In this episode of Rosie the Reviewer, we talk about Godzilla Minus One (2023), written and directed by Takashi Yamazaki. We can hear you thinking... What? Set in the immediate aftermath of WWII, the film follows a former kamikaze pilot grappling with survivor’s guilt, PTSD, and the struggle to rebuild a life in a shattered Japan - while Godzilla looms as both a literal threat and a powerful metaphor.

We discuss why this film works even if you think you don’t like monster movies (cough Maartje cough), how it uses Godzilla to explore nuclear trauma and post-war grief, and why the human story at its centre is surprisingly moving. We're joined by our friend Julie, resident Godzilla enthusiast, because this movie deserves her commentary.

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In this episode of Rosie the Reviewer, we discuss Son of Saul (2015), László Nemes’ profoundly human film set inside Auschwitz. Told entirely through the tight perspective of a Jewish Sonderkommando prisoner named Saul, the film is entirely glamourless. We talk about how the narrow framing, blurred periphery, and overwhelming soundscape place you in a world where there's no yesterday and no tomorrow, only the present.

Learn more about the Sonderkommando, the 1944 uprising and tell us what you think about this movie.

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In this episode of Rosie the Reviewer, we welcome an extraordinary guest: Bruce McKenna, co-executive producer, creator, and principal writer of The Pacific, and writer of the Bastogne episode of Band of Brothers. We talk about the moral stakes of war, what made it into the episodes and what didn't, and why everything is about narrative and theme.

We explore Bruce’s creative process and the kind of stories he likes to tell. This one may change how you look at WWII media.

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In this episode of Rosie the Reviewer, we tackle Midway twice. We compare the 1976 classic with the 2019 CGI-heavy remake and take you through the events of The Battle of Midway. Get to know the key players and learn with us as we break down one of the most decisive naval battles of the Second World War.

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In this episode of Rosie the Reviewer, we take a look at Nuremberg (2025), written and directed by James Vanderbilt and based on The Nazi and the Psychiatrist by Jack El-Hai. We talk about the performances by Russell Crowe and Rami Malek, what we thought of the film, and, of course, provide you with some real history, including a broader historical context around the Nuremberg Trials.

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In this episode of Rosie the Reviewer, we dive into Enemy at the Gates (2001), the wartime drama about Soviet sniper Vasily Zaitsev, the Battle of Stalingrad, and a completely unnecessary love triangle.
We explore the Battle of Stalingrad (one of the bloodiest battles of all time) and discuss how propaganda shaped this story both on screen and off.

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In this episode of Rosie the Reviewer, we talk The Monuments Men (2014), George Clooney’s glossy take on the true story of Allied soldiers racing to rescue Europe’s art from the Nazis. Joined by Merc, we unpack the film’s stacked cast, its mix of humour and drama, and why it never quite decides if it wants to be a comedy, a war drama, or an art heist. From Rose Valland’s secret lists to the missing Ghent Altarpiece, we explore what’s fact, what’s fiction, and why the real story deserves better.

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In this episode of Rosie the Reviewer, we take on Richard Attenborough’s A Bridge Too Far (1977), the war epic based on Cornelius Ryan’s book of the same name about Operation Market Garden. We take you through one of WWII’s most ambitious (and doomed-to-fail) military plans as we discuss the film. From Sean Connery’s Major General Urquhart to Gene Hackman’s Sosabowski (we approve), we talk about what led to Market Garden's failure, and how Dutch civilians like Kate ter Horst were astoundingly brave in the face of absolute hell.

Market Garden, a little complicated? We try to make it simple for you!

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