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Lord Byron's satirical take on the legend of Don Juan is a moving and witty poem that sees the young hero in a reversal of roles. Juan sheds his image as a womanizer and instead becomes the victim of circumstance as he is relentlessly pursued by every woman he meets. Comprising 17 cantos of rhyming iambic pentameter, the poem is a crisp and accessible meditation on the madness of the world.

Lord Byron’s very name conjures up visions of the Romantic movement and outlandishly dressed bohemians, for if Alfred, Lord Tennyson was the poetic darling of the masses, Byron was the hero of the hedonists. While the traditional English literary hero was a nobleman rescuing a damsel in distress, Byron created the antihero, a man plagued by self-doubt and hidden sorrow. At the same time, his hero was also capable of facing reality once he had wrestled through his own angst, and even of occasionally acting nobly in the great tradition of the author’s Puritan forebears.

The epitome of the romantic literary hero, Lord Byron was as well known in his time for the revolutionary panache with which he lived as for his extremely popular verse. “As a myth,” wrote Bertrand Russell, “his importance, especially on the continent, was enormous.” His many tempestuous relationships were the subject of scandal which only added to his celebrity. His name has even entered into our language to describe a man of deep passion and defiance.

Byron's exuberant masterpiece tells of the adventures of Don Juan, a handsome and charming young man naturally gifted with the ladies. After his first illicit love affair at the age of 16 in his native Spain, he is exiled to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine, who sends him on to England.

Today Byron is regarded as the ultimate romantic - a rebel, a Casanova, and a man of intense, brooding passion. He was the most famous literary man of his time, and his poetry, endlessly witty and often insightful, was immensely popular and hugely influential. From the delicate romanticism of "She Walks in Beauty" to the evocative reflections of "So We’ll Go No More a Roving", Byron’s poems were unrivaled in their power and potency.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

English Bards and Scotch Reviewers was first published anonymously in 1809 with Byron only identified as the author in the 2nd edition. Byron wrote this satire after his first book of poems Hours of Idleness received "strong censure" in the Edinburgh Review. Byron used heroic couplets in imitation of Alexander Pope's The Dunciad to attack the reigning poets of romanticism, including Wordsworth and Coleridge. Byron suppressed this work after the 5th edition, possibly because he came to regret some of the criticism that he had made.(Summary by Alan Mapstone and wikipedia)

His life mired in scandal and excess, and his verse unparalleled, Lord Byron was amont the most celebrated - and vilified - of the Romantic poets. This audiobook presents a collection of Lord Byron's finest works, including "Fragment of a Novel", "Manfred", and "Don Juan".

A selection illustrating the breathtaking variety of Byron's poetry. Read by Linus Roache, star of the critically acclaimed film Wings of the Dove, this collection includes She Walks in Beauty, The Destruction of Sennacherib, The Vision of Judgment and selections from Childe Harold, The Corsair and Don Juan.

The Oxford Handbook of Lord Byron offers the latest in critical thinking about the poet that defined the Romantic era across Europe and beyond. The volume presents forty-four groundbreaking essays that enable listeners to assess Lord Byron's central position in Romantic traditions and his profound and far-reaching influence on British, European, and world culture.

The Corsair (1814) by Lord Byron narrates the tale of Conrad, a pirate or privateer, who was rejected by society in his youth because of his acts and his later war against humanity. Conrad attacks the island fortress of Pacha Seyd to try to seize his possessions but is captured while trying to rescue women from the pasha's harem. Gulnare, the pasha's slave, initiates a plan to trick Seyd into freeing Conrad but when this fails she kills Seyd and they both escape. Conrad takes Gulnare back to his island home where he discovers that his wife Medora has died from grief. Conrad departs the island ...

George Gordon Byron was born in 1788, the son of the profligate 'Mad Jack' Byron, and succeeded to the title in 1798 moving to the family seat of Newstead Abbey. He attended Harrow School and Trinity College, Cambridge, where he proved to be a poor scholar, preferring boxing, the low life and poetry, publishing his first volume of poems in 1806. In 1809, at 21, he embarked on a grand tour of Europe and on his return to England he married the humourless Annabella Milbanke, who gave birth to his daughter Augusta in 1815.

The period of English romantic poetry occurred roughly between 1800 and 1850 and was represented by poets such as William Blake, Lord Byron, Samuel Taylor Coleridge, John Keats, Percy Bysshe Shelley, and William Wordsworth. All of these poets are featured in this collection of more than 50 poems read by award-winning actors that include Joan Allen, Julie Christie, Stephen Fry, Glenda Jackson, and Jude Law.

Cain: A Mystery is Lord Byron's retelling of the classical Biblical story from the point of view of its antagonist. Undoubtedly influenced by Milton's Paradise Lost, Byron's Cain is defiant and questioning. In trying to come to terms with the mortality humanity has been punished with, he comes face to face with Lucifer, who takes him to the "Abyss of Space," shows him a vision of Earth's violent natural history, and gives him a true understanding of death. Upon his return, a devastated Cain carries out the familiar end of his tragedy. Cain: A Mystery is a closet drama, a popular form for ...

El corsario es, ante todo, un poema autobiográfico que narra las aventuras de un tal Conrado, un corsario rechazado por la sociedad -no así por las mujeres- debido a su comportamiento escandaloso. Byron fue uno de los poetas que gozó en vida de más popularidad. Su existencia se enlazó con la historia política europea de un cuarto de siglo, y llegó a eclipsar en su patria y en su época la gloria de otros poetas. Byron fue un genial poeta romántico, que con sus obras y aun con su misma vida legendaria y anómala, era el prototipo del poeta romántico, hasta el extremo de asumir en él ...

Count Lara returns home after a long absence abroad. He is accompanied by a single page, the faithful Kaled. In his youth, prior to his travels, Lara had led a dissolute life. On his return he is much changed - haughty, reserved, and world-weary. Nothing is known of his life in the interim. During an evening function given by the Count Otho, a local magnate, the host's cousin, Sir Ezzelin, angrily confronts Lara with accusations of unnamed crimes abroad. Otho intervenes and an appointment is made for the following day for the local nobles to hear and judge the accusations.

Conrad, the Corsair, is the chieftain of a pirate band, and plans to attack the Pacha, Seyd, and seize his possessions. Conrad's wife, Medora, prevails upon her husband to abandon his plan and remain at home. Confident in his plan and assured of his safe return, Conrad and his pirate crew set sail for the Pacha's island.

George Gordon Byron, 6th Baron Byron, but more commonly known as just Byron, was a leading English poet in the Romantic mMovement along with Keats and Shelley. Byron was born on January 22nd, 1788. He was a great traveller across Europe, spending many years in Italy and much time in Greece. With his aristocratic indulgences and flamboyant style, along with his debts and a string of lovers, he was the constant talk of society.

El corsario es, ante todo, un poema autobiográfico que narra las aventuras de un tal Conrad, un corsario rechazado por la sociedad -no así por las mujeres- debido a su comportamiento escandaloso. El poema inmediatamente atrajo la atención del público debido a la personalidad arrasadora de Byron, incluso algunos adeptos a la estadística afirman que se llegaron a vender diez mil copias durante su primer día en la calle.

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is. Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a “mongrel,” someone born out of diverse cultures.