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The Rest Is Noise

Listening to the Twentieth Century

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The Rest Is Noise

By: Alex Ross
Narrated by: Grover Gardner
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The scandal over modern music has not died down. While modern paintings by Picasso and Pollock sell for a hundred million or more, shocking musical works from Stravinsky’s Rite of Spring onward still send ripples of unease through audiences; yet the influence of modern sound can be felt everywhere. Alex Ross, music critic for the New Yorker, shows how modern music has pervaded every corner of twentieth-century life.

The Rest Is Noise takes the listener inside the labyrinth of modern sound, from turn-of-the-century Vienna to bohemian Paris, from Hitler’s Germany and Stalin’s Russia to downtown New York in the sixties and seventies. We meet the maverick personalities who have defied the classical past, and we follow the rise of mass culture and mass politics on this sweeping tour of twentieth-century history as told through its music.

©2007 Alex Ross (P)2007 Blackstone Audio, Inc.
History & Criticism Music World Entertainment New York Imperialism Middle Ages Soviet Union Socialism Opera
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Critic Reviews

“The Rest Is Noise is a great achievement. Rilke once wrote of how he learned to stand ‘more seeingly’ in front of certain paintings. Ross enables us to listen more hearingly.”

(New York Times Book Review)

“Ross is a supremely gifted writer who brings together the political and technological richness of the world inside the magic circle of the concert hall, so that each illuminates the other.”

(Lev Grossman, Time)

“It would be hard to imagine a better guide to the maelstrom of recent music than Mr. Ross, who worked on this book for a decade. He has an almost uncanny gift for putting music into words.”

(Economist )

“[A] brilliant, hugely enjoyable cultural history.”

(Christian Science Monitor)

“The Rest Is Noise is a long and thrilling ride…[Ross] writes about music in vivid language humming with intelligence. He tells great stories about musicians’ lives and illuminates their work with the light of his own experiences.”

(Salon.com)

“The best book on what music is about—really about—that you or I will ever own.”

(LA Weekly)

“Gripping reading…[A] masterful blend of artistic and biographical insight. Readers new to classical music will quickly seek out the recordings Ross recommends…Even avid fans will find themselves hearing familiar favorites with new ears.”

(Publishers Weekly (starred review))

“Twentieth-century classical music can be intimidating and alienating…Neither of these adjectives applies to The Rest Is Noise…This history of the century as seen-or heard-through its music is lucid and unpretentious…Grover Gardner’s delivery is as welcoming as Ross’ writing, and the performance as a whole is a masterwork.”

(AudioFile)

“With his typically lyrical and attentive style, the author presents a lucid, often gripping story of a complex history. A must-read for those who have struggled with understanding modern music and a benchmark book that should eventually become a classic history of the 20th century.”

(Kirkus Reviews (starred review))
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Most relevant
Extremely long book for such a small concept. No need of so many pages of uninteresting and irrelevant history. What is the key message or point of this book? Who knows…

It could be 1/4 of its size to tell the same story

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I come from no knowledge of music history. My reason for choosing this book was to seek a link between my interest in the music of Greenwich village of the 1950-60's and what came before. I thought a writer for the New Yorker would be entertaining and informative and Mr Ross did not let me down. I also chose the audiobook form because I knew I would struggle with the book. Well, it had me captivated for a month in my daily commute to work. It has outlined a far more rich and diverse origin of music than I had imagined. It gave me knowledge of key composers to the present day and it was a good read, albeit sometimes a tough slog. The author's command of language added to the listening experience but I'll need to get the hard copy now because it's impossible to bookmark when driving! I was particularly interested in his documentation of composers "plundering the past" which seems to be a common criticism of more recent songwriters but confirms what people like Pete Seeger have said - that it was the history of music - ideas passed on from one to another. But as well there were new ideas like the atonal, the 12 note music etc of which I knew nothing and now will explore. Well written, well read and well done - thank you

Captivating- first class audiobook

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