Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style.

The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above.

Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration:
"Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent."

Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style.

The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above.

Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration:
"Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent."

Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style.

The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above.

Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration:
"Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent."

Dragnet, the brainchild of Jack Webb, may very well be the most well-remembered, and the best, radio police drama series. From September, 1949 through February 1957, Dragnet's 30 minute shows, broadcast on NBC, brought to radio true police stories in a low-key, documentary style.

The origins of Dragnet can be traced to a semi-documentary film, "He Walked by Night" from 1948, in which Webb had a small role. Both employed the same Los Angeles Police Department technical adviser, used actual police cases and presented the case in "just the facts" manner that became a hallmark of Dragnet. It is interesting to note that Webb employed that format in other radio series, some pre-dating the film mentioned above.

Dragnet was a long running radio and television police procedural drama, about the cases of a dedicated Los Angeles police detective, Sergeant Joe Friday, and his partners. The show takes its name from an actual police term, a dragnet, meaning a system of coordinated measures for apprehending criminals or suspects.

Dragnet was perhaps the most famous and influential police procedural drama in American media history. The series gave millions of Americans a feel for the boredom and drudgery, as well as the danger and heroism, of real life police work. Dragnet earned praise for improving the public opinion of police officers.

Actor and producer Jack Webb's aims in Dragnet were for realism and unpretentious acting. He achieved both goals and Dragnet remains a key influence on subsequent police dramas in many media. The shows cultural impact is demonstrated by the fact that even after five decades, elements of Dragnet are known to those who have never heard nor seen the program. The ominous four note introduction to the brass and tympani theme music, titled Danger Ahead, is instantly recognizable as well as the shows opening narration:
"Ladies and gentlemen, the story you are about to hear is true. Only the names have been changed to protect the innocent."

JEFF REGAN, INVESTIGATOR
Jeff Regan, Investigator, was one of countless private detective series that proliferated in the years following WWII. The series initially featured Jack Webb in the title role, who was coming off his work in Pat Novak for Hire, followed by Johnny Madero, Pier 23. The series premiered July 10, 1948, over the CBS network. Originally promoted as Joe Canto, Private Eye, the series was never actually broadcast under that name. However, Barton Yarborough, Jack Webb's first partner in Dragnet, would make a guest appearance in the show playing a bit part named Joe Canto. The series was sometimes incorrectly called The Lyon's Eye by collectors because Regan frequently opened each show stating "I'm Jeff Regan. They call me The Lyon's Eye" or something similar.

The first run of Jeff Regan ran from July 10 to December 18, 1948. Webb continued to play a hard-boiled character as in previous roles, but this time with a better relationship with the police. Webb left the show after 24 episodes when CBS declined his request for a $15 per episode raise. He returned for a brief run on a revived Pat Novak for Hire before premiering on his signature program, Dragnet, in June 1949.

After 10 months, Jeff Regan was brought back to the air on October 5, 1949. After auditioning some 60 top actors for the role, Frank Graham was selected to play Regan. Regan's boss Anthony J. Lyon had been voiced by Wilms Herbert and then Herb Butterfield during the Jack Webb era. The 1949 revival cast Frank Nelson as Lyon. Nelson was best known as the sarcastic character who would pop up almost anywhere on The Jack Benny Show.

Paul Dubov assumed the Jeff Regan mantle during a part of the program's run. For eight weeks between April and June 1950 he stepped in to replace an ailing Frank Graham. Frank Graham's return as Jeff Regan lasted just a couple months, with the last episodes being recorded on August 2, 1950 for broadcast later. However, the program ended after Graham's tragic death at the age of 35 on September 2, 1950. The final episode of Jeff Regan, Investigator titled "The British are Coming" aired the following day, September 3, 1950.

Bob Stevenson was the primary announcer for the show. Del Castillo, Dick Aurandt, and Milton Charles were responsible for the music. Although there was indication to take it to a national audience, the show never aired beyond CBS' West Coast network.

Jeff Regan, Investigator holds up as an above-average example of the mid-century detective genre. This is due to the considerable talent invested in the program which included the voice talents of Jack Webb, Herb Butterfield, and Frank Nelson as well as the writing skills of E. Jack Neuman, who created the program, Larry Roman, William Froug and William Fifield. Some of his stories were good enough that E. Jack Neuman would re-use many of the Jeff Regan scripts when he worked on other series.

This synopsis was written by Patrick Andre and Ryan Ellett with information taken from John Dunning's Encyclopedia of Old Time Radio, The Great Detectives of Old Time Radio website, Jay Hickerson's Ultimate History of Network Radio Programming, and "The Secret Files of Jeff Regan, Investigator" by Stewart Wright, published in Radiogram, June 2019.

Mr. and Mrs. North are fictional American amateur detectives. Created by Frances and Richard Lockridge, the couple were featured in a series of 26 Mr. and Mrs. North novels, a Broadway play, a motion picture and several radio and television series.

Mr. and Mrs. North was a radio mystery series that aired on CBS from 1942 to 1954. Alice Frost and Joseph Curtin had the title roles when the series began in 1942. The characters, publisher Jerry North and his wife Pam, lived in Greenwich Village at 24 St. Anne's Flat. They were not professional detectives but simply an ordinary couple who stumbled across a murder or two every week for 12 years. The radio program eventually reached nearly 20 million listeners.

Novels

The characters originated in 1930s vignettes written by Richard Lockridge for the New York Sun, and he brought them back for short stories in The New Yorker. These stories were collected in Mr. and Mrs. North (1936). Lockridge increased the readership after he teamed with his wife Frances on a novel, The Norths Meet Murder (1940), launching a series of 26 novels, including Death Takes a Bow, Death on the Aisle and The Dishonest Murderer. Their long-run series continued for over two decades and came to an end in 1963 with the death of Frances Lockridge. The series was unusual in that it was Mrs. North who often solved the cases, while Mr. North was just background much of the time. In his article, "Married Sleuths," Charles L.P. Silet captured the flavor of the novels:

The Mr. and Mrs. North novels contain carefully crafted puzzles and the Lockridges usually play fair with their readers. The series also features Pam and Jerry's warmly humorous domestic environment and the couple's witty exchanges with the duller members of the police force. Although the Norths remain the focus of the series, the books contain a good deal of political and social commentary, a richly detailed look at the changing life in New York City, as well as glimpses of the outlying suburban counties. Also, the North's stable marriage relationship presents a marked contrast--and a welcome one--to the traditions of the lone detective characteristic of much other American mystery fiction. Even though the Mr. and Mrs. North novels now may appear overly deliberate in their pacing, they still prove wonderful reading as mysteries, and the glimpses they provide of our past social history give them a nostalgic and authentic period flavor. Aficionados of classic crime fiction have always appreciated this longrunning series, and new readers should be encouraged to discover this witty and charming couple.

Broadway and Film

Albert Hackett and Peggy Conklin had the title roles in the Broadway production Mr. and Mrs. North, which ran 163 performances at the Belasco Theatre from January 12, 1941, to May 31, 1941. Alfred De Liagre, Jr. produced and directed the play written by Owen Davis. In that version, the North's apartment is located on Greenwich Place, realized in a scenic design by Jo Mielziner.

The Owen Davis play became a 1942 MGM movie starring Gracie Allen and William Post, Jr. with Millard Mitchell repeating his role of Detective Mullins from the Broadway production. Others in the cast were Paul Kelly, Rose Hobart and Keye Luke.

Radio

In 1946, Mr. and Mrs. North received the first Best Radio Drama Edgar Award from the Mystery Writers of America (in a tie with CBS's Ellery Queen). The program, which was broadcast once in 1941 and continuously from December 1942 through December 1946 on NBC Radio (for Woodbury Soap), and from July 1947 to April 1955 on CBS Radio (for Colgate-Palmolive), featured Carl Eastman (1941), Joseph Curtin (1942-53) and Richard Denning (1953-55) as Jerry North. Pam North was played by Peggy Conklin (1941), Alice Frost (1942-53) and Barbara Britton (1953-55). In his book, Radio Crime Fighters, Jim Cox wrote that the couple:

... who passed themselves off as a publisher and his homemaker-spouse continued to make lighthearted wisecracks as they stepped over bodies in dark alleys and were rendered unconscious by unknown assailants dispensing blows to the head almost every week... The feminine half of the twosome was at least equal to the husband in solving cases that often baffled law-enforcement officers with years of training and practiceâexcept in reading clues. No explanation was given, of course, as to why a couple of misfits could be so successful in their preoccupation while the professionals thrashed about ineffectually."

Television

In 1946, producer-director Fred Coe brought the Owen Davis play to television (on New York City's WNBT) with John McQuade and Maxine Stewart in the leads and Don Haggerty, Joan Marlowe and Millard Mitchell repeating their Broadway roles.

Mr. and Mrs. North are fictional American amateur detectives. Created by Frances and Richard Lockridge, the couple were featured in a series of 26 Mr. and Mrs. North novels, a Broadway play, a motion picture and several radio and television series.

Mr. and Mrs. North was a radio mystery series that aired on CBS from 1942 to 1954. Alice Frost and Joseph Curtin had the title roles when the series began in 1942. The characters, publisher Jerry North and his wife Pam, lived in Greenwich Village at 24 St. Anne's Flat. They were not professional detectives but simply an ordinary couple who stumbled across a murder or two every week for 12 years. The radio program eventually reached nearly 20 million listeners.

Novels

The characters originated in 1930s vignettes written by Richard Lockridge for the New York Sun, and he brought them back for short stories in The New Yorker. These stories were collected in Mr. and Mrs. North (1936). Lockridge increased the readership after he teamed with his wife Frances on a novel, The Norths Meet Murder (1940), launching a series of 26 novels, including Death Takes a Bow, Death on the Aisle and The Dishonest Murderer. Their long-run series continued for over two decades and came to an end in 1963 with the death of Frances Lockridge. The series was unusual in that it was Mrs. North who often solved the cases, while Mr. North was just background much of the time. In his article, "Married Sleuths," Charles L.P. Silet captured the flavor of the novels:

The Mr. and Mrs. North novels contain carefully crafted puzzles and the Lockridges usually play fair with their readers. The series also features Pam and Jerry's warmly humorous domestic environment and the couple's witty exchanges with the duller members of the police force. Although the Norths remain the focus of the series, the books contain a good deal of political and social commentary, a richly detailed look at the changing life in New York City, as well as glimpses of the outlying suburban counties. Also, the North's stable marriage relationship presents a marked contrast--and a welcome one--to the traditions of the lone detective characteristic of much other American mystery fiction. Even though the Mr. and Mrs. North novels now may appear overly deliberate in their pacing, they still prove wonderful reading as mysteries, and the glimpses they provide of our past social history give them a nostalgic and authentic period flavor. Aficionados of classic crime fiction have always appreciated this longrunning series, and new readers should be encouraged to discover this witty and charming couple.

Broadway and Film

Albert Hackett and Peggy Conklin had the title roles in the Broadway production Mr. and Mrs. North, which ran 163 performances at the Belasco Theatre from January 12, 1941, to May 31, 1941. Alfred De Liagre, Jr. produced and directed the play written by Owen Davis. In that version, the North's apartment is located on Greenwich Place, realized in a scenic design by Jo Mielziner.

The Owen Davis play became a 1942 MGM movie starring Gracie Allen and William Post, Jr. with Millard Mitchell repeating his role of Detective Mullins from the Broadway production. Others in the cast were Paul Kelly, Rose Hobart and Keye Luke.

Radio

In 1946, Mr. and Mrs. North received the first Best Radio Drama Edgar Award from the Mystery Writers of America (in a tie with CBS's Ellery Queen). The program, which was broadcast once in 1941 and continuously from December 1942 through December 1946 on NBC Radio (for Woodbury Soap), and from July 1947 to April 1955 on CBS Radio (for Colgate-Palmolive), featured Carl Eastman (1941), Joseph Curtin (1942-53) and Richard Denning (1953-55) as Jerry North. Pam North was played by Peggy Conklin (1941), Alice Frost (1942-53) and Barbara Britton (1953-55). In his book, Radio Crime Fighters, Jim Cox wrote that the couple:

... who passed themselves off as a publisher and his homemaker-spouse continued to make lighthearted wisecracks as they stepped over bodies in dark alleys and were rendered unconscious by unknown assailants dispensing blows to the head almost every week... The feminine half of the twosome was at least equal to the husband in solving cases that often baffled law-enforcement officers with years of training and practiceâexcept in reading clues. No explanation was given, of course, as to why a couple of misfits could be so successful in their preoccupation while the professionals thrashed about ineffectually."

Television

In 1946, producer-director Fred Coe brought the Owen Davis play to television (on New York City's WNBT) with John McQuade and Maxine Stewart in the leads and Don Haggerty, Joan Marlowe and Millard Mitchell repeating their Broadway roles.