Lady Ludmilla Windmere is mortified. The spinster extraordinaire has fallen in love with her best friend, and that cannot be. The problem? She hasn't met him. Not once. For they have only ever corresponded by letter. When she sets out to uncover his identity, her world shatters. For Addy turns out to be none other but London's worst rake. Adrian St. Addington is perturbed. The rakehell extraordinaire is developing a marked tendre for a spinster, and that cannot be. The problem? She might be mistaking him for someone he is not. Or, what is worse, know precisely who he is. 

When the eligible Mr. Allison is to come to Fenton Manor to woo Honoria, there is a problem. She doesn't remember what he looked like. Crippled by her timidity, she hardly looked at him when they'd met during her first London season. But he had spoken to her father, determined to ask her for her hand. Her siblings, Serena and Benedict, find this highly amusing, but after Honoria overhears a conversation between her parents about their finances, she realises she must marry Mr. Allison.

Georgette Fortune has loved the same man for over two years now, but he does not even know she exists. When the handsome Marquis of Onslow appears at a house party in her home, the crumbling Castle Fortune, he does not recognise her at all. With six unmarried daughters to provide for, and in the hope of marriage settlements, Baron Fortune has invited guests to a home ill prepared for it. He hopes that young Lord Paxton, who has shown interest in his daughter Jocasta will finally offer for her. And while he is at it, he will introduce his other daughters to the company as well.

Nowadays the Marquess of Hastings would probably be described as having Asperger's. He's good-looking and rich, but his lack of social skills make it hard for him to find a much-needed wife. He scandalizes the ton by putting an advertisement in the newspaper describing the type of spouse he requires and the marriage of convenience he envisages. Amazingly, he finds a suitable candidate. Elisabeth is an impoverished gentlewoman with literary aspirations. But can this oddly-assorted pair possibly coexist, let alone find happiness?

In 1900s London, Francine is a ladies' maid, cast off without a character. But she is anything but a victim. Francine has a mission, to help other women survive their prescribed fates, and when she meets another cast-off - poor starving governess Miss Philpot - she transforms her into an independent woman. If she finds romance, so much the better.

Delphine Delacroix has lived the life of bird in a gilded cage, kept in a stately home with only her cold autocratic mother for company. At her mother’s death, she finds herself to be a wealthy woman and comes to London to be fretted over by her three maternal aunts determined to have her marry well. But Delphine feels she is once more having to hand herself over to another’s will and seeks to be the mistress of her own destiny.

Miss Amelia Fleming has a very good reason to hate the Earl of Langley. A year ago, her father drowned in the Thames after losing a fortune to Langley at cards. Now her family is broke, her fiance has broken their engagement, and the debt still hasn't been paid. Someone has to deal with the earl, but Amelia's brother doesn't have the nerve and her mother has fled to France. It's no business for a gently bred young lady, but the Earl of Langley is about to learn that Amelia Fleming is not your typical young lady . . .

She thought Harry loved her and she was prepared to wait for him, but Lyla is devastated when he becomes engaged to someone else. He writes to explain his reasons and she wants to forgive him, but all she can think of is escape. She persuades her father to send her to Ireland to help in purchasing horses for the family business. In spite of meeting the engaging Finn and all sorts of other new people, from camp followers to the Colonel's lady, Lyla still falls asleep with Harry's folded and re-folded letter against her breast.

Beth Culpepper is a lady's maid who is mistaken for a lady! Cast off and stranded at an inn in the way to London, she doesn't feel strong enough to dispute it. The handsome Marquis of Wrexham mistakes her youthful appearance as that of a gently bred schoolgirl whom he feels impelled to help. How did a good girl, proud of her position as lady's maid to Miss Sophy Ludgate, come to this?

In Regency England, marriage is everything. For young widow Sybella Lovatt, the time has come to find a suitable husband for her sister and ward Lucie. Male suitors are scarce near their Wiltshire estate, so the sisters resolve to head to London in time for the Season to begin. Once ensconced at the Mayfair home of Lady Godley, Lucie’s godmother, the whirl of balls, parties and promenades can begin. But the job of finding a husband is fraught with rules and tradition. Jostling for attention are two lords.

Marianne Edgewood is perfectly capable of running Brindale Castle, if only the task would be left to her. A centuries-old house of stone is solid, unchanging, whereas people are not to be relied upon. It matters little that a stranger inherited the castle. She must simply find a way to stay.

When Marianne's father dies, she and her governess Rosemary are forced to go and live with her guardian, the Earl of Tyndell. The Earl has strict ideas about how young ladies should behave. He isn't impressed by the romantic notions Marianne has absorbed straight from the pages of a Gothic novel.

Tired of dealing with legalities relating to his father's unexpected death, new baronet Sir Philip Selbourne is ready to leave London and head home for Christmas. But having spent a boyhood rescuing strays, he's unable to resist helping a desperate young woman with speaking brown eyes and a kitten in her pocket.

Sophy Hadlow does not want to return for another London Season. Her own debut into Society was marred by self-consciousness and her cringing embarrassment every time she was announced as ‘The Lady Sophronia Hadlow’. Yet, much to her dismay, Sophy is back in London to oversee the debut of her younger sister and their wild cousin, Susan Tyneham, who risks ruining both her own and her innocent cousin’s chances of marriage.

Rowley Knight, Duke of Knighton, is too busy being a duke to bother with such nonsense as love. With three heirs, he is in no hurry whatsoever to succumb to the lures of the leg-shackles. He is content managing his siblings and estates, and avoiding society whenever possible. If he can only find someone to manage his young sister, life can go back to its proper order.