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We continue to examine the influence and imitations of our anointed directors' signature styles. In Fincher's case, this mainly takes the form of examining the attempts of his various collaborators to recreate the magic without him.

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In which we offer very tepid defenses of Ethan Coen's tepid new lesbian detective yarn

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Chris Prentice drops in to talk about the cottage industry of Tarantino knock-offs that arose in the 1990s (and beyond). Why do they have long, tortured titles full of numbers and locations? Why do they all end on the same boat? These questions and more will be answered in digressive, non-linear fashion on this week's Frame Work.

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Brett Blake returns to dig into Zach Cregger's ambitious sophomore effort.

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In which oh my god this game never ends

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Is the fifth time the charm for the famous foursome?

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In which we finally, definitively fix all the Academy's mistakes.

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Alex Fletcher returns to talk over James Gunn's re-re-re-envisioning of the grandaddy of superheroes