Seventeen-year-old Tyler lives in one of Edinburgh’s most deprived areas. Coerced into robbing rich people’s homes by his bullying older siblings, he’s also trying to care for his little sister and his drug-addict mum. On a job, his brother Barry stabs a homeowner and leaves her for dead, but that’s just the beginning of their nightmare, because the woman is the wife of Edinburgh’s biggest crime lord, Deke Holt. 

After a messy divorce, attractive young mother Sonia is struggling to provide for herself and keep custody of her son. With her back to the wall, she resorts to smuggling cocaine into Iceland and finds herself caught up in a ruthless criminal world. As she desperately looks for a way out of trouble, she must pit her wits against her nemesis, Bragi, a customs officer whose years of experience frustrate her new and evermore daring strategies.

When a body of a woman is discovered at a lighthouse in the Icelandic town of Akranes, it soon becomes clear that she’s no stranger to the area. Chief Investigating Officer Elma, who has returned to Akranes following a failed relationship, and her collegues Sævar and Hörður commence an uneasy investigation which uncovers a shocking secret in the dead woman’s past that continues to reverberate in the present day.

Bergen Private Investigator Varg Veum is perplexed when two wildly different cases cross his desk at the same time. A lawyer, anxious to protect her privacy, asks Varg to find her sister, who has disappeared with her husband, seemingly without trace, while a ship carrying unknown cargo is heading towards the Norwegian coast, and the authorities need answers. Varg immerses himself in the investigations, and it becomes clear that the two cases are linked, and have unsettling - and increasingly uncanny - similarities to events that took place 36 years earlier.

Copenhagen author Hannah is the darling of the literary community and her novels have achieved massive critical acclaim. But nobody actually reads them, and frustrated by writer's block, Hannah has the feeling that she's doing something wrong. When she expresses her contempt for genre fiction, Hanna is publicly challenged to write a crime novel in 30 days. Scared that she will lose face, she accepts, and her editor sends her to Húsafjöður; a quiet, tight-knit village in Iceland, filled with colourful local characters - for inspiration.