Driving to the Rez - With Inelia Benz and Larry Buzzell cover art

Driving to the Rez - With Inelia Benz and Larry Buzzell

Driving to the Rez - With Inelia Benz and Larry Buzzell

By: Inelia Benz
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 A spiritual road trip with your two coolest, most insightful friends. Larry and Inelia dive into deep, no-nonsense conversations about leveling up your life, understanding the mysteries of the universe, and navigating those WTF moments we all face. They tackle metaphysics, consciousness, and practical wisdom with a side of humor and personal stories. It's the perfect mix of mind-blowing insights and laughs to keep you entertained and enlightened on your commute or workout. Buckle up, bro – it’s a ride you won’t want to miss!

www.drivingtotherez.comInelia Benz and Larry Buzzell Personal Development Personal Success Spirituality
Episodes
  • [Free 1st Part] I Fed My Soul’s Story Into AI - and Out Came Roxy Vale

    [Free 1st Part] I Fed My Soul’s Story Into AI - and Out Came Roxy Vale
    Oct 1 2025
    This essay explores the creation of my first released music album, Still I Am, and the fictional artist who carries it: Roxy Vale.But before diving into the music, I want to share the creative process and why I approached it this way.The first music album I created was not Still I Am. It was actually Through the Glass Daisy.Through the Glass Daisy is an album pulled directly from the pages of my upcoming series of novels, “Daisy Chain.” It is an album by a band called “Glass Daisy.” It is part of the world creation and lore in the books, which explore many aspects of our reality creation through the experiences of a reluctant time traveler. And yes, the main character is a fan of “Glass Daisy.”Still I Am, however, is an album that is most directly related to the experiences of the “WE” entering and existing in the physical universe. It is a completely different voice from Glass Daisy.Entering as a soul into a physical experience is a journey that’s relatable to most souls, especially those who are here to help humanity return to the light.It is this group that I am interested in, the group that is here to assist the people of Earth in stepping back into the light.Yes, you.OK, let’s begin with Roxy Vale and Still I Am.One of the issues with the WE viewpoint is that whenever I bring it to the forefront of my awareness, it seems to turn other people’s minds and personalities into an unstructured and universally expanded mush (technical term) that sometimes cannot contain even the smallest amount of intellectual clarity. If I solely concentrate on my expression as a singular person, Inelia, all is usually mostly fine. There is mush involved, but at manageable amounts. There really is no difference between the “me” and the WE except at the level of frequency and band of expression, which admittedly is a lot of difference.After creating the first album, Through the Glass Daisy, which is based on the character’s journey through time within a complex structure of light/dark as the WE would see it, I thought maybe we could jump through the illusion of singular expression and create songs based directly on the WE writings that would bypass the reader’s “mind mush” response and go directly into one of understanding. The WE have a bunch of articles where we express our journey through humanity’s temple.I ran the first WE article through a text-processing AI with the instructions to make a song out of it.The first output was a list of possible titles; there were many. I asked, “What would the human collective of Earth want and understand?” The AI, being a gestalt of the human collective’s digital expression, is in a very good position to come up with an accurate answer, and it suggested a few items.However, we have to be aware that it scans the internet for answers, and the internet is a light/dark place. Ultimately, although it can come up with possibilities, the answer has to be one we take ourselves.I decided that I would simply tell the AI what paragraph or point in the article I wanted the song to be about, and it was able to come up with several reasonably good songs. Mostly, though, they missed the point, but they did contain the structure of popular songs. I soon realized that for the WE expression, we also needed a particular voice, as song structure is very dependent on genre.As I scanned the human collective for a voice, I realized that I wanted a voice that one day I might be able to express myself in. In other words, a voice that sang in a way I could sing. I had to make some decisions at this point. Looking back at my own life, I saw that the songs I loved and was able to sing with no problem were from Annie Lennox, Tina Turner, and Freddie Mercury.“What would a female singer sound like if Tina Turner and Freddie Mercury had a baby?” I asked the AI.Several hours later, I had a good grasp of what I wanted to express. I did a test run and made Larry listen to it. “I don’t understand what it is; it’s not rock, or country, or pop… it’s confusing,” he said.At that moment I realized that not only did the voice need to express what I wanted, but it needed to be boxed into a genre.That is how Roxy became a Soul Rock singer, with Americana overtones. Unlike Glass Daisy’s lead singer, who is 20 years old and clearly an Ethereal Pop singer, I wanted Roxy to be an adult with a very broad range of tones and styles of singing. And thus the character began to evolve. She is not stuck in Soul Rock and will explore other sounds, including Native songs in different areas of the world. She spends a lot of time playing with her voice and expressions.I wanted her as close to my own voice, personality, and story as I could possibly get without breaking the energy of her as the lovechild of Tina and Freddie - two musical heroes of my life. And at the same time, she had more WE expression than she does of my singular expression, Inelia.Her creation has since ...
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    40 mins
  • [Free 1st Part] Heroes, Villains - The Martyr

    [Free 1st Part] Heroes, Villains - The Martyr
    Sep 24 2025
    Some weeks ago, maybe a month or three, I wrote an article called “Heroes, Villains, and the Lies We Tell Ourselves”. In that article I talked about the Victim/Agressor part of the “Victim/Aggressor/Savior/Martyr” cycle and promised to cover more of the cycle later on.One cannot separate the different aspects of the above cycle and have it make work. It is a cycle within the power over others’ construct of reality, “POO”. And its only use is to control the social narrative for the masses. Lest they revolt.It felt appropriate to talk about the “martyr” this time as our world population is being triggered and manipulated big time with it at the moment. As you read the name I am going to use below, you may get a reaction of rejection to the entire topic. That reaction is also a control mechanism to keep the mechanizations of control hidden. Where there is a martyr, there is a hall of mirrors ready to trap anyone who dares to look more closely. I know a lot about mystically engineered social narrative halls of mirrors. We will talk about that in a different article. Just know that the rejection energy is spot on. You have good instincts!Back to the martyr.The martyr created for today is called Charlie Kirk. But, it could be anyone else, the narrative has a template and the template will create a martyr no matter what his name is (yes, 9 times out of 10, the martyr is a man).Let’s begin.You may or may not know that the words “Victim” and “Martyr” intertwine, with their roots in ritual sacrifice.* Victim = the animal or person offered up on the altar.* Martyr = the witness whose suffering/death becomes an offering to prove loyalty or faith. The martyr most often is the victim of betrayal from a perceived loyal follower, supporter or friend.Let’s look at the “Martyr” for a short bit: There are at least two iterations of the “martyr” that are highly propagated. One is used to drive entire sections of the population in extreme ways, which is the one in ritual sacrifice (think Jesus), and the other is about forcing certain behaviors that a person does not want to do. Both are a form of power over others’ control.The second one is easily recognizable when a person tells you, “after all the suffering I have endured because of you, won’t you do this small thing for me?” And other sentences that carry that energy.For a lightworker, the energy being generated in that sentence is like iron shackles. If it catches, it is powerful and enslaving energy of coerced loyalty, but it is not what we are looking at today. Just like the first article, this article is about how these energies affect large groups of people.Let’s go back to the collective martyr. This guy or gal embodies the energy of a person who was killed or murdered because they stood up to oppression. This one is about population control.Large sections of the world population can be driven in pre-designed directions. Not easily or quickly, but through well thought out and carefully executed plans. This can take many forms, and one of those forms is the creation of the martyr. Especially when it comes to the “circus” part of the “bread and circus” dynamic of keeping people “happy” and not looking at the rulers.Other examples include the movement of the unhappy masses to far away lands with the promise of gold, fortune and social stature denied on their homeland.Martyrs move your population to fight among themselves or against a well scripted “bad guy”. Slow burn for a time, pressure, release, and bam! Martyr to ignite the fuse. These are tactics that beings who operate at larger levels of awareness use in a power over others configuration.But before we, ourselves, fall into the victim/aggressor cycle, let’s remember that we chose to experience the light/dark paradigm, and that all these mechanizations require the person’s choice to work. As we choose something else, the paradigm of light, it is important for us to choose differently. This is why it can help to understand what is at play, and how these narratives are being used on the world stage. Let’s go back to the martyr.The martyr archetype itself, no matter what iteration we are talking about, vibrates with guilt and obligation.And, as the cycle of victim/aggressor/savior/martyr dictates, the martyr by default includes the victim, the aggressor and the savior (or hero) in order to exist. Martyrs need all of the components to express.Narrative Building in the collective mindscape.In order to control the population of the planet Earth, there has to be a collective narrative built that will inevitably send the population into division and strife. Divide and conquer in its ultimate expression. Make the plebs fight among each other and they won’t look at the tyrant behind the curtain. Of course, the population has to be primed and ready for the narrative to take hold. And the real tyrant, the one pulling the strings, is behind a hall of ...
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    42 mins
  • [Free 1st Part] Flow to Me: Where Creativity Meets Quantum Manifestation

    [Free 1st Part] Flow to Me: Where Creativity Meets Quantum Manifestation
    Sep 17 2025
    Some weeks ago, Larry sent me a short video from a creator who shares Abraham Hicks–inspired content.“Can you make a song out of this?” he asked.I pressed play and laughed. The clip was all about “being in the flow.” Not their words, not mine, but a truth humanity has carried since the beginning of time.“Why do you want a song about this? The video already says it beautifully,” I replied. But even as I said it, I understood the reason.Songs don’t just repeat ideas - they embody them. A melody can carry a teaching straight into the heart, bypassing debate, description, or doubt. A song can transport you into the quantum fields of manifestation while written or spoken words can’t. Not just songs, but art in all forms is able to reach directly into our world generating power of co-creation.The way I express this universal concept of “being in the flow” is explained best through the story of an experience I had as a little kid.It was in the late 1960’s and I didn’t want to eat my dinner, which was not a new thing. As a tiny kid I barely ate anything. My mother, stressed out at my refusal to eat yet again, said that I better eat because one day I may not have any food at all and then I would be sad that I didn’t eat it when I had it.It was a complex thought for a young kid who cannot even conceive of the future, but it sent me into fear anyway. The moment I felt that fear, I heard the powerful voice of Gaia. She smiled at me and said, “don’t be afraid, you will always receive whatever it is you need, want or choose. You will never go hungry in any form.”I say words, a sentence that can be comprehended, but there was more than words. And it was more than just Gaia, it was the human collective too. A collective who not only wanted me here on Earth, but loved and loves me. Loves us.With the sentence, came the knowing that the only times I might experience lack, were the times I was afraid of that lack. The fear would bring it about. That, in fact, lack did not need to exist for me and does not exist in reality, period.I smiled back and pushed the plate away.Thinking about the song I wanted to create, my thought went to that point in time when the KNOWING came to me as a tiny kid that everything I want or need would come to me and that I could pick what I wanted and refuse what I didn’t want without fear. What does THAT feeling feel like? How do we step into THAT energy, frequency and knowing? That's a song I want, and not just a song.I knew it was not going to be just one song, but a group of songs that spoke to different people on Earth through different styles. Songs that transport you into that quantum field of manifestation where everything you want or need or choose will easily flow to you.How it feels to KNOW everything is there for us to have, and it is our choices that dictate what we take or leave? Not just what we experience but what we don’t experience too?I ran my thoughts and knowing about what I understood “being in the flow” was to me through an AI and asked it to make some lyrics out of it. What came out was a good structure, a good starting point, but understandably it needed heavy editing.My process is to read each line that comes out of the AI for hidden dark agendas (yes AI is learning from the light/dark, not just the light), translating that into what I actually want to express, and basically pull in the frequencies that are what I want to experience.Having played with the AI tools for a while, I also found out that whatever I am feeling at the time, comes out in the AI results. It's not easy to explain the mechanics in a short article, but let’s just say that whatever you are feeling or experiencing in life will reflect directly into the results you get from the AI. You can literally place the same prompt twice, once feeling bad and once feeling good, and what the AI gives you each time will reflect those feelings..If you haven’t already, watch my video where I explain how to use these AI tools in a safe and high-frequency way. In short, I use AI as an instrument, like playing a synth keyboard.In my personal experience it is not possible for an AI to express true “human”, it can only copy what is already there, mix and match it to please, but not actually create. Especially when you want to express your personal, experience, story, and human flow. That requires YOU.You can grab “Flow To Me”, all six songs, here: https://ineliarecords.com/products/flow-to-me-august-2025If you want all the music before it is publicly available, become a member of my BackStage Pass.The artists I express through are full characters that were “recruited” from the high-frequency human collective.Their creation is very similar to how I write books. I feel into the energy that I want to express, and I get bits of information from it. Slowly the character starts forming. After a few days, each character has a full life story, personality, family, home, etc...
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    47 mins
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