Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

The epic tale of Odysseus and his 10-year journey home after the Trojan War forms one of the earliest and greatest works of Western literature. Confronted by natural and supernatural threats - shipwrecks, battles, monsters and the implacable enmity of the sea-god Poseidon - Odysseus must use his wit and native cunning if he is to reach his homeland safely and overcome the obstacles that, even there, await him.

The lights dim at the Paris Opera House. The exquisite Christine Daae enraptures the audience with her mellifluous voice. Immediately, Raoul de Chagny falls deeply in love. But the legend of the disfigured opera ghost haunts the performance, and as Raoul begins his pursuit of Christine, he is pulled into the depths of the opera house, and into the depths of human emotions.

The Divine Comedy describes Dante's descent into Hell with Virgil as a guide, his ascent of Mount Purgatory and his encounter with his dead love Beatrice, and finally, his arrival in Heaven. Examining questions of faith, desire and enlightenment, the poem is a brilliantly nuanced and moving allegory of human redemption. This major translation is published here for the first time in a single volume.

In an attempt to appeal to the Medici family during the Italian Renaissance, Machiavelli outlines the way to acquire and retain political power, and how great men should behave in a princely government. The book is divided into four parts - types of principalities and state, proper conduct of a prince as military leader, personal conduct of a prince, and the disparity of Italy's political situation. Many listeners will be able to see principals that Machiavelli advocates for are still used in many political systems today.

Prince Lyov Nikolayevitch Myshkin is one of the great characters in Russian literature. Is he a saint or just naïve? Is he an idealist or, as many in General Epanchin's society feel, an "idiot"? Certainly his return to St. Petersburg after years in a Swiss clinic has a dramatic effect on the beautiful Aglaia, youngest of the Epanchin daughters, and on the charismatic but willful Nastasya Filippovna. As he paints a vivid picture of Russian society, Dostoyevsky shows how principles conflict with emotions - with tragic results.

In these four dialogues, Plato develops the Socratic belief in responsibility for one's self and shows Socrates living and dying under his philosophy. In Euthyphro, Socrates debates goodness outside the courthouse, Apology sees him in court, rebutting all charges of impiety, in Crito, he refuses an entreaty to escape from prison, and in Phaedo, Socrates faces his impending death with calmness and skillful discussion of immortality.

This acclaimed new translation of Dostoyevsky's 'psychological record of a crime' gives his dark masterpiece of murder and pursuit a renewed vitality, expressing its jagged, staccato urgency and fevered atmosphere as never before. Raskolnikov, a destitute and desperate former student, wanders alone through the slums of St. Petersburg, deliriously imagining himself above society's laws. But when he commits a random murder, only suffering ensues.

The Count of Monte Cristo is one of the most spellbinding tales ever written. It tells of a good man, Edmond Dantes, whose jealous enemies conspire to destroy him; how an unexpected friend gives him the tools to survive; how he escapes from an island fortress; how the discovery of a vast treasure transforms him into a super-wealthy nobleman determined to carry out his revenge; and the surprising lessons in loyalty and love that he learns on his way.

The murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur and everyone's faith in humanity is tested.