Margaret Millar is somewhat of a hidden treasure among American "mystery writers". (She was originally from Canada, but her many years of living in California with her writer-husband Ross McDonald give us Americans a claim on her.) What makes her unusual and special within the genre is the way so many of her novels subtly and eloquently examine the emotional toll taken on people by the small things that haunt their lives, create inner conflict or despair.

When a well-known British TV historian, Marmaduke Godolphin, is found murdered in the canals of Venice during carnival, stabbed by a stiletto blade, the Venetian police are eager to have the case solved and cleared up within a day—murder is bad for tourism! The police recruit the help of retired archivist, Arnold Clover. Godolphin had hired his services on arriving in Venice to help sort through some historical papers of note. These dusty documents may contain previously unknown information about the assassination of the murderer, Lorenzino de' Medici, 500 years previously.

When George Abbershaw is invited to Black Dudley Manor for the weekend, he has only one thing on his mind - proposing to Meggie Oliphant. Unfortunately for George, things don't quite go according to plan. A harmless game turns decidedly deadly and suspicions of murder take precedence over matrimony. Trapped in a remote country house with a murderer, George can see no way out. But Albert Campion can.

"Horatio Leavenworth, Esq., a millionaire, is murdered in his library while he is engaged in reviewing a book he plans to publish. He was shot cleanly in the back of the head (with his own pistol), meaning that he did not turn his head when his assassin entered the room. This fact led detective Ebenezer Gryce to conclude that he recognized the footsteps of his assailant and felt he had nothing to fear from this person." Thus begins this first novel in the "Mr. Gryce" series.

In the first major history of crime fiction in 50 years, The Life of Crime: Detecting the History of Mysteries and Their Creators traces the evolution of the genre from the 18th century to the present, offering brand-new perspective on the world’s most popular form of fiction. 

September, 1940. The sun is shining, and in the midst of the good weather Londoners could be mistaken for forgetting their country was at war - until the familiar wail of the air-raid sirens heralds an enemy attack. The Blitz has started, and normal life has abruptly ended - but crime has not. That night a man's body is discovered in an unmarked van in the back streets of West Ham. When Detective Inspector John Jago is called to the scene, he recognises the victim: local justice of the peace Charles Villiers. The death looks suspicious, but then a German bomb obliterates all evidence.

As war rages in Europe, the citizens of London flee to the country. At Pigeonsford, a group of guests plays cards - but Grace Morland knows the strong emotions that lurk beneath the placid social surface. She's painfully in love with Stephen Pendock, the squire of Pigeonsford, but Pendock's smitten with young beauty Francesca Hart. One afternoon, Fran debuts a new hat, and Grace's jealousy gets the better of her. She exclaims, "I wouldn't be seen dead in a ditch in a thing like that!" She will soon be proven wrong. Grace is found dead with the hat on her head.

Bestselling author Lucy Pym is initially thrilled to be invited to lecture at Leys Physical Training College. The girls are eager to learn about psychology, her pet subject, and she finds herself inspired by their discipline, humour and determination. However, a tragic accident in the gymnasium reveals a darker side to the school, and unexpectedly Miss Pym finds she must draw on her psychological expertise to trace who, of all these wholesome girls, has violence on the mind.

Cassandra Bowden is no stranger to hungover mornings. She's a binge drinker, her job with the airline making it easy to find adventure, and the occasional blackouts seem to be inevitable. She lives with them and the accompanying self-loathing. When she awakes in a Dubai hotel room, she tries to piece the previous night back together, counting the minutes until she has to catch her crew shuttle to the airport. She quietly slides out of bed, careful not to aggravate her already pounding head, and looks at the man she spent the night with.

The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.