This heartfelt and wry career memoir from the director of Blood Diamond, The Last Samurai, Legends of the Fall, About Last Night, and Glory, creator of the show thirtysomething, and executive producer of My So-Called Life, gives a dishy, behind-the-scenes look at working with some of the biggest names in Hollywood.

Jane Connor is resigned to being the “plain Jane” of her family—pragmatic and dependable—so unlike her beautiful and impetuous younger sister Esme. When Esme calls Jane during a flash summer storm, announcing she’s left her high society husband, Jane is shocked to learn that her sister wishes to stay with her. Could this be an opportunity for them to become close again? The only catch: Esme needs a ride from the city to their small Connecticut hometown, and Jane is terrified of getting on the highway…because of what she did when they were teens.

After a lifetime of taking care of his impossible but irresistible sister and his cherished niece, Tom is ready to put himself first. An architect specializing in tiny houses, he finally has an opportunity to build his masterpiece—“his last shot at leaving a footprint on the dying planet.” Assuming, that is, he can stick to his resolution to keep the demands of his needy family at bay. Naturally, that’s when his phone rings.

After bottoming out, being institutionalized, and getting sober all by the tender age of fifteen, Moshe Kasher found himself asking: “What’s next?” Over the ensuing decades, he discovered the answer: a lot. There was his time as a boy-king of Alcoholics Anonymous, a kind of pubescent proselytizer for other teens getting and staying sober. He was a rave promoter turned DJ turned sober ecstasy dealer in San Francisco’s techno warehouse party scene of the 1990s.

Single-minded and spoilt, Undine Spragg arrives in New York determined to procure for herself a social status to match her family’s wealth. Ambition, greed and an arresting beauty soon secure her path to marriage...and also to divorce. The Custom of the Country is a sophisticated commentary on both, touching on the implications for a woman of ending a marriage at a time when the author herself was navigating that situation. As the mismatched Undine and Ralph travel to Europe, Wharton contrasts the pecuniary motivation of the nouveau riche in America with European tradition.