In a village in Wiltshire, just off a busy road, Larch Tree Lane winds slowly up a low hill. Among the residents is Maggie Hatherall, full of life despite her advancing years, who worries what she is going to do with her 200-year-old home. Lucia Grey has escaped a bad marriage but her ex is reluctant to let her start a new life free of him. And for architect Corin Drayton, an unexpected inheritance is the start of a complicated family wrangle. From the cottages and farms to the local shop, pub and old manor house, the residents' lives are set to intertwine and relationships bloom.

Set at the turn of the century, this is one of Catherine Cookson's most unusual novels, powerfully portraying a woman dangerously driven by desire and ambition.

Bristol 1936. Jenny Crawford has resigned herself to a loveless marriage living hand to mouth with their two children. Like many others, husband Roy struggles to find work at the docks but a chance encounter turns the family's fortunes around. Not only does he get regular work but they are also allocated a council house on Coronation Close on the outskirts of the city. Jenny and the children are overjoyed, this is the fresh start she could only ever dream of. But trouble feels never too far away.

Mary Hetherington was a mother who dominated her family. And when David brought home Sarah from the "wrong end" of the 15 Streets, a girl who brought life and laughter into her dustless house, she soon took against her.

When Connie buys a house on the moors, she has to negotiate with the abrupt Vincent O'Connor. She soon discovers that mystery is a way of life for Vincent, who has an increasing influence on her life. Then the shocking truth about the man with whom she shared many years of her life comes to light.

Orphaned at sixteen, James Wakefield was determined to be a gun shearer like his father. Now he's killed twice, changed his name, and is on the run from the law. He had his reasons for both murders, and he felt no joy in taking life. Or did he? Ben McKinnon, meanwhile, is heir to the vast Glenfinnan sheep property near Goulburn, New South Wales. He too has a secret that, if ever revealed, would shatter the privileged lives of his father, Alastair, and his sisters, Jenna and Adele. When fate brings James and Ben together, a powerful friendship is forged.

Wakefield 1870. On the banks of the River Calder, Meg Taylor struggles to care for her younger siblings and sick mother whilst her father is away working as a boatman on the canals. The slums where they live are rife with disease, and Meg longs for a different life, away from the grinding poverty, but she'll never leave her family. But with the canals slowly dying as trade moves to the railways, and with Meg’s father stubbornly holding onto the past, Meg fears her family’s future is going to get even bleaker. If only there was a way she could save them.

Lancashire, 1895. When her controlling stepfather suddenly dies, it seems that Elinor Pendleton finally has a chance of freedom. But her hopes are soon dashed when she learns that the thuggish Jason Stafford has inherited every penny, and is determined to have Elinor too. Forced to flee with her maid, Maude, Elinor finds shelter with Maude's distant cousin in the remote village on the shore of Jubilee Lake. But Walter Crossley has troubles of his own. Having lost his closest family in a tragic accident, he needs one of his grandsons to return from America to inherit his farm.

Living hand to mouth ever since her mother’s tragic death, Amelia sells the last of her treasured possessions to avoid being cast out of her home onto London’s streets. Her estranged grandfather unexpectedly bequeaths a small struggling factory making mourning dresses and Amelia dares to dream… Drawing sketches by candlelight, she longs to sew elegant gowns from fine silks and beautiful ribbons for the rich. As the cold winter wind begins to bite, Amelia’s future hangs by a thread – can she keep her hopes alive?

Bristol 1939. At forty years of age, Mary Anne Randall still turns heads. With an abusive husband spending most of his wages on beer, she has resigned herself to be the sole breadwinner to protect her family and keep the wolves from the door. In order to make ends meet, Mary Anne runs a pawnbroking business from the wash house at the end of the garden. Following the outbreak of war an opportunity presents itself to escape her loveless marriage and find true love. Will she take that chance, or carry on living just for her children and not for herself?