She thought Harry loved her and she was prepared to wait for him, but Lyla is devastated when he becomes engaged to someone else. He writes to explain his reasons and she wants to forgive him, but all she can think of is escape. She persuades her father to send her to Ireland to help in purchasing horses for the family business. In spite of meeting the engaging Finn and all sorts of other new people, from camp followers to the Colonel's lady, Lyla still falls asleep with Harry's folded and re-folded letter against her breast.

Nightly at the Covent Garden Theatre in London, an enchanting actress is wowing the crowds with her affecting portrayal of Ophelia. Preyed on by rakes and opportunistic young bucks, feted by dukes and earls, even the Prince Regent himself, Angelica Leigh is a sensation. But in Regency England, beauty and talent are not enough to be considered marriage material, so when the eminently eligible Lord Charles Latimer sets his heart on Angelica, his uncle is sent to intervene.

Miss Emma Wynn has spent the last year at Ashwick Hall under the protection of Lady Westcliffe. Her uncle and brother think her dead and must continue to do so until she attains her majority. She must prove she is a fit guardian to re-establish herself and protect her brother. When permitted to visit her friend, Lady Eagleton, she is drawn to the reclusive Mr Carne. She suspects, however, that some scandal is attached to him, and she cannot afford to be tainted by association.

When Marianne's father dies, she and her governess Rosemary are forced to go and live with her guardian, the Earl of Tyndell. The Earl has strict ideas about how young ladies should behave. He isn't impressed by the romantic notions Marianne has absorbed straight from the pages of a Gothic novel.

After harrowing experiences in the Napoleonic Wars and suffering from what we would now recognise as PTSD, half-English, half-German Lukas is making a home for his mother and sister in the leafy green of England. At least, he is in the country while his sister and mother are in London, falling under the sway of Lady Beatrix, a frivolous socialite who appears to think of nothing but fun and pairing up other people, whether they like it or not.

In Regency England, marriage is everything. For young widow Sybella Lovatt, the time has come to find a suitable husband for her sister and ward Lucie. Male suitors are scarce near their Wiltshire estate, so the sisters resolve to head to London in time for the Season to begin. Once ensconced at the Mayfair home of Lady Godley, Lucie’s godmother, the whirl of balls, parties and promenades can begin. But the job of finding a husband is fraught with rules and tradition. Jostling for attention are two lords.

The perennially lazy and late Lord Devin is astonished when a petite virago called Wilhelmina accuses him of selling an unfit horse to a drayman. He isn't aware of the irregularities in his stables. Later, she foists a stray, starving kitten called Horace on him. But Hermione, his betrothed, hates cats. And Horace hates her....

Miss Amelia Fleming has a very good reason to hate the Earl of Langley. A year ago, her father drowned in the Thames after losing a fortune to Langley at cards. Now her family is broke, her fiance has broken their engagement, and the debt still hasn't been paid. Someone has to deal with the earl, but Amelia's brother doesn't have the nerve and her mother has fled to France. It's no business for a gently bred young lady, but the Earl of Langley is about to learn that Amelia Fleming is not your typical young lady . . .

Sophy Hadlow does not want to return for another London Season. Her own debut into Society was marred by self-consciousness and her cringing embarrassment every time she was announced as ‘The Lady Sophronia Hadlow’. Yet, much to her dismay, Sophy is back in London to oversee the debut of her younger sister and their wild cousin, Susan Tyneham, who risks ruining both her own and her innocent cousin’s chances of marriage.

1740s France and England—the age of hedonism and enlightenment. Antonia must flee the Court of Versailles and the predatory schemes of the Comte de Salvan. She orchestrates an escape with the unwitting assistance of the all-powerful Duke of Roxton, a man she has been warned against as too dangerous for her to know.