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It's a normal night in August. Literature professor Arne and artist Tove are with their children at the resort in Sørlandet. Their friend, Egil, a driver by day, is staying in a cabin nearby. Kathrine, a priest, is on her way home from a seminar; the journalist Jostein is out on the town; and his wife, Turid, who is an assistant nurse, has a night shift. Above them all, a huge star suddenly appears in the sky. No one, not even the astronomers, knows for sure what kind of phenomenon it is.

Kristian Hadeland, newly arrived in London, seethes with ambition and contempt. Then he meets Hans, an eccentric Dutch artist. With Hans, the future Kristian yearns for is tangible. But success comes at a price. And when Kristian does the unthinkable, will he be prepared to pay it?

It's 1986 and a nuclear reactor has exploded in Chernobyl. Syvert Løyning returns home from military service to live with his mother and brother on the outskirts of a town in Southern Norway. One night, he dreams of his late father, and can't shake him from his mind. Searching through his father's belongings for clues and connections, he finds a cache of letters that lead to the Soviet Union.

My Struggle: Book One introduces American listeners to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard. It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intensely, irresistibly readable.

Shapeshifting visitors, unsolved murders in the forest, black metal bands and an online bank of thousands of people’s dreams – the star is back, and the limitless scale and ambition of Karl Ove’s new universe is clear. This is life, death, the human condition, and the opportunity to bring listeners in on the real-time creation of an epic and utterly immersive world.

Karl Ove Knausgaard writes about his childhood and teenage years, his infatuation with rock music, his relationship with his loving yet almost invisible mother and his distant and unpredictable father and his bewilderment and grief on his father’s death. When Karl Ove becomes a father himself, he must balance the demands of caring for a young family with his determination to write great literature. Knausgaard has created a universal story of the struggles, great and small, that we all face in our lives.

In the second installment of Karl Ove Knausgaard's monumental six-volume masterpiece, the character Karl Ove Knausgaard moves to Stockholm, where, having left his wife, he leads a solitary existence. He strikes up a deep friendship with another exiled Norwegian, a Nietzschean intellectual and boxing fanatic named Geir. He also tracks down Linda, whom he met at a writers' workshop a few years earlier and who fascinated him deeply.

My Struggle introduces American listeners to the audacious, addictive, and profoundly surprising international literary sensation that is the provocative and brilliant six-volume autobiographical novel by Karl Ove Knausgaard. It has already been anointed a Proustian masterpiece and is the rare work of dazzling literary originality that is intense and irresistible to hear. Unafraid of the big issues - death, love, art, fear - and yet committed to the intimate details of life as it is lived, My Struggle is an essential work of contemporary literature.

Childhood is exhilarating and terrifying. For the young Karl Ove, new houses, classes and friends are met with manic excitement and creeping dread. Adults occupy godlike positions of power, benevolent in the case of his doting mother, tyrannical in the case of his cruel father. Knausgaard describes a time in which victories and defeats are felt keenly and every attempt at self-definition is frustrating. This is an audiobook about family, memory and how we never become quite what we set out to be.

Beginning in the Garden of Eden and soaring through to the present, A Time for Everything reimagines pivotal encounters between humans and angels: the glow of the cherubim watching over Eden; the profound love between Cain and Abel despite their differences; Lot's shame in Sodom; Noah's isolation before the flood; Ezekiel tied to his bed, prophesying ferociously; the death of Christ; and the emergence of sensual, mischievous cherubs in the 17th century.

Eighteen years old and fresh out of high school, Karl Ove Knausgaard moves to a tiny fisherman's village far north of the polar circle to work as a schoolteacher. He has no interest in the job itself - or in any other job for that matter. His intention is to save up enough money to travel while finding the space and time to start his writing career.

As a 19-year-old, Karl Ove moves to Bergen and invests all of himself in his writing. But his efforts get the opposite effect - he wants it so much that he gets writer's block. At the same time, he sees his friends, one-by-one, publish their debuts. He suspects that he will never get anything published.

The second volume in his autobiographical quartet based on the seasons, Winter is an achingly beautiful collection of daily meditations and letters addressed directly to Knaugsaard's unborn daughter.

This book is about fresh starts, about love, about friendship. It is also about the earth-shattering experience of becoming a father, the mundane struggles of family life, ridiculously unsuccessful holidays, the emotional strains of children's birthday parties and pushing a pram around Stockholm when all you really want to do is write. This is a book about one man's life but, somehow, about everyone else's, too.

Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. With acute sensitivity he describes daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. Nothing is too small or too vast to escape his attention; this is a personal encyclopaedia on everything from chewing gum to the stars.

I den selvbiografiske roman "Min Kamp" beskriver forfatteren Karl Ove Knausgård sin kamp for at komme overens med livet, sig selv, sine litterære ambitioner og de mennersker, han har omkring sig. I romanen fortæller forfatteren om sit forhold til sin far og faderens død.

Karl Marlantes left University at 22 to serve in the Vietnam War. Matterhorn was the bestselling novel based on his experiences. Now Marlantes takes us back to Vietnam, but this time there is no fictional veil. It is part exorcism of Karl's own experiences of combat, part confession, part philosophical primer for the young man about to enter combat. It is also a devastatingly frank answer to the questions ‘What is it like to face death?' and 'What is it like to kill someone?'

In So Much Longing in So Little Space, Karl Ove Knausgaard explores the life and work of Edvard Munch. Setting out to understand the enduring power of Munch’s painting, Knausgaard reflects on the essence of creativity, on choosing to be an artist, experiencing the world through art and its influence on his own writing. As co-curator of a major new exhibition of Munch's work in Oslo, Knausgaard visits the landscapes that inspired him, and speaks with contemporary artists, including Vanessa Baird and Anselm Kiefer.

Eine winzige Insel vor der norwegischen Küste: Kristian Hadeland, erfolgreicher Künstler mit einer Karriere in London und einer bevorstehenden Retrospektive am MoMa in New York, hat sich in die Abgeschiedenheit zurückgezogen. Er will seinem Leben ein Ende setzen. "Tod und Vergänglichkeit", das war das große Thema seines fotografischen Werks, mit dem er sich über sämtliche Regeln hinwegsetzte und in der Kunstwelt für Furore sorgte. Für diesen Ruhm ist er einen faustischen Bund eingegangen.

The conclusion to one of the most extraordinary and original literary projects in recent years, Summer once again intersperses short, vividly descriptive essays with emotionally raw diary entries addressed directly to Knausgaard's newborn daughter. Writing more expansively and, if it is possible, even more intimately and unguardedly than in the previous three volumes, he mines with new depth his difficult memories of his childhood and fraught relationship with his own father.