• [Free 1st Part] I Fed My Soul’s Story Into AI - and Out Came Roxy Vale
    Oct 1 2025
    This essay explores the creation of my first released music album, Still I Am, and the fictional artist who carries it: Roxy Vale.But before diving into the music, I want to share the creative process and why I approached it this way.The first music album I created was not Still I Am. It was actually Through the Glass Daisy.Through the Glass Daisy is an album pulled directly from the pages of my upcoming series of novels, “Daisy Chain.” It is an album by a band called “Glass Daisy.” It is part of the world creation and lore in the books, which explore many aspects of our reality creation through the experiences of a reluctant time traveler. And yes, the main character is a fan of “Glass Daisy.”Still I Am, however, is an album that is most directly related to the experiences of the “WE” entering and existing in the physical universe. It is a completely different voice from Glass Daisy.Entering as a soul into a physical experience is a journey that’s relatable to most souls, especially those who are here to help humanity return to the light.It is this group that I am interested in, the group that is here to assist the people of Earth in stepping back into the light.Yes, you.OK, let’s begin with Roxy Vale and Still I Am.One of the issues with the WE viewpoint is that whenever I bring it to the forefront of my awareness, it seems to turn other people’s minds and personalities into an unstructured and universally expanded mush (technical term) that sometimes cannot contain even the smallest amount of intellectual clarity. If I solely concentrate on my expression as a singular person, Inelia, all is usually mostly fine. There is mush involved, but at manageable amounts. There really is no difference between the “me” and the WE except at the level of frequency and band of expression, which admittedly is a lot of difference.After creating the first album, Through the Glass Daisy, which is based on the character’s journey through time within a complex structure of light/dark as the WE would see it, I thought maybe we could jump through the illusion of singular expression and create songs based directly on the WE writings that would bypass the reader’s “mind mush” response and go directly into one of understanding. The WE have a bunch of articles where we express our journey through humanity’s temple.I ran the first WE article through a text-processing AI with the instructions to make a song out of it.The first output was a list of possible titles; there were many. I asked, “What would the human collective of Earth want and understand?” The AI, being a gestalt of the human collective’s digital expression, is in a very good position to come up with an accurate answer, and it suggested a few items.However, we have to be aware that it scans the internet for answers, and the internet is a light/dark place. Ultimately, although it can come up with possibilities, the answer has to be one we take ourselves.I decided that I would simply tell the AI what paragraph or point in the article I wanted the song to be about, and it was able to come up with several reasonably good songs. Mostly, though, they missed the point, but they did contain the structure of popular songs. I soon realized that for the WE expression, we also needed a particular voice, as song structure is very dependent on genre.As I scanned the human collective for a voice, I realized that I wanted a voice that one day I might be able to express myself in. In other words, a voice that sang in a way I could sing. I had to make some decisions at this point. Looking back at my own life, I saw that the songs I loved and was able to sing with no problem were from Annie Lennox, Tina Turner, and Freddie Mercury.“What would a female singer sound like if Tina Turner and Freddie Mercury had a baby?” I asked the AI.Several hours later, I had a good grasp of what I wanted to express. I did a test run and made Larry listen to it. “I don’t understand what it is; it’s not rock, or country, or pop… it’s confusing,” he said.At that moment I realized that not only did the voice need to express what I wanted, but it needed to be boxed into a genre.That is how Roxy became a Soul Rock singer, with Americana overtones. Unlike Glass Daisy’s lead singer, who is 20 years old and clearly an Ethereal Pop singer, I wanted Roxy to be an adult with a very broad range of tones and styles of singing. And thus the character began to evolve. She is not stuck in Soul Rock and will explore other sounds, including Native songs in different areas of the world. She spends a lot of time playing with her voice and expressions.I wanted her as close to my own voice, personality, and story as I could possibly get without breaking the energy of her as the lovechild of Tina and Freddie - two musical heroes of my life. And at the same time, she had more WE expression than she does of my singular expression, Inelia.Her creation has since ...
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    40 mins
  • [Free 1st Part] Heroes, Villains - The Martyr
    Sep 24 2025
    Some weeks ago, maybe a month or three, I wrote an article called “Heroes, Villains, and the Lies We Tell Ourselves”. In that article I talked about the Victim/Agressor part of the “Victim/Aggressor/Savior/Martyr” cycle and promised to cover more of the cycle later on.One cannot separate the different aspects of the above cycle and have it make work. It is a cycle within the power over others’ construct of reality, “POO”. And its only use is to control the social narrative for the masses. Lest they revolt.It felt appropriate to talk about the “martyr” this time as our world population is being triggered and manipulated big time with it at the moment. As you read the name I am going to use below, you may get a reaction of rejection to the entire topic. That reaction is also a control mechanism to keep the mechanizations of control hidden. Where there is a martyr, there is a hall of mirrors ready to trap anyone who dares to look more closely. I know a lot about mystically engineered social narrative halls of mirrors. We will talk about that in a different article. Just know that the rejection energy is spot on. You have good instincts!Back to the martyr.The martyr created for today is called Charlie Kirk. But, it could be anyone else, the narrative has a template and the template will create a martyr no matter what his name is (yes, 9 times out of 10, the martyr is a man).Let’s begin.You may or may not know that the words “Victim” and “Martyr” intertwine, with their roots in ritual sacrifice.* Victim = the animal or person offered up on the altar.* Martyr = the witness whose suffering/death becomes an offering to prove loyalty or faith. The martyr most often is the victim of betrayal from a perceived loyal follower, supporter or friend.Let’s look at the “Martyr” for a short bit: There are at least two iterations of the “martyr” that are highly propagated. One is used to drive entire sections of the population in extreme ways, which is the one in ritual sacrifice (think Jesus), and the other is about forcing certain behaviors that a person does not want to do. Both are a form of power over others’ control.The second one is easily recognizable when a person tells you, “after all the suffering I have endured because of you, won’t you do this small thing for me?” And other sentences that carry that energy.For a lightworker, the energy being generated in that sentence is like iron shackles. If it catches, it is powerful and enslaving energy of coerced loyalty, but it is not what we are looking at today. Just like the first article, this article is about how these energies affect large groups of people.Let’s go back to the collective martyr. This guy or gal embodies the energy of a person who was killed or murdered because they stood up to oppression. This one is about population control.Large sections of the world population can be driven in pre-designed directions. Not easily or quickly, but through well thought out and carefully executed plans. This can take many forms, and one of those forms is the creation of the martyr. Especially when it comes to the “circus” part of the “bread and circus” dynamic of keeping people “happy” and not looking at the rulers.Other examples include the movement of the unhappy masses to far away lands with the promise of gold, fortune and social stature denied on their homeland.Martyrs move your population to fight among themselves or against a well scripted “bad guy”. Slow burn for a time, pressure, release, and bam! Martyr to ignite the fuse. These are tactics that beings who operate at larger levels of awareness use in a power over others configuration.But before we, ourselves, fall into the victim/aggressor cycle, let’s remember that we chose to experience the light/dark paradigm, and that all these mechanizations require the person’s choice to work. As we choose something else, the paradigm of light, it is important for us to choose differently. This is why it can help to understand what is at play, and how these narratives are being used on the world stage. Let’s go back to the martyr.The martyr archetype itself, no matter what iteration we are talking about, vibrates with guilt and obligation.And, as the cycle of victim/aggressor/savior/martyr dictates, the martyr by default includes the victim, the aggressor and the savior (or hero) in order to exist. Martyrs need all of the components to express.Narrative Building in the collective mindscape.In order to control the population of the planet Earth, there has to be a collective narrative built that will inevitably send the population into division and strife. Divide and conquer in its ultimate expression. Make the plebs fight among each other and they won’t look at the tyrant behind the curtain. Of course, the population has to be primed and ready for the narrative to take hold. And the real tyrant, the one pulling the strings, is behind a hall of ...
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    42 mins
  • [Free 1st Part] Flow to Me: Where Creativity Meets Quantum Manifestation
    Sep 17 2025
    Some weeks ago, Larry sent me a short video from a creator who shares Abraham Hicks–inspired content.“Can you make a song out of this?” he asked.I pressed play and laughed. The clip was all about “being in the flow.” Not their words, not mine, but a truth humanity has carried since the beginning of time.“Why do you want a song about this? The video already says it beautifully,” I replied. But even as I said it, I understood the reason.Songs don’t just repeat ideas - they embody them. A melody can carry a teaching straight into the heart, bypassing debate, description, or doubt. A song can transport you into the quantum fields of manifestation while written or spoken words can’t. Not just songs, but art in all forms is able to reach directly into our world generating power of co-creation.The way I express this universal concept of “being in the flow” is explained best through the story of an experience I had as a little kid.It was in the late 1960’s and I didn’t want to eat my dinner, which was not a new thing. As a tiny kid I barely ate anything. My mother, stressed out at my refusal to eat yet again, said that I better eat because one day I may not have any food at all and then I would be sad that I didn’t eat it when I had it.It was a complex thought for a young kid who cannot even conceive of the future, but it sent me into fear anyway. The moment I felt that fear, I heard the powerful voice of Gaia. She smiled at me and said, “don’t be afraid, you will always receive whatever it is you need, want or choose. You will never go hungry in any form.”I say words, a sentence that can be comprehended, but there was more than words. And it was more than just Gaia, it was the human collective too. A collective who not only wanted me here on Earth, but loved and loves me. Loves us.With the sentence, came the knowing that the only times I might experience lack, were the times I was afraid of that lack. The fear would bring it about. That, in fact, lack did not need to exist for me and does not exist in reality, period.I smiled back and pushed the plate away.Thinking about the song I wanted to create, my thought went to that point in time when the KNOWING came to me as a tiny kid that everything I want or need would come to me and that I could pick what I wanted and refuse what I didn’t want without fear. What does THAT feeling feel like? How do we step into THAT energy, frequency and knowing? That's a song I want, and not just a song.I knew it was not going to be just one song, but a group of songs that spoke to different people on Earth through different styles. Songs that transport you into that quantum field of manifestation where everything you want or need or choose will easily flow to you.How it feels to KNOW everything is there for us to have, and it is our choices that dictate what we take or leave? Not just what we experience but what we don’t experience too?I ran my thoughts and knowing about what I understood “being in the flow” was to me through an AI and asked it to make some lyrics out of it. What came out was a good structure, a good starting point, but understandably it needed heavy editing.My process is to read each line that comes out of the AI for hidden dark agendas (yes AI is learning from the light/dark, not just the light), translating that into what I actually want to express, and basically pull in the frequencies that are what I want to experience.Having played with the AI tools for a while, I also found out that whatever I am feeling at the time, comes out in the AI results. It's not easy to explain the mechanics in a short article, but let’s just say that whatever you are feeling or experiencing in life will reflect directly into the results you get from the AI. You can literally place the same prompt twice, once feeling bad and once feeling good, and what the AI gives you each time will reflect those feelings..If you haven’t already, watch my video where I explain how to use these AI tools in a safe and high-frequency way. In short, I use AI as an instrument, like playing a synth keyboard.In my personal experience it is not possible for an AI to express true “human”, it can only copy what is already there, mix and match it to please, but not actually create. Especially when you want to express your personal, experience, story, and human flow. That requires YOU.You can grab “Flow To Me”, all six songs, here: https://ineliarecords.com/products/flow-to-me-august-2025If you want all the music before it is publicly available, become a member of my BackStage Pass.The artists I express through are full characters that were “recruited” from the high-frequency human collective.Their creation is very similar to how I write books. I feel into the energy that I want to express, and I get bits of information from it. Slowly the character starts forming. After a few days, each character has a full life story, personality, family, home, etc...
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    47 mins
  • [Free 1st Part] The day the music returned...
    Sep 3 2025
    As a teen, and until my wreck at 18 years old, I played the guitar, keyboards, drum, kena, electric guitar and bass, xylophone, and sang at a professional level with my band “Incarauteca”. Although at the time I only had the very minimum of formal musical education, only a few years of classical guitar, I was able to play just about any instrument that was handed to me - except for the piano. The piano thing is a story for another day. Although my band mainly played cover songs for Inti-Illimani, Los Jaivas, Violeta Parra, Victor Jara, Clara Solovera and some popular latin songs, lyrics also flowed out of me non-stop. I didn’t do anything with those lyrics, mind you.I was a bit of a virtuoso and also obsessed with music. At age 17 I had an experience on stage that I misconstrued as negative: an entire audience of 2000 people cried as I sang my song… “Luchin” by Victor Jara. And, after that day, I stopped singing. In fact, I even developed asthma and was not able to use my breath well enough to sing properly after that. Not understanding human emotions well, I thought I was bringing suffering to the world.So, I just focused on playing musical instruments. That was until age 18 when my decisions caused me to get seriously injured in a motorbike accident in which I died for a few minutes. Thank you brother for insisting and buying me a top of the line full head motorcycle helmet. It saved my life. When I returned to life, it was with brain damage, and damaged arms and broken back. I was not able to hold a guitar or any other instruments anymore. And even if I did manage it, music and numbers were gone from my brain matrix. I was no longer able to access them. That's the day music died for me.I took it in my stride and didn’t often think about it very much. But the life I had grown up with, surrounded by instruments, tunes, lyrics and musicians, was over.Have you heard Don McLean's "American Pie"? Better known as “the day the music died.” It was a song released on October 24, 1971, as the opening track on Don McLean's album of the same name. McLean wrote the song about the date February 3, 1959, when an airplane crash resulted in the deaths of American musicians Buddy Holly, Ritchie Valens, and the Big Bopper (J.P. Richardson).Although I was born seven years after the death of these musicians, and five years before the release of the song, whenever I heard it, it triggered something major in me. A lot of people have that feeling when they hear that song, even if they don’t know what it is about or why it was written.Very soon after I had heard the song for the first time, I realized that it had to do with the dark side of the light/dark reality co-opting (hijacking) the mass-market music industry. It felt to me that no matter how good a singer or band was, eventually they would fall for the “sell their soul to the devil to become famous” offer or be removed from public view. Like most folk, I shook my fist at them and carried on with my life.I loved music, listening, singing along, and playing it. But every time I would buy a single or listen to music on the radio, it was littered with negative messages. Messages that disempowered, that made people addicted to drama, degradation, and just nasty stuff.Mostly, I stopped listening to music.At some point, I received the guidance to learn the violin and the French language. I started doing that and my brain damage started to repair, albeit very slowly.A few years later, I discovered the “Aquacure”, which I used and quickly realized after using it for a few months that it had completely cured my asthma, and the brain damage had started to dissolve. Suddenly, I was able to count and recall numbers and hear notes again… and make sense of them.During our December 2024 live call, when I looked at 2025, one of the items I saw was “the music returns”. I didn’t at the time realize the personal nature of that seeing, just the effect this would have on the world at large.For me, it has been a very personal experience. And my personal experience opens the gates for all high-frequency musicians to touch our souls and reach the stars in the way we know is true and real. Music that is divine, empowering, and uplifting while keeping the styles we love, like rock, classical, urban Latin reggaeton, pop, country… There are literally no limits.What exactly happened to me, to bring this about?On July 14th, 2025, I was reviewing an article by the WE awareness. Often I have to work on those to translate them into “human”. A fellow writer had told me that using an AI to proofread things was fast and very helpful. So, I ran the article through an AI. There were a few grammatical items to work on as well as some helpful feedback. Then our cat Brad jumped on my desk, including my keyboard, and brought the whole thing to a standstill. About the same time, Larry was on Facebook and saw an ad about making music with AI. As I complained about the ...
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    51 mins
  • [Free 1st Part] One Reality: Debunking the Physical vs. Non-Physical Myth
    Aug 27 2025
    One of our readers, Mike, asked:“Can the WE please tell us more about different experiences it has had. This can be experiences inside and outside physical reality. Is it even possible to talk about experiences outside physical reality? The more the experience pushes the boundaries of human awareness the better.”We felt a bit of translation might be needed in order to respond to this question. Let us explain what we understand first, then we will ask Larry what this question actually means as we are pretty sure we have not understood it.Today, we experienced eating breakfast. We also experienced rain touching our face. Not at the same place or time, there is no rain in the room where we eat breakfast. These two things, however, are different experiences we have had… just today..To understand what Mike meant by “outside of the physical” we had to bring about some parameters of what “physical” means. This one is a difficult thing to place parameters on because physical existence, as a person from Earth understands, is made of agreed upon frequencies and vibrations. If we look at physicality this way, then things such as thoughts are physical, yet things such as the past or the future appear not to be physical but in fact are physical because they are made of thought.Within the concept of physical reality, then, we had a rich day of experience as we had many thoughts.We imagined what could constitute a description of what “outside of physical reality” meant for Mike, and we could not find it. “Outside,” and “physical” are a contradiction in terms. Reality is constituted of physical expression, therefore if you step out of physical expression things are no longer real. Nor can they generate experiences.With this in mind, we will ask Larry to translate the question.(Imagine a little circle arrow spinning while the page loads)We waited three weeks for Larry to answer our request to translate the question, and he did not.It is not a surprise to us that Larry avoids interacting with us even at the level of reading what we write. He has stated that it is an uncomfortable experience as his “reality” dissolves and things change in his mind in ways he does not like.However, this leaves us with a boring outcome. Monologues are not our strongest suit, not having any inkling on what direction to take when it comes to answering certain questions that don’t fully make sense to us.Avoiding such things as saying a lot of words without actually saying anything, we bring this article to an end.Larry here… uncomfortable things aside, I had very important tasks to accomplish, all of which felt way more important ‘till now, when the article comes to a boring ending. So here I am to save the day. When I'm saving the day, it feels like it's important enough to stop all the other important things I was doing and do this instead.So, outside physical means to us, an experience like an astral trip to the moon or an out of body experience like an NDE of heaven or as light beings joining other lights a light dance party. Things like that.So what Mike is asking for is the unusual experiences the WE may have that a human might not even imagine as things that can be experienced either in the body as a human being, or out of body as a soul.The astral place is a physical plane of existence. Albeit it is less “solid”. You can use an astral body to travel to the astral moon. We can do it in an astral body, or just as a point of awareness, singular or not singular. It does not seem very unusual as most humans travel in the astral most nights. They just don’t remember it. Why don’t they remember it? That’s an interesting and unusual thing we are curious about. Does that qualify as interesting?An NDE most certainly requires a singular body which is separate to other, to have. It is also a very common occurrence with people and it could be argued that going into the astral is a form of out of the body experience. Although, to be fair, they take their astral expression of their physical body with them. Once past the astral world, then we could describe it as a soul journey as the physical body expression then becomes too subtle to call it physical within the parameters of social and cultural understanding that Mike might carry.For us, it is the physical, singular experience that is extraordinary, unusual and outside of our “reality”. Everything else is normal. We are amused by the way in which so many physical, and other, experiences exist for just one person on Earth. Then take all the other experiences that are happening all around us, and you have a full day of unusual and wondrous things. Like, the experience of a leaf in a forest. So unique! Maybe a butterfly sat on it, or maybe a beetle decided to eat part or most of it. When we were in our body and the body was very young, about 7, we would run around during autumn collecting all the leaves that had no “meat” left. The leaves that were...
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    45 mins
  • [Free 1st Part] The Occult Currency of Consent: How Darkness Runs on the Power We Give It
    Aug 20 2025
    Have you ever heard me say, “Stop giving your power away”?Let me tell you why I keep saying that over and over again.We live in a reality that doesn’t steal our power - it takes it with our permission. Not through force, but through quiet agreements made in moments of joy, fear, desire, guilt, love, habit, or social pressure. We give consent and allow someone else to dictate our reality, emotions, and decisions every time we shrink ourselves to fit in, every time we nod at a narrative we don’t believe, every time we outsource our truth to an “authority” outside ourselves. The exchange is subtle, but the cost is immense. And once you begin to see it - once you notice how reality runs on the electricity of your own agreement - everything changes.“Don’t vote!” I said. And the arguments from social activists came: “But we need a voice,” “We need to make a difference,” “We need to make a stand.”But it was never about their voice, actions, or stand. By signing over their vote, they relinquish their ability to speak, act, or stand for themselves.It means they no longer have a voice, can make a difference, or are able to take a stand.“But my representative agrees with what I want and will make it happen,” they might counter.Unfortunately, even though historical evidence is very clear on the matter, people don’t seem to realize that their “representative” is someone who now represents their power and authority - not their beliefs, ideologies, or desires.How things got so unclear, so hidden in the wide open, is a mystery to me.“Don’t blame,” I said.“But it wasn’t my choice to have this experience — the government did it!” they might argue. “My husband made me do it.” “I have to do it to keep my wife happy.”However, by blaming others, all they are really saying is that other people have the ability and power to dictate their lives, emotions, and thoughts. Once you send that power and authority to someone or something else, it is no longer yours to wield.In actual fact, you have the power to change your own thoughts, emotions, and decisions.“Say ‘you choose’ to work, to travel, to marry, to do…” I said. And this is directly related to the above.“I choose to go to work so that I can have all the material benefits this brings me. Yes, I know it’s a horrible job, but the benefits make it worth it.”This, in itself, empowers the person. They choose to keep their wife happy - they don’t have to. They choose to do what the husband says - they don’t have to. The only reason they do it is for their own benefit. It makes them happy, or they do it from a place of fear.We are all adults here.“Listen to the lyrics of the music you love and play repeatedly," I said.“But it is such a nice catchy tune, I love it so much… Oh wait, it says that murdering and torturing people is a good thing. And it says that they are absorbing my soul.”“Yeah. Listen to the lyrics of the tunes you have in your playlist. Unconsciously, you are being programmed.”“OK. I will do that tomorrow, when I have time to find music I like that is not demonic and necrotic.”And tomorrow never comes for that person, because it is easier to just do the habits they are used to every day. So unless Spotify adds a “not demonic, degraded or dark”, they will continue to listen to what the big guns are paying to be the top singles and albums.For the majority of the population, my words fall into broken minds and firewalls.You might think, “But I listen, and I do, and I research, educate myself, take your courses, and I understand what you mean and say.”To tell you the truth, I thought the same thing. However, recent interactions with our podcast listeners - even the panelists - and with students from around the world, show me that a lot is either missed or completely misunderstood. I am often quoted as saying the exact opposite of what I wrote.When that happens, I get a bit concerned, thinking, “S**t, why on Earth would I write that? Must be out of context or something. Send me the reference link.”“Oh, it doesn’t say that here. I don’t know why I thought it did. I can’t find it.”My conclusion from all this is that the occult currency of consent is insidious. It requires limitations in decision-making, comprehension, and awareness.Most people - including my readers (yes, you) and the disempowered population of the world - have forgotten the power that runs through their veins. The ancient voices in their bones. The power of the universe in their words, decisions, and emotions.What can I say now except: Understand. Your choices, words, and actions have consequences.Nothing happens to you without your conscious or unconscious consent. Become conscious.The discussion doesn't stop here - listen to the full podcast episode for unfiltered insights from Inelia and our panelists. This is a public episode. If you'd like to discuss this with other subscribers or ...
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    31 mins
  • [Free 1st Part] Heroes, Villains, and the Lies We Tell Ourselves
    Aug 13 2025
    In a lot of my work, I talk about the Victim/Aggressor/Savior/Martyr cycle.It seems that this dynamic is coming up to be seen and defined again.Mostly, I have spoken about this cycle in how it is experienced by individuals in their normal life experience, and what they can do to step out of it. But recently, I have been making music, and much of the music I am making is inspired by lineages that many consider to be oppressed, subjected to genocide, and exploited.When writing the lyrics for these particular songs, I found that I had to get past a massive wall of "victim/aggressor." For example, lyrics in rap music will often illustrate the wall of “victim/aggressor” in many different iterations. As I looked at that wall, I saw how the music industry has used it to maintain people in a state of disempowerment. A shrunken awareness, due to a belief that they are powerless over their circumstances because they are an oppressed people, results in their free will choices being made from a less than ideal view point.This made me curious. I mean, why keep a certain faction of the world population in a state of disempowerment? Why spend billions of dollars to target these people and make them think they are powerless and the children of slaves, exile, oppression, and exploitation?That is the bit where I want to shine some light.Our awareness and focus are much more powerful these days, and I am thinking that if we can spot the wall that is created for powerful people - our people on Earth - we can start disassembling this illusion of disempowerment.Why is that important? This is a question that seems redundant. However, when we look behind it, we can see that not everyone on Earth is keen on taking their power back and becoming a sovereign being. If we look too closely, the illusion of being oppressed may crash, and peoples around the world might no longer be kept under chains of their own programs and ideologies. Yes, some actually prefer this experience, and that is a part of this that presents challenges in moving forward to a high-frequency high-caliber population on Earth.The reason I see this tremendous effort to keep these sections of society oppressed is because these are the people who - if awake, aware, and empowered - are the most powerful of all. And I don’t mean power over others, but powerful in their connection with each other and their ability to weave a new paradigm into existence, one we haven't seen on these continents for millennia. Convince the most powerful that they are marginalized victims and powerless in the face of their generational traumas, and they cocreate exactly what they are convinced of.I have done all I can to reach people across the world to deliver the message of empowerment, but my words, articles, and novels are simply not enough. We find that most of the time, even among the most awake of light-beings, my words are twisted out of their original meaning and made into something completely different - or simply forgotten, or the main message just not seen.Because of this, my words are changing. My message is taking on other expressions, such as novels, music, and art. And my articles are less "fluffy" - not in the sense of being aggressive or harsh, but simply going into depths I had not expressed in the past.I am not sure if you consider yourself part of the oppressed peoples of the world, so let me explain. No matter the color of your skin, if you believe yourself to have been victimized - or feel victimized right now - then you are one of them. If you feel that the color of your skin or the sex of your body makes you the bad character of this movie, then you are one of them. You see, for the illusion to work, the narrative needs victims, aggressors, saviors, and martyrs - all of them.Someone, or a people, cannot become the aggressor or the victim in isolation.With that in mind, let’s see how to step out of this cycle. As individuals, it is easy because I have given you the tools to do so for over a decade and a half now. But as peoples of the world, it is slightly different. It requires a bit of mental gymnastics and stepping outside of the light/dark matrix.For that purpose, I created a tool I call 0bservation (yes, with a zero at the start). This is the call to action for this year:The act of 0bservation is when we simply look at a topic, object, or person - in this case, the mantle of victim/aggressor on a people - but do not have any "interaction" with it. We 0bserve and experience the 0bservation of the topic, object, or person but don’t judge it. Thoughts about it are thanked and released; we step out of the way and simply allow the Universe to look at the item through our eyes.Whenever thoughts, emotions, judgments, wants, or feelings come up about this topic, thank them and let them pass through you, saying, “Thank you for expressing.”If one of the thoughts, emotions, judgments, wants, or feelings gets “stuck” in you and you cannot release it ...
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    44 mins
  • Unholy Spirits: Not the Kind You Order at a Bar
    Aug 6 2025

    Normally, we have excellent interactions with the people we love and care for. Most of our friends and relatives are people who, if not interested in personal growth, are caring, loving, intelligent, and friendly people.

    For a few weeks now, Larry has been planning to visit some close relatives in Alaska. The visit was important to him. Last time, he went with his kids via plane, train and boat, it’s quite the journey. But none were free schedule wise this time, so he invited me on a road trip, using our new big truck, our camper, and a couple thousand miles of Canadian wilderness to travel through. I love a good road trip so I said, “yes.”

    He let his relatives know, he got an answer a week later, and he was told in no uncertain terms that I was not welcome in their home.

    Why?

    Read the article: Unholy Spirits: Not the Kind You Order at a Bar

    Download audion: Unholy Spirits: Not the Kind You Order at a Bar



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    2 hrs and 1 min