Meet Ginny Moon. She's mostly your average teenager - she plays flute in the high school band, has weekly basketball practice, and reads Robert Frost poems in English class. But Ginny is autistic. And so what's important to her might seem a bit...different: starting every day with exactly nine grapes for breakfast, Michael Jackson, her baby doll, and crafting a secret plan of escape.

In a small East Anglian town, Florence Green decides, against polite but ruthless local opposition, to open a bookshop. Hardborough becomes a battleground. Florence has tried to change the way things have always been done, and as a result she has to take on not only the people who have made themselves important but natural and even supernatural forces, too. Her fate will strike a chord with anyone who knows that life has treated them with less than justice.

With his mother in jail, Sequoyah, a 15-year-old Cherokee boy, is placed in foster care with the Troutt family. Literally and figuratively scarred by his unstable upbringing, Sequoyah has spent years mostly keeping to himself, living with his emotions pressed deep below the surface - that is, until he meets the 17-year-old Rosemary, another youth staying with the Troutts. Sequoyah and Rosemary bond over their shared Native American backgrounds and paths through the foster care system, but as Sequoyah's feelings toward Rosemary deepen, the precariousness of their lives and the scars of their pasts threaten to undo them both.

Always Happy Hour weaves tales of young women who are deeply flawed, intensely real, and who struggle to get out of their own way. These women love to drink and have sex; they make bad decisions with men who love them too much or too little; they haunt gas stations, public pools, and dive bars, seeking understanding in the most unlikely of places; and, although each shoulders the weight of different baggage, they all suspect they deserve better.

A masterful, moving novel about age, memory, and family from one of the literary icons of our time. Ptolemy Grey is 91 years old and has been all but forgotten - by his family, his friends, even himself - as he sinks into a lonely dementia. His grand-nephew, Ptolemy's only connection to the outside world, was recently killed in a drive-by shooting, and Ptolemy is too suspicious of anyone else to allow them into his life. Until he meets Robyn, his niece's 17-year-old lodger and the only one willing to take care of an old man at his grandnephew's funeral.

In autumn 1942, Anna Goldenberg's great-grandparents and one of their sons are deported to the Theresienstadt concentration camp. Hans, their elder son, survives by hiding in an apartment in the middle of Nazi-controlled Vienna. But this is no Anne Frank-like existence; teenage Hans passes time in the municipal library and buys standing-room tickets to the Vienna State Opera. Hans never sees his family again. Goldenberg reconstructs this unique story in magnificent reportage.

Late one night, a teenage couple drives up to the big white clapboard home on the Blessing estate and leaves a box. In that instant, the lives of those who live and work there are changed forever. Skip Cuddy, the caretaker, finds a baby girl asleep in that box and decides he wants to keep the child . . . while Lydia Blessing, the matriarch of the estate, for her own reasons, agrees to help him.

As the host of the successful television show Fabulous Homes, Joanna Jones travels the country showcasing the glamorous homes of the rich and famous. Despite great professional success and an intense, passionate relationship, she still feels something is missing. When an unexpected pregnancy forces her to reevaluate her life, Joanna decides to leave behind frenetic Manhattan. Beckoning her to the gorgeous island of Nantucket is an old sea captain’s house set above the Atlantic Ocean. There, Joanna builds a new life for her small family. But New York isn’t done with her yet.

Erin Marinelli has her work cut out for her when she arrives at her late grandmother's Wisconsin home to prepare for an estate sale. But sifting through the overwhelming collection of figurines, outdated appliances, and dusty books, she finds something that captures her attention: a yellowed envelope of old photographs. In one, taken almost a century ago, a beautiful woman is seated with a young boy who looks uncannily like Erin's five-year-old autistic son, Will. Intrigued, Erin looks further into her family's history, and discovers parallels to her present-day life.

Three very different girls sign up as trainee nurses at a big London teaching hospital in 1934. Dora leaves her overcrowded, squalid working-class home for a better life. But has she got what it takes to keep up with other, better-educated girls? And will her hated stepfather ever let her go? Helen is born for the job; her brother is a doctor, her all-powerful mother a hospital trustee. But will Helen’s secret misery be her downfall? An aristocratic rebel, Millie’s carefree attitude will find her up in front of Matron again and again. Will she ever care enough to make a nurse? Or will she go back to the glamorous life she was born to?