Reed Ferguson loves film noir and classic detective fiction, and he wants more than anything to emulate his hero, Humphrey Bogart. So Reed tries his hand at the detecting business and what follows is a humorous journey into suspense territory.

For Denver Homicide detective Sarah Spillman, a secret from her past haunts each new investigation and could derail her hard-earned career. A missing boy’s body is found in a dumpster in a seemingly idyllic Denver neighborhood, and the list of suspects includes the boy’s mother and father. Sarah barely begins her investigation when a man who lived nearby is also discovered dead, an apparent suicide. Sarah continues to dig deeper, looking for a link between the two deaths, only to find the lies are piling up.

Ex-Army Civil Affairs specialist Jo Gunning is a loner. No commitments. No fixed address. She's enjoying her anonymity in Virginia when she crosses paths with a runaway teenage girl in need. Assisting the girl in getting home leads to a phone call for help, and a claim from the girl that her father is holding her hostage. As Jo searches for answers, she finds that nothing is what it seems, and no one is telling the truth.

Ex-Army Civil Affairs specialist and loner Jo Gunning is headed west, but she detours and finds herself in a small town in rural Alabama. First, she runs afoul of local law enforcement, and then the owner of the local café asks Jo to find the truth about her nephew’s death.

It's 1949. World War II is over, but it has a way of haunting people for years to come. Gordon Sandalwood suspects his wife Edith is hiding something from him, and he asks Denver private investigator Dewey Webb to find out what. Dewey, toughened by his own war experiences, reluctantly takes the case, certain it will lead to nothing. But when he sees Edith rendezvous with a mysterious man, Dewey realizes his assumptions might be wrong.