Scotty and Amelia are starting a new series on the Pocket Size episodes of The Weirdest Thing. Thinking back to the movies of their youth, they realized there are entire subgenres of films that They Just Don't Make Anymore.

So this week they're taking on the first of those genres--the "Teenage Hijinks" movie--by looking at three examples in particular: "Adventures in Babysitting" (1987), "Ferris Bueller's Day Off" (1986), and "Don't Tell Mom The Babysitter's Dead" (1991).

So remember: life moves pretty fast; if you don't stop and look around once in a while, you could miss it. TV rots your brains. And nobody leaves this place without singing the blues.

In our last full-sized episode, Scotty told the story of a real-life psychopath who inspired a notorious television character. Well, this week Amelia has her own tale of a notorious criminal mastermind who gave birth to a TV scammer.

Fans of HBO's "The Guilded Age" may not know that one of its characters is inspired by "the Queen of Ohio" Cassie L. Chadwick--aka Elizabeth Bigley--who around the turn of the 20th century perpetrated one of the most audacious cons in American history. Buckle up, because this one's a real doozy.

WARNING: Mild spoilers for "The Guilded Age."

A jetpack pilot going splat. A naked German guy going...well, splat. An epic (and low-rent) prank involving a drone and a Halloween decoration. One of the greatest (faux) movie trailers ever. Here are just a few of Scotty and Amelia's favorite viral Internet videos of all time.

While Scotty continues to maintain that David Simon's "The Wire" (2002-2008) is the greatest television show of all-time, NBC's under-seen but critically acclaimed "Homicide: Life on the Street" -- which ran from 1993 to 1999 and was based on Simon's 1991 nonfiction book "Homicide: A Year On the Killing Streets" -- is often seen is its spiritual predecessor. And, like "The Wire" after it, "Homicide" often took its gripping TV narratives from real-life.

One such fact-based storyline is that of season one's "Calpurnia Church," who was based on Baltimore's "Black Widow," Geraldine Parrish. On this week's episode, Scotty tells Amelia (and the listeners) the wild and dark tale of Parrish, and explains how bigotry and institutional incompetence in the police may have allowed a genuine monster to run amok for years in West Baltimore.

We lost a few real ones recently, including Chuck Mangione and Malcolm Jamal Warner. But Scotty and Amelia are gathering aboard the Crazy Train this week to pay tribute to the metal god himself, Ozzy Osbourne. They discuss his legacy both as a singer and as a man, and consider the triumph of his final concert mere weeks ago with Black Sabbath. No more tears, listeners! It's the Prince of F*cking Darkness!

SURPRISE! In a follow-up to the last episode, where Scotty and Amelia discussed the brand-new horror novel "Come Knocking," author Mike Bockoven decided to crash the podcast for a wide-ranging conversation about the book, his previous hit "FantasticLand" (2018), his work as a journalist, writing, horror, theatre, the Internet, fan culture, and more!

WARNING: This episode contains moderate spoilers for both "Come Knocking" and "FantasticLand."

For better or worse, as younger Gen Xers Scotty and Amelia came of age with the advent of reality television. So for this week's Pocket Size episode, they take on three of their favorite reality shows.

Scotty starts with the one that created the template by talking about those first three groundbreaking seasons of "The Real World," from 1992-1994...and then laments what could have been if the show had stayed on that track. Then Scotty and Amelia both wax poetic about "Top Chef," the haute cuisine of reality competition shows. Finally, Amelia talks about the sometimes rowdy, often bawdy, and downright important "RuPaul's Drag Race."

In a rare book-related episode, Scotty and Amelia discuss the brand-new horror novel "Come Knocking" by Mike Bockoven, which--similar to the author's previous book "FantasticLand" (2018)--purports to be the journalistic account of a live performance-turned-"Lord of the Flies"-style massacre. Structured as a series of interviews with those involved, Bockoven's novel explores issues of toxic fandom, exploitation of actors, dark Internet subcultures, and more. Scotty and Amelia do a deep dive into the book, and Amelia gives her own perspective as a theatre artist involved in interactive performance.

WARNING: This episode goes into spoilers. If you haven't read "Come Knocking" yet, you might want to come back to this one later.