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An enlightening conversation with celebrated Danish artist Uffe Isolotto. Discover his journey from growing up in a remote town in Denmark to being selected to represent his country at the prestigious Venice Biennale.

Learn how Uffe balances work and life, the nuances of his collaborative process, and his unique approach to installation art.

Key insights include:

• The role of music and collaboration in his creative process.

• Uffe’s early inspirations and how he evolved from poetry to visual art.

• The logistics and challenges of creating large-scale immersive installations and collaborating with other artists and craftsmen.

• Behind-the-scenes about preparing for the Venice Biennale and the unexpected aftermath.

• Future projects and Uffe’s interest in film and world-building as part of his artistic practice.

Tune in to gain a deeper understanding of Isolotto’s process and his innovative approach to contemporary installation art.

You can follow Uffe on Instagram at @uffeisolotto https://www.instagram.com/uffeisolotto/ and learn more about his installation for the Danish Pavilion at Venice Biennale at @wewalkedtheearth https://www.instagram.com/wewalkedtheearth

04:47 Journey into Art and Education

10:07 First Major Projects and Public Art

12:34 Venice Biennale Experience

15:57 Collaborations and Challenges

18:19 Creative Process and World Building

28:04 Skills and People Management

30:49 Exploring Hyperrealistic Sculpture

31:30 Post-Venice Reflections

33:14 Venturing into Filmmaking

37:40 Artistic Practice and Longevity

44:49 Funding and Challenges

54:52 Advice for Young Artists

58:04 Current Projects and Future Plans

PS: We ran into a few technical issues during the recording of this episode, which means a small section of the conversation didn’t make it into the final cut and the audio isn’t perfect throughout. We appreciate your understanding.

Also mentioned in this episode:

NTS Radio: https://www.nts.live/ | https://www.instagram.com/nts_radio/ | @NTSLIVEUK

Danish Art Foundation: https://www.kunst.dk/english/about-us | https://www.instagram.com/statenskunstfond/

 Thomas Foldberg: https://thomasfoldberg.dk/ | https://www.instagram.com/thomas_foldberg_studio/

Lars Von Trier: https://www.imdb.com/name/nm0001885/ | https://www.instagram.com/larsvontrier_/

 Soft Baroque: https://softbaroque.com/ | https://www.instagram.com/soft_baroque/

 Anne Sofie Madsen: https://www.instagram.com/annesofiemadsenstudio/

Carlsberg Foundation: https://www.carlsbergfondet.dk/en/ | https://www.instagram.com/carlsbergfondet/ | @Carlsbergfondet1876

Simon Starling: https://www.contemporaryartlibrary.org/artist/simon-starling-14184

Den Frie: https://denfrie.dk/en/ | https://www.instagram.com/denfrie.cph/

Holstebro Kunstmuseum: https://en.holstebrokunstmuseum.dk/ | https://www.instagram.com/holstebrokunstmuseum/

The Installation Art Podcast is a show about people who love and work with the contemporary art medium of installation. The host Anastasia Parmson, an artist herself, interviews internationally renowned artists and arts workers about the intricacies and...

Episode 32 features an unforgettable conversation with acclaimed New York-based sculptor and installation artist Petah Coyne. Known for her intricate, large-scale works crafted from an extraordinary range of materials – from dead fish and shredded trailers to wax, taxidermy, and black sand. Coyne’s career spans decades and her works are in major museum collections, including MoMA, the Whitney, the Met, and the Guggenheim.

In this candid, in-depth interview, she shares not only her creative evolution and technical processes but also the personal stories, risks, and moments of doubt behind her monumental career.

Key takeaways from this interview include:

• The wild true story of how 5,000 dead fish played a role in launching her art career.

• How Petah developed her own patented wax formula and the extreme logistics behind shipping large-scale works across the world.

• A behind-the-scenes account of her first major institutional installation and the unexpected accident that helped get it reviewed by The New York Times.

• Her perspective on rejection, persistence, and why she applied for grants every year for a decade before getting one.

• Thoughtful reflections on time, mortality, and the pressure artists feel to keep creating.

From poetic anecdotes to hard-earned wisdom, this episode offers a rare glimpse into the mind of a successful and deeply generous artist whose work, like great literature, lingers long after the first encounter.

03:52 The Dead Fish Prank

07:36 Early Life and Artistic Beginnings

14:40 How To Avoid School

16:00 Moving to New York

22:22 First Big Break and Installation Art

41:34 The Importance of Archival Quality

46:22 Finding and Working with Assistants

48:53 Fragility and Tactility of Artworks

51:09 The Stolen Sculpture Incident

54:36 Selling Large Sculptures to Collectors

01:07:04 Navigating the Art World

01:09:52 The Importance of Feedback

01:24:56 Funding Art Projects

01:31:01 Experimenting with New Mediums

01:37:43 Final Thoughts and Advice To Artists

Petah Coyne is based in New York and is represented by Galerie Lelong & Co., New York: https://galerielelong.com/artists/11-petah-coyne/

and Nunu Fine Art, Taiwan: https://www.nunufineart.com/petah-coyne

You can find out more about her work on her website: https://www.petahcoyne.org/

And follow her on Instagram: https://www.instagram.com/petahcoyne

Also mentioned in this episode:

The Jealous Curator: https://thejealouscurator.substack.com/about | https://www.instagram.com/thejealouscurator/

Art For Your Ear Podcast, interview with Petah Coyne: https://www.thejealouscurator.com/blog/2020/11/20/just-be-wonderful/

Herron School of Art and Design: https://herron.indianapolis.iu.edu/

Art Academy of Cincinnati: https://www.artacademy.edu/ |

In this bonus episode of the Installation Art podcast, curator and art consultant Carrie Scott joins me to delve into the ongoing controversy surrounding the Venice Biennale Australian Pavilion.

Together we discuss:

• How artist Khaled Sabsabi and curator Michael Dagostino were appointed to represent Australia at the 2026 Venice Biennale and then abruptly cancelled

• The procedural, political, and social dimensions of the decision made by Creative Australia, its impact on the local and international art scene, and what it means for artistic freedom

• How the Australian arts community is responding to the shock decision

• Carrie shares her personal experiences and insights, offering a poignant perspective on the value of art that challenges and provokes.

We also touch on recent tragic news that affects the Biennale more broadly and raises questions about who has the authority to decide what kind of art is “acceptable” or what art is about.

05:02 The Australian Pavilion Controversy: An Overview

06:51 Selection Process for the Australian Pavilion

10:46 Creative Australia's Decision and Backlash

12:10 Senate Hearing and Further Repercussions

17:36 Personal Reflections on the Controversy

38:40 National Pavilions and Curator's Theme

39:09 Tragic Passing of Koyo Kouoh

42:38 Journalist's Role and Agenda

45:16 Art and Political Sensitivities

48:14 Personal Reflections on 9/11

53:16 Curatorial Challenges and Responses

58:59 Speculations and Broader Implications

Carrie Scott is a curator and art consultant based in London: https://www.carrie-scott.com/ | https://www.instagram.com/carriescottcurates/ 


SEEN is a next-generation art consultancy, shining a light on the opaque world of galleries, auction houses and dealers: https://www.seen.art/ | https://www.instagram.com/watchseenart/ | @watchseenart

📬 Got comments? Share your thoughts: SpeakPipe.com/InstallationArtPodcast

Or DM us on Instagram: https://www.instagram.com/installationartpodcast/

If you want to help the Sabsabi-Dagostino project in Venice, go to this website: https://khaledsabsabi.com/support-the-venice-biennale-2026-exhibition-by-khaled-sabsabi-curated-by-michael-dagostino/

Or purchase a unique artwork by Sabsabi to help raise funds: https://unvanishedsabsabi.myshopify.com/

Khaled Sabsabi speaks: https://www.abc.net.au/listen/programs/the-art-show/khaled-sabsabi-speaks/105050484

https://www.theguardian.com/australia-news/audio/2025/apr/01/exclusive-khaled-sabsabi-speaks-on-the-damage-of-being-dumped-from-the-venice-biennale-full-story-podcast

Also mentioned in this episode:

Khaled Sabsabi: https://khaledsabsabi.com/ | https://www.instagram.com/peacefender/

Michael Dagostino: https://www.sydney.edu.au/museum/about-us/our-people.html

Creative Australia: https://creative.gov.au/ | https://www.instagram.com/creative.australia/

Venice Biennale: https://www.labiennale.org/en | https://www.instagram.com/labiennale/ | @BiennaleChannel

Adrian Collette: