, on May 4, 1921 and is in the public domain and available via the Library of Congress National Jukebox. The episode image is a photo of Madeleine Pollard, by C.M. Bell, produced between 1873 and ca. 1916; the image is available via the Library of Congress Prints and Photographs Division, and there are no known restrictions on publication.

Additional Sources:

• “The Celebrated Trial, Madeline Pollard vs. Breckinridge, The Most Noted Breach of Promise Suit in the History of Court Records,” American Printing and Binding Company, 1894, via the Internet Archive.
• “The Court Case That Inspired the Gilded Age’s #MeToo Moment,” by Annie Diamond, Smithsonian Magazine, November 2018.
• “Sex, politics and broken promises grabbed headlines in Lexington in 1893,” by Liz Carey, The Lexington Herald-Leader, April 23, 2025.
• "“Not Ruined, but Hindered”: Rethinking Scandal, Re-examining Transatlantic Sources, and Recovering Madeleine Pollard," by Elizabeth DeWolfe, in Legacy: A Journal of American Women Writers, vol. 31 no. 2, 2014, p. 300-310.
• “BRECKINRIDGE, William Campbell Preston,” United States House of Representatives History, Art, and Archives.
• “W.C.P. BRECKINRIDGE DEAD.; Ex-Congressman's Public Career Ended After the Pollard Suit,” The New York Times, November 20, 1904.

Related Episode:

• Sophonisba Breckinridge