Before American independence and the Bill of Rights promising religious freedom, the American colonies were English territory governed by English religious law that mandated worship according to the Book of Common Prayer. Even Maryland, which had been founded as a place for Catholics to worship freely, was majority Protestant and intolerant of public Catholicism by the time of the Revolution. Nonetheless, Catholics, including wealthy English landowners, Irish servants, and enslaved Africans, continued to live and worship throughout the American colonies, finding ways to keep their beliefs and customs alive. Joining me in this episode is Dr. Susan Juster, W. M. Keck Foundation Director of Research at the Huntington Library and author of A Common Grave: Being Catholic in English America.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Ave Maria,” composed by Charles Gounod and sung by Florence Hayward; the recording was made on January 30, 1905, in Philadelphia and is in the public domain and can be accessed via the Library of Congress National Jukebox. The episode image is “The Founding of Maryland, 1634,” painted by Emmanuel Leutze in 1860; the painting is in the public domain and is available via Wikimedia Commons.

Additional Sources:

• “Jefferson's Letter to the Danbury Baptists,” Library of Congress.
• “10 facts about U.S. Catholics,” byJustin Nortey, Patricia Tevington, and Gregory A. Smith, Pew Research Center, March 4, 2025.
• “Maryland's History,” Maryland Secretary of State.
• “The Catholic church in colonial days : the thirteen colonies, the Ottawa and Illinois country, Louisiana, Florida, Texas, New Mexico and Arizona, 1521-1763,” by John Gilmary Shea, 1886.
• “American Catholic History Resources,” The Catholic University of America.
• “Catholicism in the Early South,” by Maura Jane Farrelly, Journal of Southern Religion 14 (2012).
• “Descendants of Jesuit Slaveholding and Jesuits of the United States Announce Historic Partnership,” Jesuit Conference of Canada and the U.S.

In August of 1893, Madeleine Pollard sued Congressman William C.P. Breckinridge of Kentucky for breach of promise, claiming that he had promised to marry her but then had married another woman. By the time of the trial, Pollard and the much-older Breckinridge had been involved in an affair for nearly a decade. Breckinridge’s legal team attempted to paint Pollard as an “adventuress,” going so far as to hire an undercover detective – Jane Tucker – to get dirt on Pollard, but it was Breckinridge’s reputation that suffered as a result of the revelations in the trial, especially with the women of Kentucky. Joining me in this episode is Dr. Elizabeth DeWolfe, Professor of History at the University of New England in Maine and author of Alias Agnes: The Notorious Tale of a Gilded Age Spy.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Wait until you see my Madeline,” composed by Albert Von Tilzer with lyrics by Lew Brown and performed by Billy Jones; the audio was recorded in Camden, New Jersey, on May 4, 1921 and is in the public domain and available via the Library of Congress National Jukebox. The episode image is a photo of Madeleine Pollard, by C.M. Bell, produced between 1873 and ca. 1916; the image is available via the Library of Congress Prints and Photographs Division, and there are no known restrictions on publication.

Additional Sources:

• “The Celebrated Trial, Madeline Pollard vs. Breckinridge, The Most Noted Breach of Promise Suit in the History of Court Records,” American Printing and Binding Company, 1894, via the Internet Archive.
• “The Court Case That Inspired the Gilded Age’s #MeToo Moment,” by Annie Diamond, Smithsonian Magazine, November 2018.
• “Sex, politics and broken promises grabbed headlines in Lexington in 1893,” by Liz Carey, The Lexington Herald-Leader, April 23, 2025.
• "“Not Ruined, but Hindered”: Rethinking Scandal, Re-examining Transatlantic Sources, and Recovering Madeleine Pollard," by Elizabeth DeWolfe, in Legacy: A Journal of American Women Writers, vol. 31 no. 2, 2014, p. 300-310.
• “BRECKINRIDGE, William Campbell Preston,” United States House of Representatives History, Art, and Archives.
• “W.C.P. BRECKINRIDGE DEAD.; Ex-Congressman's Public Career Ended After the Pollard Suit,” The New York Times, November 20, 1904.

Related Episode:

• Sophonisba Breckinridge

On the slave ships that sailed between Salvador da Bahia, Brazil, and the West Coast of Africa from the 16th through the 19th Centuries, the crews included not just white sailors but also Black mariners, including a significant number of crewmen who were themselves enslaved. These enslaved mariners were not just a source of inexpensive labor but were also valued for their geographic, linguistic, and cultural skills, and they, in turn, could use the opportunity of labor on slave ships as a means of social mobility and eventually legal emancipation, or sometimes the chance for flight. Joining me in this episode to discuss these mariners is Dr. Mary E. Hicks, Assistant Professor of History at the University of Chicago and author of Captive Cosmopolitans: Black Mariners and the World of South Atlantic Slavery.

Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode music is “Bahia Sunrise,” used under the Envato Market License - Music Standard License. The episode image is “Night Chase of the Brigantine Slaver Windward by HM Steam-Sloop Alecto,” Illustration for The Illustrated London News, by Frederick James Smyth, May 1, 1858; the image is in the public domain and is available via Wikimedia Commons.

Additional sources:

• “A Brief History of Brazil,” by José Fonseca, The New York Times 2006.
• “A Chronology of Brazilian History,” The Atlantic,” February 1956.
• “2.3 The African Slave Trade and Slave Life,” Brazil: Five Centuries of Change, Brown University Center for Digital Scholarship.
• “4.2 Slavery and Abolition in the 19th Century,” Brazil: Five Centuries of Change, Brown University Center for Digital Scholarship.
• “The Contraband Slave Trade to Brazil, 1831-1845,” by Robert Conrad, Hispanic American Historical Review 1 November 1969; 49 (4): 617–638.
• “‘We need to tell people everything’: Portugal grapples with legacy of colonial past,” by Sam Jones, Gonçalo Fonseca, and Philip Oltermann, The Guardian, October 5, 2020.