Sixteen-year-old Jake Livingston sees dead people everywhere. But he can't decide what's worse: being a medium forced to watch the dead play out their last moments on a loop or being at the mercy of racist teachers as one of the few Black students at St. Clair Prep. Both are a living nightmare he wishes he could wake up from. But things at St. Clair start looking up with the arrival of another Black student - the handsome Allister - and for the first time, romance is on the horizon for Jake. Unfortunately, life as a medium is getting worse.

Darby and Morgan haven’t spoken for two years, and their friend group has splintered. But when the body of their former science teacher is found in the marsh where they attended camp that summer, they realize they have more questions than answers...and even fewer memories. The group of reunited friends begins to suspect that a murderer is stalking the coastal highway 30A, and they must try to recover their memories as quickly as possible...before the history they can’t remember repeats itself.

Salem, Massachusetts, is the site of the infamous witch trials and the new home of Samantha Mather. Recently transplanted from New York City, Sam and her stepmother are not exactly welcomed with open arms. Sam is the descendant of Cotton Mather, one of the men responsible for those trials - and almost immediately, she becomes the enemy of a group of girls who call themselves the Descendants. And guess who their ancestors were? If dealing with that weren’t enough, Sam also comes face to face with a real, live (well, technically dead) ghost.

Mira needs to get home for the holidays - badly. But when an incoming blizzard results in a canceled layover, it looks like she might get stuck at the Philadelphia airport indefinitely. And then Harper, Mira's glamorous seatmate from her initial flight, comes to the rescue. Harper and her three friends are renting a car, and they can drop Mira off on the way home. But as their trip begins, Mira discovers her fellow travelers aren't friends like she thought - they're total strangers. And every one of them seems to be hiding something dangerous.

Elizabeth Lavenza hasn't had a proper meal in weeks. Her thin arms are covered with bruises from her "caregiver", and she is on the verge of being thrown into the streets...until she is brought to the home of Victor Frankenstein, an unsmiling, solitary boy who has everything - except a friend. Victor is her escape from misery. Elizabeth does everything she can to make herself indispensable - and it works. She is taken in by the Frankenstein family and rewarded with a warm bed, delicious food, and dresses of the finest silk.

Dave is spending his final summer before college working at Frightmares House of Horrors, a struggling haunted house attraction held together by malfunctioning killer clown mannequins, a cheap replica Annabelle doll, and a lot of improvising. After a particularly disastrous shift ends in an employee walkout, Dave reluctantly takes over a role for his friend, however, he makes a horrifying discovery—a real dead body, hidden on set. But when Dave returns with help, the body is gone. Dave realizes the killer must know what he saw. Could he be their next target?

Kayla is still holding on to Lainie’s secrets. After all, Lainie is Kayla’s best friend. And despite Lainie’s painful obsession with her on-again, off-again boyfriend, and the ways he has tried to come between them, friends don’t spill each other’s secrets. They don’t betray each other’s trust. The murder at the end of the summer doesn’t change all that. Besides—Kayla knows that the truth is not the whole story.   

In a tale inspired by real events, pregnant journalist Joan Harken is cautiously excited to follow her fiancé back to his Minnesota hometown. After spending a childhood on the move and chasing the screams and swirls of news-rich city life, she’s eager to settle down. Lilydale’s motto, “Come Home Forever,” couldn’t be more inviting. And yet, something is off in the picture-perfect village. The friendliness borders on intrusive. Joan can’t shake the feeling that every move she makes is being tracked. An archaic organization still seems to hold the town in thrall. 

In 1919, Kitty Weekes, pretty, resourceful, and on the run, falsifies her background to obtain a nursing position at Portis House, a remote hospital for soldiers left shell-shocked by the horrors of the Great War. Hiding the shame of their mental instability in what was once a magnificent private estate, the patients suffer from nervous attacks and tormenting dreams. But something more is going on at Portis House—its plaster is crumbling, its plumbing makes eerie noises, and strange breaths of cold waft through the empty rooms. 

Ever since their on-again, off-again college romance, Erin hasn’t been able to set a single boundary with charismatic but reckless Silas, who has been chasing the next big high since graduation. When he texts her to spring him out of rehab, she knows enough is enough. She is ready to start a career, make new friends, and meet a great guy—even if that means cutting Silas off. But when Silas turns up dead from an overdose, Erin’s world falls apart.

Jay is living his best life at Karloff Country, one of the world’s most famous resorts. He’s got his family, his crew, and an incredible after-school job at the property’s main theme park. Life isn’t so great for the rest of the world, but when people come here to vacation, it’s to get away from all that. As things outside get worse, trouble starts seeping into Karloff. First, Jay’s friend Connie and her family disappear in the middle of the night and no one will talk about it. Then the richest and most powerful families start arriving, only... they aren’t leaving.

With a dad who disappeared years ago and a mother who's a bit too busy to parent, Emmy is shipped off to Wellsworth, a prestigious boarding school in England, where she's sure she won't fit in. But then she finds a box of mysterious medallions in the attic of her home - medallions that belonged to her father...who may have gone to Wellsworth.

Tonight, Riverview Theaters is closing forever, the last remaining business in a defunct shopping mall. The moviegoers have left, and Jo and her six coworkers have the final shift, a shift that quickly takes a dark turn. First a stranger arrives with a chilling accusation. Then the power goes out and their manager disappears, along with the keys to the lobby doors and the theater safe, where the crew's phones are locked each shift. The crew's tension turns to terror when Jo discovers the dead body of one of her co-workers.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Hunter and Mercy Goode are twin witches, direct descendants of the founder of their town of Goodeville. As their ancestors have done before them, it is now time for the twins to learn what it means to be Gatekeepers - the protectors of the Gates to different underworlds, ancient portals between their world and realms where mythology rules and nightmares come to life.