In Purple Hibiscus, she recounts the story of a young Nigerian girl searching for freedom. Although her father is greatly respected within their community, 15-year-old Kambili knows a frighteningly strict and abusive side to this man. In many ways, she and her family lead a privileged life, but Kambili and her brother, Jaja, are often punished for failing to meet their father’s expectations. After visiting her aunt and cousins, Kambili dreams of being part of a loving family.

When she fell asleep, the world was doomed. When she awoke, it was dead. In the wake of a fever that decimated the earth's population - killing women and children and making childbirth deadly for the mother and infant - the midwife must pick her way through the bones of the world she once knew to find her place in this dangerous new one. Gone are the pillars of civilization. All that remains is power - and the strong who possess it.

From the day that old Nana Reja found a baby abandoned under a bridge, the life of a small Mexican town forever changed. Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can - visions of all that’s yet to come, both beautiful and dangerous.

Henry Pulling, a retired bank manager, meets his septuagenarian Aunt Augusta for the first time in over 50 years at his mother’s funeral. Soon after, she persuades Henry to abandon South wood, his dahlias and the Major next door to travel through Brighton, Paris, Istanbul, Paraguay...

One boy, one boat, one tiger.... British comedian, actor and broadcaster Sanjeev Bhaskar, OBE performs this brilliant edition of a work of fiction that is loved by fans around the world. After the tragic sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild, blue Pacific. The only survivors from the wreck are a 16 year-old boy named Pi, a hyena, a zebra (with a broken leg), a female orangutan - and a 450-pound Royal Bengal tiger. The scene is set for an extraordinary adventure.

All too often the focus of mainstream feminism is not on basic survival for the many, but on increasing privilege for the few. Meeting basic needs is a feminist issue. Food insecurity, the living wage and access to education are feminist issues. The fight against racism, ableism and transmisogyny are all feminist issues. White feminists often fail to see how race, class, sexual orientation and disability intersect with gender. How can feminists stand in solidarity as a movement when there is a distinct likelihood that some women are oppressing others?

'I would like to ask that we begin to dream about and plan for a different world. A fairer world. A world of happier men and happier women who are truer to themselves. And this is how to start: we must raise our daughters differently. We must also raise our sons differently....' What does feminism mean today? In this personal, eloquently argued essay - adapted from her much-admired TEDx talk of the same name - Chimamanda Ngozi Adichie offers listeners a unique definition of feminism for the 21st century, one rooted in inclusion and awareness.

It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. At first he is ostracised by the locals, but as a conscientious soldier, whose main aim is to have a peaceful war, he proves in time to be civilised, humorous - and a consummate musician. When the local doctor's daughter's letters to her fiancé go unanswered, the working of the eternal triangle seems inevitable.

This is the story of Mary, a young girl born in a beautiful city full of rose gardens and fluttering kites. When she is still very small, Mary meets Lanmo, a shining golden snake, who becomes her very best friend. The snake visits Mary many times; he sees her city change, become sadder as bombs drop and war creeps in. He sees Mary and her family leave their home, he sees her grow up and he sees her fall in love. 

Dorothea Brooke is an ardent idealist who represses her vivacity and intelligence for the cold, theological pedant Casaubon. One man understands her true nature: the artist Will Ladislaw. But how can love triumph against her sense of duty and Casaubon’s mean spirit? Meanwhile, in the little world of Middlemarch, the broader world is mirrored: the world of politics, social change, and reforms, as well as betrayal, greed, blackmail, ambition, and disappointment.

14-year-old Adunni has a dream: to be educated. But her father needs her bride-price, so sells his daughter to an older man, who demands she give him the fine boy-children his first two wives have failed to produce. When things go tragically wrong, Adunni flees to Lagos. It's what she has always wanted, to leave Ikati and see the world, and though her heart is full of sorrow for her lost family and the shame she has left behind, still Adunni will not be quiet and do as she's told.

Drawing on the wisdom of Buddhist teachings, illustrative stories and the transformative power of meditation, Tara guides us in healing the shame and fear that bind our hearts. In the West, most of us have suffered the fear of not being 'good enough', feeling insecure about our appearance, our sexuality, our intelligence, our spiritual progress or - often most importantly - being worthy of love. When these feelings of insufficiency or self-aversion are strong, we fear abandonment and rejection.

Combine an offbeat cast of characters with Murakami's idiosyncratic prose, and the result is the remarkable story Dance Dance Dance: high-class call girls billed to MasterCard, a psychic 13-year-old dropout has a passion for talking heads, and meet a hunky matinee idol doomed to play dentists and teachers. Don’t forget the one-armed beach-combing poet, an uptight hotel clerk and one very bemused narrator caught in the web of advanced capitalist mayhem.

When Mina receives an urgent call from her best friend back in Melbourne, her world is turned upside down. Her reclusive mother, Elaine, has left the house for the first time in 12 years. Mina drops everything to fly home, only to discover that Elaine will not talk about her sudden return to the world, nor why she's spent so much time hiding from it. Their reunion leaves Mina raking through pieces of their painful past in a bid to uncover the truth.

It is often said that we live in era of constant outrage, but we are definitely not the inventors of outrageousness. Let’s be honest, human beings have always been appalling. Not everyone and not all the time, but our history is littered with those whose work and deeds have rendered them...reprehensible. In Reprehensible: Polite Histories of Bad Behaviour, Mikey Robins holds the mirror up to everyone, from popes to politicians, from certified artistic geniuses to scientific and mathematical minds without peer - few emerge without blush or blemish.