Peter Darwin was hoping for some quiet leave from the Foreign Office. Instead he found himself in the village of his childhood, at the service of a veterinary surgeon whose operating theater was rapidly acquiring an unwanted reputation as an abattoir. The sudden unexplained death of a string of valuable racehorses from one small area in Gloucestershire was a mystery the police couldn't solve. But Darwin was local. He remembered people and what was at stake. And now he knew enough to get himself killed.

Valentine, a blind, confused old man on his deathbed, seeking his peace with God, makes his last confession to a visiting friend, Thomas Lyon, mistaking him for a priest. This puts Thomas in a moral dilemma. Wild horses wouldn't drag from a priest the secrets of the confessional. Engaged in directing a film set in the world of racing, Thomas finds that the solution to this quandary could mean the difference between life and death.

Free choice? There's no such thing, according to Lee Morris. Choice is pre-ordained by your personality. Stratton Park racecourse faces ruin in the hands of a squabbling family. Lee is slowly sucked into the turmoil, unwillingly on the surface but half-understanding the deep compulsions that influence his decisions. One road leads to safety, another to death. How do you know which is which?

At an annual party to celebrate the success of the racing season, everything seemed to be running well to form, including the need for more champagne. Then a runaway horsebox ploughed into the marquee. A witness to the terrible death and destruction, wine merchant Tony Beach knows it is just one of those tragic accidents. But when his expert advice is called into play over sub-standard alcohol in a local night club, connections start to click, and another person dies, horribly.

Tim Ekaterin's merchant bank, like all banks, only invests in sure things. Now he's about to involve it in ₤5 million of prime horseflesh, a stallion called Sandcastle. Top breeders reckon it's the safest bet in racing. But racing doesn't just attract the money men of the city. It's riddled with all kinds of dubious dealmakers. People who don't think twice about breaking bones. People to whom no bet is safe until it's paid in blood, Ekaterin's blood.

Computer whiz-kid Peter Keithly, asked to transfer a betting formula onto computer tape, dies shortly afterwards. An old friend of his, Jonathan Perry, finds himself in possession of the tapes, and also discovers that there are greedy, desperate men who will do anything to get their hands on the lucrative software. The evil, bull-faced Angelo goes too far and ends up in jail. Fourteen years later he's free, and very keen not only to get hold of the tapes, but also Jonathan Derry.

When a sick friend asks Edward Lincoln to investigate the comprehensive failure of a string of racehorses, he agrees to help out. But it is impossible for him to go about the task quietly and unnoticed because he is now a world-class star of action films, in which he always plays the hero. And the apparently easy survey of the string of racehorses blows him through a smokescreen into circumstances, where, to survive, he has to make himself become the man everyone else already thinks he is.

Philip Nore is nearing the end as a jockey. George Millace is finished in photography. The differnce is, Millace is dead, and Nore has discovered his secret: a set of files which would blow the top off the racing world. Hated by a dying grandmother he has never known and abused by a trainer he knows only too well, Nore is no stranger to shabby morals. And when he begins to decipher the dead man's photographs, he uncovers corruption on a scale he had never imagined.

Amazing what bodily injury could do for a man. A fall from a racehorse had left brilliant jockey Sid Halley dangerously depressed, with a wrecked hand and the need for a new career. And now a bullet wound was helping him find one. He'd been with a detective agency since his racing accident, but it wasn't until some two-bit hoodlum drilled a slug into his side that he was sent out on a case of his own. That was where he met Zanna Martin, a woman who just might make life worth living again.

John Kendall knows how to survive. He's written six handbooks on the subject. Now he wants to become a novelist, preferably without starving to death. But when cold and hunger set in, Kendall impulsively accepts an unlikely job. He is to research and write a biography of Tremayne Vickers, a famous racehorse trainer. Staying at Vickers' home in rural Berkshire, Kendall soon learns to like his host and friends, learns to ride racehorses, learns about murderers ... .

Alexander Kinloch, artist, has worked out a good pattern for his life. His home is a small bothy on a remote mountain in Scotland; he paints on commission, from which he derives both pleasure and a decent income; he lives alone and likes it. One day, however, Alexander's peace is violently shattered when he returns home to find a group of strangers waiting for him. Afer a scuffle, he is left for dead with only the wind and the words "Where is it?" ringing in his ears.

When the horse that wins a race gallops in with frothing mouth and popping eyes, what is more natural than to suspect that someone¿s slipped a booster into his oats? With eleven steeplechasers hurtling over the finish line in this pepped up states and all the dope tests conclusively negative, the Earl of October had something of a problem if he wanted to preserve the health of his favorite sport.

Sid Halley had one good hand and another made of metal. Five hundred pounds of horse had landed on him, directly ending his career as a brilliant jockey - and indirectly ending his marriage to the woman he loved. He had become a private investigator, quite a good one, though his new life could never erase the haunting memories of his past glories.

Three jockeys warned not to win their races turned into also-rans. Bill died when the sure-footed Admiral fell, Joe was scared rotten, and Alan York became the target of a vicious gang. But he wanted revenge and to hell with the risk.

Despair, suicide, and obsessive hatred, mixed well with humor, love, and horses, brew up into the story of a battle between one man's nerve and another man's cunning. Robert Finn, steeplechase jockey, finds himself the focus of a malicious campaign which is also afflicting his friends. He sets out to discover its source, and remove it.