For this episode TW creative director John Vogel sat down with television writer and showrunner Michael Jamin about his collection of personal essays, A Paper Orchestra.

Michael’s television career started in the mid-90’s with an episode of Lois and Clark, followed by more involved work on Just Shoot Me! and King of the Hill. Other writing and production credits include Beavis and Butthead, Rules of Engagement, Maron, and Wilfred.

He self-published A Paper Orchestra through his company 3 Girls Jumping, and the book was named one of the best comedy books of 2024 by Vulture. Partially inspired by David Sedaris, Michael has also developed a stage show of the essays that has evolved from readings to reenacted performances of the scenes. In this conversation Michael and John talk about different themes throughout the essays, his transition to the stage, and balancing family life with work.

Author and musician Antonio Michael Downing sits down with TW creative director John Vogel to talk about Antonio Michael's books Black Cherokee and Saga Boy, music audience expectation regarding race and incorporating varied genres, and the disregard of the tech industry when it comes to profiting off of the work of artists without compensation.

If his memoir Saga Boy is a personal story grappling with the effects of colonialism on his psychology, his first full-length novel, Black Cherokee, is a story constructed to show the ways that everyone is living underneath unseen layers of history that they don’t understand.

The story follows Ophelia Blue Rivers, whose Black grandmother married the Cherokee Chief Trouthands, through four slices of time from 1993 to 2005. The book begins with Grandma Blue raising her on the Cherokee reservation while the disbanded tribe figures out how to handle a cattle farm that’s polluting the river. When she’s shipped off to live with her aunt in the nearby town, Ophelia has to integrate herself into typical southern society and finding temporary fellowship in a Baptist church. As she enters high school, she again has to assimilate, this time into affluent white society.

This episode is scored with the John Orpheus song, “Fela Awoke (I Will Miss You).”

Multidisciplinary writer Joanna Walsh sits down with TW creative director John Vogel to talk about Amateurs! How We Built Internet Culture and Why It Matters. When Joanna first started writing, lacking IRL community and instruction, she turned early Twitter to find likeminded others to share work with. It wasn’t until after she’d been working as an artist that the schooling aspect came into play, getting her PhD in Critical and Creative Writing from the University of East Anglia and a MSCA postdoctoral fellowship at Maynooth University.

Joanna also founded and ran two activist campaigns on Twitter—@read_women, a movement dedicated to equal treatment for women writers, and @no_entryarts to reshape ideas about age in the arts—and wrote twelve fiction and nonfiction books, including two co-written with self-coded AI.

In this conversation, the two discuss aesthetics through history, funding structures for the arts, and how policy affects access to who’s able to practice art.

Pia Leichter, founder of Kollektiv Studio and author of Welcome to the Creative Club, talks with TW creative director John Vogel about her experience transitioning from the advertising world to the artistic path. A big shift happened in her life about ten years ago, and Pia delves into some very personal details about the events that brought about that shift. As she said in our conversation: “I wasn’t expecting to share such vulnerable stories at all. I mean, I shared stuff some of my closest friends didn’t even know about me.”

The two discuss Pia’s experience with self-promoting her book, the role of the brain’s default mode network in the creative act, and the presence of the cosmos in all people. Also included in the episode are three tracks from her collaborative spoken word album Famished with electronic composer Tyler Bodkins. All the music in the episode came from that album.

In today’s episode author Molly Gaudry sits down with TW founder and publisher Martha Nichols. Molly holds degrees in fiction, poetry, and experimental prose, and her new book that just came out last week is aptly titled Fit Into Me: A Novel, A Memoir. The book weaves a fictional narrative into Molly’s own story along with fragments from a wide range of other authors in an effort to create a sense of self via the combination of different elements. With this format Molly explores her experience as a Korean adoptee raised in the US, meeting her birth family as a teenager, and recovering from a brain injury as an adult.

In this TW conversation, Fit Into Me provides a jumping-off point for big questions about self-creation and the holes in memory that writers inevitably confront when telling their own stories. Martha and Molly discuss how she blended its nonfiction sections with the fictional story of a character (the “tea-house woman”) taken from her two previous works, We Take Me Apart (Ampersand, 2009), which was a finalist for the Asian American Literary Award; and Desire: A Haunting (Ampersand, 2018).

In this week's episode, TW Creative Director John Vogel sits down with drummer and author Nic Brown to talk about his memoir Bang Bang Crash (Counterpoint, 2023).

Despite being accepted to Ivy League colleges, Nic opted to pursue his band Athenaeum straight out of high school. They signed to Atlantic Records, landed a few hits, and played extensively before Nic decided to leave to group in 2001 to pursue different styles of music and reclaim his opportunity to go to college.

While attending Columbia University, he joined up with the band Skeleton Key, headed by bass player Erik Sanko, who played in John Lurie’s Lounge Lizards. Nic also played in several other bands, including Falcon! and Longwave. This episode is scored with that first Falcon! album, The Early Year.

Nic then left NYC for the Iowa's Writer's Workshop, sending him down the writing and teaching path that he's followed over the last almost 20 years.

Victor Manibo, a 2022 Lambda Literary Emerging Voices Fellow, sits down with TW Community Manager Neva Talladen to discuss the drafting process for his 2022 science fiction novel, The Sleepless. Manibo and Talladen connect over their shared Filipino heritage and roots in New York, as they explore the rise of “hustle culture.” The Sleepless portrays a society where sleep is no longer necessary or even desired. Instead, young professionals like Jamie, the story’s main character and an aspiring journalist, spend endless hours working, driven by an insatiable pursuit of career advancement.

TW Creative Director John Vogel interviews author Tom McAllister about his new essay collection It All Felt Impossible (Rose Metal Press, 2025). For the book, Tom challenged himself to write an essay a day that corresponded to each year of his life, keeping within a 1500 word limit. The result is a kind of mosaic memoir through snapshots across time with some tangential thoughts instigated by the memories.

This is Tom’s fourth published book, his first being the 2010 memoir Bury Me in My Jersey about his late father and their shared love of the Philadelphia Eagles. His other two books are the acclaimed novels How to Be Safe and The Young Widower’s Handbook, which have both been noted for their mix of darkness and humor.

In their conversation, Tom talks about the experiences of teaching and being a student, expectations along the artistic path, and the community that art can create.