There would have been no KISS without Gene Simmons, the outrageous star whose superlong tongue, legendary sexual exploits, and demonic makeup have made him a rock icon. KISS and Make-Up is the wild, shocking, unbelievable story, from the man himself, about how an immigrant boy from Israel studied to be a rabbi, was saved by rock and roll, and became one of the most notorious rock stars the world has ever seen.

Face the Music is the shocking, funny, smart, inspirational story of one of rock’s most enduring icons and the group he helped create. Stanley mixes compelling personal revelations and gripping, gritty war stories that will surprise even the most steadfast member of the KISS Army. He takes us back to his childhood in the 1950s and 60s, a time made more painful thanks to a physical deformity. Born with a condition called microtia, he grew up partially deaf, with only one ear. But this instilled in him an inner drive to succeed in the most unlikely of pursuits: music.

This is the eye-opening updated account of Rogerson's life of crime and how he went from hero cop to ruthless criminal, considered one of the most corrupt and evil men in Australia. Detailing the chilling murder of Jamie Gao in storage unit 803 that led to Rogerson's final incarceration, bestselling author Duncan McNab also shares the stories behind the secrets Rogerson took to his grave.

People ask me how come I'm still alive, and I don't know what to say. When I was growing up, if you'd have put me up against a wall with the other kids from my street and asked me which one of us was gonna make it to the age of 60, with five kids and four grandkids and houses in Buckinghamshire and California, I wouldn't have put money on me, no f--king way. But here I am: ready to tell my story, in my own words, for the first time. A lot of it ain't gonna be pretty. I've done some bad things in my time. But I ain't the devil.

In 1984, at the age of 20, Duff McKagan left his native Seattle - partly to pursue music, but mainly to get away from a host of heroin overdoses then-decimating his closest group of friends in the local punk scene. In LA only a few weeks and still living in his car, he answered a want ad for a bass player placed by someone who identified himself only as "Slash." Soon after, the most dangerous band in the world was born. Guns N' Roses went on to sell more than 100 million albums worldwide.

In 2009, Bruce Springsteen and the E Street Band performed at the Super Bowl's halftime show. The experience was so exhilarating that Bruce decided to write about it. That's how this extraordinary autobiography began. Over the past seven years, Bruce Springsteen has privately devoted himself to writing the story of his life, bringing to this audio the same honesty, humor, and originality found in his songs.

An early architect of punk rock's sound, style, and fury, whose lip-curling sneer and fist-pumping persona vaulted him into pop's mainstream as one of MTV's first megastars, Billy Idol remains, to this day, a true rock 'n' roll icon. Now, in his long-awaited autobiography, Dancing with Myself, Idol delivers an electric, searingly honest account of his journey to fame - from his early days as front man of the pioneering UK punk band Generation X to the decadent life atop the dance-rock kingdom he ruled.

18 and Life on Skid Row tells the story of a boy who spent his childhood moving from Freeport, Bahamas, to California and finally to Canada and who, at the age of eight, discovered the gift that would change his life. Throughout his career, Sebastian Bach has sold over 20 million records both as the lead singer of Skid Row and as a solo artist.

This is the powerful, untold story of two of the three members of Silverchair, Australia's most awarded musical act. From their beginnings in Ben Gillies' garage, this trio of high school kids from Newcastle, New South Wales, became famous with their smash-hit single 'Tomorrow', setting them on a path to domination of the Australian charts, worldwide touring and fame. So much has been written about Silverchair over the years but very little has been said by the band's members.

From the do-or-die early days of self-financed recordings and D.I.Y. concert productions that were as flashy as they were foolhardy, to the multi-platinum, MTV-powered glory years of stadium-shaking anthems and chart-topping power ballads, to the ultimate crash when grunge bands like Nirvana forever altered the entire climate of the business, Tom Beaujour and Richard Bienstock's Nothin' But a Good Time captures the energy and excess of the hair metal years in the words of the musicians and industry insiders who lived it.