Max and Jay have always depended on one another for their survival. Growing up with a physically abusive father, the two Bribri American brothers have learned that the only way to protect themselves and their mother is to stick to a schedule and keep their heads down. But when they hear a classmate in trouble in the woods, instinct takes over and they intervene, breaking up a fight and beating their high school's star soccer player to a pulp. This act of violence threatens the brothers' dreams for the future and their beliefs about who they are.

“Just do this one thing for me.” Drew's mother says it more often than good morning. Heidi Hill has been juggling shady side hustles for all of Drew’s seventeen years, and Drew knows that “one thing” really means all the tedious and necessary things her mother thinks are boring, including taking care of her fifteen-year-old sister and eight-year-old brother. In fact, Drew is the closest thing to a responsible adult they’ve ever known.

Some girls call their mother their best friend. Marisol Martin? She could never relate. She and her mom were forever locked in an argument with no beginning and no end. Clothes, church, boys, no matter the topic, Marisol always felt like there was an unbridgeable gap between them that they were perpetually shouting across, one that she longed to close. But when her mother dies suddenly, Marisol is left with no one to fight against, haunted by all the things that she both said and didn’t say.

From David Levithan’s story about a non-binary kid collecting pieces of other people’s collections to Jenny Torres Sanchez's tale of a girl gathering types of fire while trying not to get burned to G. Neri's piece about 1970's skaters seeking opportunities to go vertical—anything can be collected and in the hands of these award-winning and bestselling authors, any collection can tell a story. Nine of the best YA novelists working today have written fiction based on a prompt from Printz-winner A.S. King (who also contributes a story) and the result is itself an extraordinary collection.

Sixteen-year-old Bianca Torre is an avid birder undergoing a gender identity crisis and grappling with an ever-growing list of fears. Some, like Fear #6: Initiating Conversation, keep them constrained, forcing them to watch birds from the telescope in their bedroom.

A sixteen-year-old girl’s road trip across the country to get an abortion becomes a transformative journey of vulnerability, strength, and above all, choice. From the acclaimed author of A Heart in a Body in the World, this is both an achingly tender love story and a bold, badly needed battle cry about bodily autonomy and the experiences that connect us.

Simon O'Keeffe's biggest claim to fame should be the time his dad accidentally gave a squirrel a holy sacrament. Or maybe the alpaca disaster that went viral on YouTube. But the story the whole world wants to tell about Simon is the one he'd do anything to forget: the story in which he's the only kid in his class who survived a school shooting. Two years after the infamous event, twelve-year-old Simon and his family move to the National Quiet Zone—the only place in America where the internet is banned.

Verónica has had many surgeries to manage her disability. The best form of rehabilitation is swimming, so she spends hours in the pool, but not just to strengthen her body. Her Florida town is home to Mermaid Cove, a kitschy underwater attraction where professional mermaids perform in giant tanks . . . and Verónica wants to audition. But her conservative Peruvian parents would never go for it. And they definitely would never let her be with Alex, her cute new neighbor.

Sixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her through the hallways at school—whispers that splinter into a million different insults that mean: a girl who has had sex. But what her classmates don't know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn't recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.

The Santos Vista neighborhood of San Antonio, Texas, is all Ander Martínez has ever known. The smell of pan dulce. The mixture of Spanish and English filling the streets. And, especially their job at their family's taquería. It's the place that has inspired Ander as a muralist, and, as they get ready to leave for art school, it's all of these things that give them hesitancy. That give them the thought, are they ready to leave it all behind?