Showing results by author "G. K. Chesterton" in All Categories

"The Sign of the Broken Sword" is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. In the centre of a story is a mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals to us the mystery of General St. Clare.

"The Flying Stars" is one of Chesterton's mysteries featuring Father Brown. It's actually the first of these short stories I've read and I picked it up more because it's a Christmas mystery than to meet Father Brown, even though he is a character I'd like to read more of. The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

The tenth story in The Innocence of Father Brown is entitled "The Eye of Apollo." At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

The enigmatic and diminutive priest continues to fathom the deepest of mysteries in a set of 11 fascinating stories which are set in such diverse locations as a Mexican Hotel, an English Seaside Pier, and an Oxford University Garden. Chesterton presents his humble and blinking detective as an almost childlike contrast to the bizarre and dark machinations of the fallen world.

G.K. Chesterton is most notable for his creation of Father Brown. This unlooked for, and often unwelcome, detective is actually not a detective. But rather, an individual self-trained to think as criminals think, for he has heard so many of their confessions. He knows how their minds work, and can piece together many things that others cannot.

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

A short story from the British Library Crime Classic collection The Edinburgh Mystery. Father Brown joins his friend, amateur detective Flambeau, at Glengyle Castle in Scotland to investigate the mysterious death of the earl, and the mysterious behaviour of his servant, Israel Gow.

«Si solo leemos una obra de Chesterton —debería avergonzarnos si así fuera— ha de ser Ortodoxia. Seguramente, nadie ha defendido la fe cristiana con argumentos tan sorprendentes y ejemplos tan deslumbrantes, como Chesterton lo hizo en Ortodoxia. Una obra maestra de retórica que (...) realmente constituye uno de los libros mejor escritos del siglo XX» (Dale Ahlquist, presidente y cofundador de la American Society Ches- terton ). Ortodoxia es el libro más importante de una personalidad excepcional.