Knock Down

Randall Drew is prevented from carrying on his career in steeplechasing by poor eyesight. Restless and unsure of his future but pursuing an ardent love affair, he does not welcome an invitation to go to Moscow on a delicate investigation, but almost irresistible pressure is brought to bear. A mysterious entity, "Alyosha", is threatening a royally-connected candidate for the Moscow Olympic Games; the candidate may be vulnerable to scandal which could set off intolerable diplomatic conflicts.

When he wakes in a pitch-black room with his hands bound, Roland Britten – accountant and champion steeplechase jockey – knows he’s entered a nightmare of someone else’s making. Wracking his brain to figure out who’s out to get him and why, he comes up empty, but somehow manages a death-defying escape. It isn’t long, though, before he’s recaptured.

A British jockey, riding in Norway, has disappeared, and with him has gone a day's takings from the turnstiles of Oslo racecourse. The Norwegian police have found no trace of him, nor have the British, and the case is being filed as just one more unsolved theft. David Cleveland, investigator for the Jockey Club, is a last resort. He goes without much expectation, and finds himself in waters as dark and deep as the fjords.

To a jockey, losing his license is the equivalent of being struck off, or disbarred, or cashiered. When steeplechase rider Kelly Hughes lost his license his first feelings were of bewilderment and disbelief, for he was not guilty of the charges. Nor, to the best of his knowledge, was the trainer he had ridden for, who lost his livelihood as well. When his first stunned state of shock subsided, Kelly began to wonder why he had been framed, who had done it, and how it had been achieved.

The pleasure of a day at Sandown is spoiled for Steven Scott when he sacks his trainer, a one time friend whom he suspects is a crook. Racing may have its rewards, but as Scott finds out not all of them are innocent, or legal.

Valentine, a blind, confused old man on his deathbed, seeking his peace with God, makes his last confession to a visiting friend, Thomas Lyon, mistaking him for a priest. This puts Thomas in a moral dilemma. Wild horses wouldn't drag from a priest the secrets of the confessional. Engaged in directing a film set in the world of racing, Thomas finds that the solution to this quandary could mean the difference between life and death.

Free choice? There's no such thing, according to Lee Morris. Choice is pre-ordained by your personality. Stratton Park racecourse faces ruin in the hands of a squabbling family. Lee is slowly sucked into the turmoil, unwillingly on the surface but half-understanding the deep compulsions that influence his decisions. One road leads to safety, another to death. How do you know which is which?

Philip Nore is nearing the end as a jockey. George Millace is finished in photography. The differnce is, Millace is dead, and Nore has discovered his secret: a set of files which would blow the top off the racing world. Hated by a dying grandmother he has never known and abused by a trainer he knows only too well, Nore is no stranger to shabby morals. And when he begins to decipher the dead man's photographs, he uncovers corruption on a scale he had never imagined.

To the Jockey Club, the racing world would be a better place without Julius Apollo Filmer. An expert in corruption with a devastating line in witness intimidation, and proving to be a slippery character to put behind bars. Baffled, they call in undercover security agent Tor Kelsey to keep an unflinching eye on Filmer and his associates. A mission that takes him from the finest of English racecourses to the wild Canadian interior, on a luxury transcontinental train journey to end them all.

Tim Ekaterin's merchant bank, like all banks, only invests in sure things. Now he's about to involve it in ₤5 million of prime horseflesh, a stallion called Sandcastle. Top breeders reckon it's the safest bet in racing. But racing doesn't just attract the money men of the city. It's riddled with all kinds of dubious dealmakers. People who don't think twice about breaking bones. People to whom no bet is safe until it's paid in blood, Ekaterin's blood.

Matt Shore was an experienced pilot. He’d done it all. From big jets to flying in supplies to war zones. So when he gets a job ferrying high class punters around England’s race courses he might be forgiven for expecting a quiet life. But then his plane explodes in a massive fireball. He could have been in it. Some quiet life. Instead he’s landed in the middle of a nightmare world where there is big money at stake. Very big money.

A beautiful Italian girl driving home in an open top sports car, a little boy playing on a South Coast beach and the senior steward of the Jockey Club on his way to a press reception in Baltimore. One after the other they suffer the same nightmare ordeal - kidnapping. But there is one thing connecting these particular cases. For the Italian girl is a jockey, and the little boy an only son of a racehorse owner.

The unexpected arrival of a new apprentice jockey at his father's racing stables heralds the beginning of a series of dark happenings for Neil Griffon. First his father suffers a grisly accident, then Neil is brutally assaulted and abducted. The price for his freedom will mean the betrayal and deception of those who trust Griffon most. But he has no choice: a no-compromise crime czar has made an ultimatum - that his own 18-year-old son be hired by Griffon's stables to ride the superstar horse, Archangel, in the Derby.

Amazing what bodily injury could do for a man. A fall from a racehorse had left brilliant jockey Sid Halley dangerously depressed, with a wrecked hand and the need for a new career. And now a bullet wound was helping him find one. He'd been with a detective agency since his racing accident, but it wasn't until some two-bit hoodlum drilled a slug into his side that he was sent out on a case of his own. That was where he met Zanna Martin, a woman who just might make life worth living again.

When a sick friend asks Edward Lincoln to investigate the comprehensive failure of a string of racehorses, he agrees to help out. But it is impossible for him to go about the task quietly and unnoticed because he is now a world-class star of action films, in which he always plays the hero. And the apparently easy survey of the string of racehorses blows him through a smokescreen into circumstances, where, to survive, he has to make himself become the man everyone else already thinks he is.