In 1697, Quebec is an island of French civilization perched on a bare gray rock amid a wilderness of trackless forests. For many of its settlers, Quebec is a place of exile, so remote that an entire winter passes without a word from home. But to 12-year-old Cécile Auclair, the rock is home, where even the formidable Governor Frontenac entertains children in his palace and beavers lie beside the lambs in a Christmas créche.

The Prairie Trilogy is a series of three novels centered around life in the Midwest during the late 19th/early 20th centuries by Pulitzer Prize-winning author Willa Cather.  First, in "O Pioneers!," we meet Alexandra Bergson, who inherits the family farm after her father dies and leaves her to care for her three siblings. While many immigrant families are giving up their farms and moving back to the city (or to their home countries), Alexandra decides to try to tough it out on the prairie.

Spanning four decades in the mid-19th century, the interconnected novellas of Old New York lay out in vivid detail the complex and inscrutable codes, customs, and taboos of New York society in classic Wharton style.

A blistering rebuke of religious hypocrisy, Elmer Gantry is the story of a charismatic and manipulative social climber who rises to power within his church, despite his insincerity. Though he preaches against immorality and temptation, Reverend Dr Elmer Gantry can’t seem to give up his own vices, and he leaves a trail of broken people behind him in his pursuit of pleasure and power, betraying anybody and doing anything to get ahead.

Set in the 1870s, the same period as Wharton's The Age of Innocence, The Buccaneers is about five wealthy American girls denied entry into New York Society because their parents' money is too new. At the suggestion of their clever governess, the girls sail to London, where they marry lords, earls, and dukes who find their beauty charming—and their wealth extremely useful.

It was the body of a tall stout man. On his dead face, a handsome pair of gold pince-nez mocked death with grotesque elegance. The body wore nothing else. Lord Peter Wimsey knew immediately what the corpse was supposed to be. His problem was to find out whose body had found its way into Mr Alfred Thipps' Battersea bathroom.

The Dean of Innuendo weaves a tale of a complex romantic quadrangle when a wealthy collector of objets d'arte and his daughter innocently marry a pair of lovers, the beautiful Charlotte and a charming Italian prince. Complications ensue.

Whether it is sex, drugs, or infatuation with the occult, Mrs. Manford and her extended family of socialites are determined to escape the pain, boredom, and emptiness of life through whatever form of “twilight sleep” they can devise or procure. Far ahead of its time, this Wharton classic employed modernist techniques such as an ever changing narration among the novel’s characters and a close examination of the characters’ self-identities and relationships with one another to tell a tale rich with irony and wit about the upper crust’s own undoing.

Arthur Youngblood Hawke, an ex-Navy man moves from rural Kentucky to New York to assault the citadel of New York publishing with his first novel, an oversized manuscript that becomes an instant success. Toasted by critics and swept along on a tide of popularity, he gives himself over to the lush life that gilds artistic success. Love comes with an affair with an older married woman and an unfulfilled flame with his editor, while wealth pours in with the publication of his second novel, and participation in real-estate developments. 

In the sleepy village of Cookingdean, Dr Nell Ward is busy working in the grounds of a local manor house. Whilst inspecting an old tunnel, she did not expect to overhear a murder. As the only person with any clues as to what happened, Nell soon finds herself in the middle of the investigation. Desperate to clear her name Nell, along with her colleague Adam, set out solving the murder using their skills as ecologists to uncover details no one else would notice. But it soon becomes clear that playing Agatha Christie is much harder than it might, at first appear.