"The Raven" is a narrative poem by writer Edgar Allan Poe which is noted for its musical rhythm and supernatural ambiance. It deals with a raven's mysterious visit to a distraught lover, chronicling the poet's descent into madness. The poem makes use of classical, folk, mythological, and religious references.

The story is set in an unnamed Italian city (perhaps Venice) at carnival time in an unspecified year, and is about a man taking fatal revenge on a friend who, he believes, has insulted him. Like several of Poe's stories, and in keeping with the 19th-century fascination with the subject, the narrative revolves around a person being buried alive - in this case, by immurement. As in "The Black Cat" and "The Tell-Tale Heart", Poe conveys the story from the murderer's perspective.

Sleepy Hollow is a strange little place...some say bewitched. Some talk of its haunted valleys and streams, the ghostly woman in white, eerie midnight shrieks and howls, but most of all they talk of the Headless Horseman. A huge, shadowy soldier who rides headless through the night, terrifying unlucky travelers.

Dracula is a novel by Bram Stoker, published in 1897. As an epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Harker escapes the castle after discovering that Dracula is a vampire, and the Count moves to England and plagues the seaside town of Whitby. A small group, led by Abraham Van Helsing, hunt Dracula and, in the end, kill him.

New translation of The Metamorphosis by Franz Kafka. Poor Gregor Samsa! This guy wakes up one morning to discover that he's become a "monstrous vermin". The first pages of The Metamorphosis where Gregor tries to communicate through the bedroom door with his family, who think he's merely being lazy, is vintage screwball comedy. Indeed, scholars and readers alike have delighted in Kafka's gallows humor and matter-of-fact handling of the absurd and the terrifying.