Tim and Abi have always been different from their peers. Precociously bright, they spend their evenings in their parents' attic discussing the macabre and unexplained, zealously re-reading books on folklore, hauntings and the supernatural. In particular, they are obsessed with photographs of ghostly apparitions and the mix of terror and delight they provoke in their otherwise boring and safe childhoods. But when Tim and Abi decide to fake a photo of a ghost to frighten an unpopular school friend, they set in motion a deadly and terrifying chain of events.

In Edwardian Suffolk, a manor house stands alone in a lost corner of the Fens: a glinting wilderness of water whose whispering reeds guard ancient secrets. Maud is a lonely child growing up without a mother, ruled by her repressive father. When he finds a painted medieval devil in a graveyard, unhallowed forces are awakened. Maud's battle has begun. She must survive a world haunted by witchcraft, the age-old legends of her beloved fen - and the even more nightmarish demons of her father's past.

Emma hasn't told her husband much about her past. He knows her parents are dead and she hasn't spoken to her sisters in years. Then they lose their apartment, her husband gets laid off, and Emma discovers she's pregnant—right as the bank account slips into the red. That's when Emma confesses that she has one more asset: her parents' house, which she owns jointly with her estranged sisters. They can't sell it, but they can live in it. But returning home means that Emma is forced to reveal her secrets to her husband.

When Jess and Clare Martin move from Williamsburg, Brooklyn, to their former college town in the Hudson River valley, they are hoping for rejuvenation - of their marriage, their savings, and Jess's writing career. They take a caretaker's job at Riven House, a crumbling estate and the home of their old college writing professor. While Clare once had dreams of being a writer, those plans fell by the wayside when Jess made a big, splashy literary debut in their 20s. It's been years, now, since his first novel.

It’s 1923, and at Thistlecrook House, a forbidding home on the Scottish border, the roaring '20s seem not to have arrived. But Simon Christie has - a young man who can’t believe his luck when he gets a job cataloguing the infamous art collection of the Mordrake family. Yet from the moment he gets off the train at the deserted village station he can’t shift a headache and a sense that there’s more to the house and its gruesome selection of pictures.