Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap out of the audio, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse.

Shizuka Satomi made a deal with the devil: To escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six. When Katrina Nguyen, a young transgender runaway, catches Shizuka's ear with her wild talent, Shizuka can almost feel the curse lifting. She's found her final candidate. But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four.

When Deputy US Marshal Danielle "Danny" Martin was told she'd gotten a promotion, she expected to be leading her own fugitive retrieval team. Instead, she got transferred to Pontian, Florida, of all places, and assigned to a Superhero support detail for Focus, a seemingly immortal superhero who is also one of the most famous lesbian icons on the planet. Bad enough she's got to spend every day working with a woman she's had a crush on since she was five years old, but when she arrives at her new post, things start getting weird. 

A fresh-faced newcomer arrives in an isolated, gang-run town and soon finds herself taking a job nobody else wants: bodyguard to a ghoul. Not just your average mindless, half-rotted shuffler, though. Lucille is a dancer who can still put on her own lipstick and whose shows are half burlesque, half gladiator match. But the stranger is no stranger to this particular ghoul. Both women are undercover in their own way. And both have something to lose if their connection comes to light.

Egypt, 1912. In an alternate Cairo infused with the otherworldly, the Ministry of Alchemy, Enchantments, and Supernatural Entities investigate disturbances between the mortal and the (possibly) divine. What starts off as an odd suicide case for Special Investigator Fatma el-Sha’arawi leads her through the city’s underbelly as she encounters rampaging ghouls, saucy assassins, clockwork angels, and plot that could unravel time itself, in P. Djèlí Clark's Tor.Com Original, A Dead Djinn in Cairo.

She is Amylia Sylvers. And she is about to show the world that even the most unexpected can burn the brightest.

Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they'll never face the same fate. Robbie lives by his gun and one hard-learned motto: other people aren't safe. After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics—all while outrunning packs of feral men, and their own demons.

All Systems Red is the tense first science fiction adventure novella in Martha Wells' series The Murderbot Diaries. For fans of Westworld, Ex Machina, Ann Leckie's Imperial Raadch series, or Iain M. Banks' Culture novels. The main character is a deadly security droid that has bucked its restrictive programming and is balanced between contemplative self-discovery and an idle instinct to kill all humans.

Boston Homicide Detective Caitlin Reagan walks a razor's edge, propping up her life on emotional constructs designed to help her manage grueling PTSD. She keeps her mother, boyfriend, and work separated and controlled, all in service to one horrible, tragic act she committed amid the Iraq war.

It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. But the answer to that question depends on who you ask, and how.