Brynhild is a Valkyrie: shieldmaiden of the Allfather, chooser of the slain. But now she too has fallen, flightless in her exile. Gudrun is a princess of Burgundy, a daughter of the Rhine, a prize for an invading king – a king whose brother Attila has other plans, and a dragon to call upon.

1768. Charlotte, daughter of the Habsburg empress, arrives in Naples to marry a man she has never met. Her sister, Antoine, is sent to France, and in the mirrored corridors of Versailles, they rename her Marie Antoinette. The sisters are alone, but they are not powerless. When they were only children, they discovered a book of spells—spells that work, with dark and unpredictable consequences. In a time of vicious court politics, of discovery and dizzying change, they use the book to take control of their lives.

Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things, but twisted forms…unholy shapes. And there are rumors of a blasphemous union and of fell creatures that haunt the night. Yet even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested.

Uncover the secret annals of untold history in these eighteen medieval manuscripts. Each tortured scribe will bring you face to face with ancient horrors lurking in cursed castles, wild woodlands, haunted hamlets, and mysterious monasteries. Including a lineup of authors both established and emerging, HOWL Society Press presents the first-ever anthology of historical horror from the medieval period, fittingly introduced by the writer who arguably started it all: Christopher Buehlman, author of the medieval horror epic Between Two Fires.

Bohemia. 1370. A lost soul named Galien leads a band of hardened mercenaries on a mission for Mother Church. But in the dark forests of central Europe, a darker secret awaits. The Sunday Times best-selling author Giles Kristian (Lancelot, The Raven Viking Trilogy), takes us on an unnerving ride into fear and paranoia, bloodshed and redemption.

Oddny and Gunnhild meet as children in tenth century Norway, and they could not be more different: Oddny hopes for a quiet life, while Gunnhild burns for power and longs to escape her cruel mother. But after a visiting wisewoman makes an ominous prophecy that involves Oddny, her sister Signy, and Gunnhild, the three girls take a blood oath to help one another always. When Oddny’s farm is destroyed and Signy is kidnapped by Viking raiders, Oddny is set adrift from the life she imagined—but she's determined to save her sister no matter the cost.

Alma Katsu calls My Heart Is a Chainsaw “a homage to slasher films that also manages to defy and transcend genre.” On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life.

Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy. He walked among invisible powers: devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen.

Luke Taylor has been searching for his missing twin for months, but has begun to believe that his brother might be dead. With his hope in tatters, a tip off leads him to a remote tidal island in the North Sea. It’s further out than the famous Holy Island, and far stranger.

Anna’s aunt has always warned her of the dangers of magic. Its twists. Its knots. Its deadly consequences. Now Anna counts down the days to the ceremony that will bind her magic forever. Until she meets Effie and Attis. They open her eyes to a London she never knew existed. A shop that sells memories. A secret library where the librarian feeds off words. A club where revellers lose themselves in a haze of spells. But as she is swept deeper into this world, Anna begins to wonder if her aunt was right all along.

Kelsey Willoughby doesn’t have time to pursue her dream of writing a novel. Imagination doesn’t pay the bills, and she’s busy saving her beautiful bookshop from online competition, hotel developers, and the sneaking suspicion that nobody reads anymore. Not to mention all those voices telling her she doesn’t have talent. But then the vacant lot of weeds next door starts to shimmer.

This book won a World Fantasy Award. It's remarkable: The stories are rich, fascinating stuff - creepy and unsettling and phantasmic. Imagine what Tolkien's Lord of the Rings would have been like if Tolkien had tried to tell that story sympathetically from the point of view of the human denizens of Mordor and you'll have the slightest sense of what you're about to wade into... but only just a sense.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Trunks packed with potions and cures, Jane Aire sets out on a crisp, clear morning in October to face the greatest challenge of her sheltered girls’-school existence. A shadow lies over Thornfield Hall and its reclusive master, Edward Rochester. And he’s hired her only as a last resort. Jane stumbles again and again as she tries to establish a rapport with her prickly new employer, but he becomes the least of her worries as a mysterious force seems to work against her.

When photographer Jonathan Brewster’s four-year-old daughter, Joanne, tells him about her new invisible friends, he doesn’t think too much about it. But then he sees them for himself: weird and uncanny images of the dead appearing in his photographs. The apparitions seem to have some connection to Childgrave, a remote village in upstate New York with a deadly secret dating back three centuries. Jonathan and Joanne feel themselves oddly drawn to Childgrave, but will they survive the horrors that await them there?