Lunar Interlude: A Dystopian Sci-Fi Adventure
Cyber Dreams, Book 5
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Narrated by:
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Suzy Jackson
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By:
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Plum Parrot
About this listen
A cybernetic mercenary sets her sights on the corporation that forced her transformation in this dystopian sci-fi from the author of Victor of Tucson.
Juliet Bianchi has evolved from a lowly scrap cutter to a fully-loaded, combat-ready dark side operator. Known as "Lucky," she takes high-risk jobs for high-tech upgrades (you know, like weaponry, super reflexes, mind reading, etc.) that make her nearly invulnerable. Nearly.
Juliet is looking forward to some downtime to recover, recoup, and reunite with her mates from the space salvage trawler Kowashi. But after a while, she gets that old itch she can never quite seem to scratch: to infiltrate, and hopefully subvert, the all-powerful WBD megacorporation that created the AI that changed her life—and find out just what the hell she might be becoming.
To do that, Juliet must assemble a team of expert covert mercs to get her inside WBD's formidable defenses. And to do that, she'll need the help of the last person she'd ever trust: Tanaka—the man who delivered a brutal beating she almost didn't survive back on Titan. No one ever said being a hyper-advanced, cyber-enhanced master spy/thief/warrior was going to be easy . . .
The fifth volume of the hit cyberpunk series—with more than a million views on Royal Road—now available on Kindle, Kindle Unlimited, and Audible!
©2024 Plum Parrot (P)2024 Podium AudioContinue the series
I adore this series.
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Great listen!
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Really enjoying this series
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just wow
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I do have two gripes however - Juliette has far too many close escapes even for a kick-ass heroine, and there is too much unnecessary and extremely vulgar language. In each episode Juliette has not one but several close calls resulting in either major injury to herself or death/injury to someone close to her. These situations are generally secondary to the main story and her survivability through multiple incidents becomes more than a little unbelievable.
The use of bad language by the bad guys and girls does not need to be explicit - the author needs to consider more often using phrases such as <bad guy/girl> swore vehemently and explicity at <good guy/girl>. We can all imagine the language - we don't need it spelled out.
Great Story and Characters
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