SEASON 2 - EPISODE 181 - Jack Fisk - Production Designer

In this extended episode of the Team Deakins Podcast, we speak with production designer Jack Fisk (MARTY SUPREME, THERE WILL BE BLOOD, MULHOLLAND DRIVE). Spanning the worlds' jungles, mountains, and open plains, Jack's work as a designer brings the real world to the audience on the big screen. Throughout our conversation, Jack discusses his views on designing, and he recalls numerous stories detailing the exhaustive work behind his contributions to films such as DAYS OF HEAVEN, THE THIN RED LINE, and THE REVENANT. Later, Jack reveals how he resurrected post-war New York City in the Lower East Side in MARTY SUPREME, and we discuss how he collaborated with cinematographer Darius Khondji (Season 1, Episode 135) on the film and strove for originality in its design. Jack also reflects on the evolution of his lifelong friendship with David Lynch from high school up until his death in 2025, and he shares how he overcame a number of obstacles while designing MULHOLLAND DRIVE. Plus, Jack recalls how he survived the "highway of death" in Costa Rica.

Listen to Ruth De Jong's episode (Season 2, Episode 49) to learn even more about Jack.

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Recommended Viewing: MULHOLLAND DRIVE, DAYS OF HEAVEN

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This episode is sponsored by Aputure & Picture Shop

SEASON 2 - EPISODE 180 - Nicholas Britell - Composer

In this episode of the Team Deakins Podcast, we speak with composer Nicholas Britell (JAY KELLY, DON'T LOOK UP, MOONLIGHT). "How can a score function within a film?" is the question driving most of our conversation with Nicholas, and throughout the episode he generously provides insight into his process and recalls several examples from his own work to demonstrate how he and his directors arrived at specific pieces of music. We also reflect on the varying natures of scores across film history, and Nicholas shares the challenges of composing for television. He also shares the types of conversations he has with directors after he's brought onto a project, and we learn how he developed the themes for JAY KELLY, DON'T LOOK UP, and THE BIG SHORT. In addition to composing full scores, Nicholas has also contributed music heard within a film's world—during the development of 12 YEARS A SLAVE, he was brought on to compose the songs played in individual scenes, and he reflects on how he balanced the music as both a dramatic element and a piece of history.

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Recommended Viewing: DON'T LOOK UP

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This episode is sponsored by Picture Shop & Aputure

SEASON 2 - EPISODE 179 - Kelly Reichardt & Christopher Blauvelt - Director & Cinematographer

In this episode of the Team Deakins Podcast, we speak with director Kelly Reichardt and cinematographer Christopher Blauvelt. Kelly and Christopher started working together on MEEK'S CUTOFF, and they've continued their partnership through films such as FIRST COW, SHOWING UP, and THE MASTERMIND. During the conversation, Kelly (from Miami) shares how she made it out of Florida to join the film community in New York City, and Chris (from Los Angeles) reveals how he found himself following his filmmaking family into the business after a youth of truancy and rebellion. Later, we discuss their working relationship, and we learn why they ended up meeting in the first place. We also spend much of the conversation discussing the making of their latest film, THE MASTERMIND, and we discuss the film's pacing and our changing relationship to time as an audience. Plus, Kelly reveals how long it took her to pay off the credit card she used to fund her first feature, and we stumble upon alternative titles to her films.

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Recommended Viewing: THE MASTERMIND

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This episode is sponsored by Aputure & Picture Shop