The wealthy community of Esperance is picture-perfect. Big houses, stunning views, beautiful people. A brand new running track for the local club to jog around in the evenings. From the outside, it looks like paradise. But the women of the town know the truth: you can hide anything—from wrinkles to secrets from your past—if you have enough money. You could even hide a murder.

Bridget and Simone aren't friends. But their daughters are in the same dance troupe, so they're flying to Los Angeles for the girls to perform at Disneyland. Simone's daughter Zahra is indisputably a leader in the group, but Bridget's daughter Becky is a talent on the rise.

Like any enterprising woman, Bea knows what she’s worth and is determined to get all she deserves—it just so happens that what she deserves is to marry rich. Filthy rich. After years of forced instruction by her mother in the art of swindling men, a now-solo Bea wants nothing more than to close and lock the door on their sordid partnership so she can disappear safely into old-money domesticity, sealing the final phase of her escape.

Things haven't gone well for Simon Larsen lately. He adores his wife, Tansy, and his children, but since his business failed and he lost the family home, he can't seem to get off the couch. His larger-than-life in-laws, the Schnabels - Tansy's mother, sister and brother - won't get off his case. To keep everyone happy, Simon needs to do one little job: he has a week to landscape a friend's backyard for an important Schnabel family event. But as the week progresses, Simon is derailed by the arrival of an unexpected house guest. 

As the third wave of the virus hits, all inhabitants of Melbourne are given until 8pm to get to their homes. Wherever they are when the curfew hits, they must live for four weeks and stay within a 5km radius. When Lou’s son Samuel doesn’t arrive home by nightfall she begins to panic. He doesn’t answer his phone. He doesn’t message. His social media channels are inactive. Lou is out of her mind with worry, but she can’t go to the police, because she has secrets of her own. Secrets that Samuel just can’t find out about. Lou must find her son herself and bring him home.

Nash Rankin is a disgraced cop trying to escape his past—his career was destroyed when he chose to take justice into his own hands. Now he's living a quiet life in a small town caring for the local wildlife and trying to stay away from trouble. Jesse Redpath has a new job in a new town, Satellite—the stormy weather that greets her first few days on the new beat seems like a sign for what's to come. A local has died in what seems like an accident, but Jessie isn't so sure that ‘accident' wasn't planned. All evidence seems to point to Nash, but Jesse's not sure about that either.

Hannah and Stef have always been there for each other. Growing up in a loving family, they're stunned to discover their mother adopted out a child before their parents met. When Alex walks into their lives, the sisters are seduced by his charm, wealth and social status. But as they rush to make up for lost time, it soon becomes apparent their half-brother's agenda is more complicated and sinister than the Fidler sisters could have imagined.

Thirty-three-year-old Abby Stern has made it to a happy place. True, she still has gig jobs instead of a career, and the apartment where she’s lived since college still looks like she’s just moved in. But she’s got good friends, her bike, and her bicycling club in Philadelphia. She’s at peace with her plus-size body—at least, most of the time—and she’s on track to marry Mark Medoff, her childhood sweetheart, a man she met at the weight-loss camp that her perpetually dieting mother forced her to attend.

Frances is an artist in her forties living a quiet life in a remote mountain town in NSW, far away from the glittering lights and famous personalities of the Sydney art world she once knew. When an invitation arrives from a former lover to attend his exhibition at a state gallery, Frances is plunged back into the past, where a single irrevocable act changed the course of her story. Told across two time periods, Frances's story wrestles with themes of power and privilege, womanhood and motherhood, artistic doubt, the male gaze upon the female body, and the commodification of art.

1965: After escaping from anti-war turmoil and the suffocating weight of family expectations, a beautiful young couple embrace a life free of materialism and tradition by a sapphire lake in Italy. But the past does not always let go so easily ... 1987: When talented art historian Wren Summers lands her dream job at the Sydney Art Museum, it seems she can finally leave her wildly unconventional background behind - until a treacherous act threatens everything she has strived for.