Frances is an artist in her forties living a quiet life in a remote mountain town in NSW, far away from the glittering lights and famous personalities of the Sydney art world she once knew. When an invitation arrives from a former lover to attend his exhibition at a state gallery, Frances is plunged back into the past, where a single irrevocable act changed the course of her story. Told across two time periods, Frances's story wrestles with themes of power and privilege, womanhood and motherhood, artistic doubt, the male gaze upon the female body, and the commodification of art.

Things haven't gone well for Simon Larsen lately. He adores his wife, Tansy, and his children, but since his business failed and he lost the family home, he can't seem to get off the couch. His larger-than-life in-laws, the Schnabels - Tansy's mother, sister and brother - won't get off his case. To keep everyone happy, Simon needs to do one little job: he has a week to landscape a friend's backyard for an important Schnabel family event. But as the week progresses, Simon is derailed by the arrival of an unexpected house guest. 

Ned West dreams of sailing across the river on a boat of his very own. To Ned, a boat means freedom–the fresh open water, squid-rich reefs, fires on private beaches–a far cry from life on Limberlost, the family farm, where his father worries and grieves for Ned's older brothers. They're away fighting in a ruthless and distant war, becoming men on the battlefield, while Ned–too young to enlist–roams the land in search of rabbits to shoot, selling their pelts to fund his secret boat ambitions. But as the seasons pass and Ned grows up, real life gets in the way.

A family of cat farmers gets the chance to set the felines free. A group of chickens tells it like it is. A female-crewed ship ploughs through the patriarchy. A support group finds solace in a world without men. With her trademark humor, energy, and flair, McKay offers glimpses of places where dreams subsume reality, where childhood restarts, where humans embrace their animal selves and animals talk like humans.

Marianne is eight years old when her mother goes missing. Left behind with her baby brother and grieving father in a ramshackle house on the edge of a village, she clings to the fragmented memories of her mother's love: the smell of fresh herbs, the games they played, and the songs and stories of her childhood. As time passes, Marianne struggles to adjust, fixated on her mother's disappearance and the secrets she's sure her father is keeping from her. Discovering a medieval poem called Pearl and trusting in its promise of consolation, Marianne sets out to make a visual illustration of it.