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What the Dead Know
- Narrated by: Bronson Pinchot
- Length: 9 hrs and 21 mins
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What the Dead Know
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Publisher's Summary
When Keira Saxon’s father was diagnosed with a life-threatening illness, she quit her job as a Chicago homicide detective to head home. But she hadn’t been back on Michigan’s Upper Peninsula long before Danny Saxon was dead, killed in a deadly bear attack. Keira bowed to public pressure and agreed to run in the special election to fill the rest of her father’s term as sheriff. Although doubts about the circumstances of Danny's death lingered, doubts were all she had. Until she received a grisly delivery and learned that her father’s death wasn’t an accident at all.
Finn Carstens agrees to partner with Keira’s department to solve the murder. When proof of a second victim comes to light, he realizes that the killer is engaging them in the deadliest of contests. Together they must unmask a man who lives - and kills - in the shadows. As they begin to discover his secrets they realize the chilling truth that only the killer's former victims knew: of all the predators lurking in the Michigan forests, man is the most lethal of all.
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What listeners say about What the Dead Know
Average Customer RatingsReviews - Please select the tabs below to change the source of reviews.
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Overall1 out of 5 stars
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Performance1 out of 5 stars
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Story3 out of 5 stars
- M. Parker
- 15-01-2023
Sadly the narration is the ‘killer’ in this murder mystery!
While the narrator may very well be a talented and very likeable person, sadly his portrayal of the female protagonist/hero is depicted as an insipid monotone moaning victim incapable of any real appeal. While the male voices were adequate, and the story plot certainly had potential, the whiny drone of the female lead made this audio book too unbearable to continue - even two chapters was too much! I realise that few narrators are able to master both male and female voices, but sadly this one really missed the mark on the female characters. I hope the narrator takes on comments like this as constructive and not merely unfounded criticism, and reworks his obvious talents to master both the sexes. That way the writer’s work - which has real potential, stands a chance.
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