Danielle Ortega works nights, singing at whatever dive bar will offer her a gig. She gets by, keeping to herself. Sam Walker gambles and drinks and can't keep his hands to himself. Now he's tied up in a shoe closet with a dent in his head that matches Danielle's broken ashtray. The man in 731 has been dead for two days and his dog has not stopped barking. Two doors down, the couple who always smokes on the window ledge will mysteriously fall. Upstairs, in the penthouse, Mr Balliol sees it all.

Eli Hagin can’t finish anything. He hates his job, but can’t seem to quit. He doesn’t want to be with his girlfriend, but doesn’t know how end things with her, either. Eli wants to write a novel, but he’s never taken a story beyond the first chapter. Eli also has trouble separating reality from fiction. When his best friend kills himself, Eli is motivated, for the first time in his life, to finally end something himself, just as Mike did. Except sessions with his therapist suggest that Eli’s most recent ‘first chapters’ are not as fictitious as he had intended.

Seth Beauman can’t sleep. He stays up late, calling strangers from his phone book, hoping to make a connection, while his wife, Maeve, sleeps upstairs. A crossed wire finds a suicidal Hadley Serf on the phone to Seth, thinking she is talking to The Samaritans. But a seemingly harmless late-night hobby turns into something more for Seth and for Hadley, and soon their late-night talks are turning into daytime meet-ups. And then this dysfunctional love story turns into something altogether darker when Seth brings Hadley home.... And someone is watching....

A young man wakes from a coma to find himself targeted by the men who killed his parents, while someone is impersonating a notorious New Zealand serial killer... the latest chilling, nerve-shredding, twisty thriller from the author of The Quiet People... How do you catch a killer... When the only evidence is a dream? James Garrett was critically injured when he was shot following his parents’ execution, and no one expected him to waken from a deep, traumatic coma.

University professor Nina is at a turning point. Her work seems increasingly irrelevant, her doctor husband is never home, relations with her difficult daughter are strained and their beautiful house is scheduled for demolition. When her daughter decides to move into another house they own, things take a very dark turn. The young woman living there disappears, leaving her son behind, the day after Nina and her daughter pay her a visit. With few clues, the police enquiry soon grinds to a halt, but Nina has an inexplicable sense of guilt and begins her own investigation.