In this episode of Rosie the Reviewer, we talk about Godzilla Minus One (2023), written and directed by Takashi Yamazaki. We can hear you thinking... What? Set in the immediate aftermath of WWII, the film follows a former kamikaze pilot grappling with survivor’s guilt, PTSD, and the struggle to rebuild a life in a shattered Japan - while Godzilla looms as both a literal threat and a powerful metaphor.

We discuss why this film works even if you think you don’t like monster movies (cough Maartje cough), how it uses Godzilla to explore nuclear trauma and post-war grief, and why the human story at its centre is surprisingly moving. We're joined by our friend Julie, resident Godzilla enthusiast, because this movie deserves her commentary.

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In this episode of Rosie the Reviewer, we discuss Son of Saul (2015), László Nemes’ profoundly human film set inside Auschwitz. Told entirely through the tight perspective of a Jewish Sonderkommando prisoner named Saul, the film is entirely glamourless. We talk about how the narrow framing, blurred periphery, and overwhelming soundscape place you in a world where there's no yesterday and no tomorrow, only the present.

Learn more about the Sonderkommando, the 1944 uprising and tell us what you think about this movie.

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In this episode of Rosie the Reviewer, we welcome an extraordinary guest: Bruce McKenna, co-executive producer, creator, and principal writer of The Pacific, and writer of the Bastogne episode of Band of Brothers. We talk about the moral stakes of war, what made it into the episodes and what didn't, and why everything is about narrative and theme.

We explore Bruce’s creative process and the kind of stories he likes to tell. This one may change how you look at WWII media.

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📸 Follow us on Instagram: @rosiethereviewerpodcast
💬 Join the conversation, share with a friend, and leave a review. We would love to hear your thoughts!